Music Review: Uncle Lucius, The Light

Published on June 12th, 2015 in: Culture Shock, Current Faves, Music, Music Reviews, Reviews |

Guitarist Mike Carpenter of Uncle Lucius calls his band “Southern rock for the thinking man” and that’s quite correct. There’s a rich vein of social consciousness running through The Light, with thought-provoking lyrics on each track. Lest that make you shy away from The Light, don’t; those lyrics are enveloped in some excellent tunes, played by a band that doesn’t shy away from kicking ass.

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Music Review: Husky, Ruckers Hill

Published on June 5th, 2015 in: Current Faves, Music, Music Reviews, Reviews |

By Melissa Bratcher

Australia’s Husky have made one of the best albums I’ve listened to this year. Ruckers Hill is transporting, moving, and packed with glorious, goosebump-inducing harmonies. Vocally, frontman Husky Gawenda bears more than a passing resemblance to Paul Simon, and as a result, many of the harmonies reach that Simon and Garfunkel sweet spot. There’s a retro feel to Ruckers Hill, but with modern sensibilities. The songcraft is as tight as the harmonies.

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Music Review: KaiL Baxley, A Light That Never Dies

Published on June 5th, 2015 in: Current Faves, Music, Music Reviews, Reviews |

By Melissa Bratcher

While KaiL Baxley has interesting autobiographical details about which a book could be written (Golden Gloves champion, as a child held dance offs with his neighbor James Brown), what is the most fascinating is his new album A Light That Never Dies. A follow up to his 2013 debut Heatstroke/The Wind And The War, his latest is a genre-bending masterpiece, an album with many layers, all shot through with Baxley’s fascinating voice. A Light That Never Dies just gets better on repeated listenings. It’s definitely a “headphones on” sort of record; there are rich nuances and instruments buried down in the mix, and Baxley’s voice is swoon-worthy.

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Music Review: Todd Grebe & Cold Country, Citizen

Published on May 29th, 2015 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Melissa Bratcher

Hailing from Alaska, Todd Grebe & Cold Country make good, old-fashioned country music. Their newest, Citizen, has the feeling of a classic, with witty lyrics, outstanding music, and Grebe’s unconventional voice. Produced by David Ferguson (known for working with Johnny Cash), Citizen has a crisp, brisk sound, in which every instrument sounds brilliant.

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Music Review: Jamie Lin Wilson, Holidays & Wedding Rings

Published on May 22nd, 2015 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Melissa Bratcher

Jamie Lin Wilson’s (The Trishas) solo debut, Holidays & Wedding Rings, has the trappings of a classic country album: women looking for love and taking it where they can find it, heartbreak, cheating, death, all with a hearty dose of mandolin and lap steel to anchor the songs. Wilson has a wonderful twang in her vocals, and indeed, a dusty road of Texas runs through the songs. The thing that sets Holidays & Wedding Rings apart is Wilson’s songwriting. There are unvarnished truths in her lyrics, and she doesn’t shy away from them.

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Music Review: The Grahams, Glory Bound

Published on May 22nd, 2015 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Melissa Bratcher

There’s something amazing about The Grahams’ newest album, Glory Bound. It feels absolutely timeless. Alyssa Graham has an unaffected, incredibly powerful voice and the songs feel as if they could have been pulled from country radio in the ‘70s (the last truly excellent country era). There’s an ease to these songs, borne of a couple who have known each other since they were children, and now that they’re married, make the kind of music that feels as if it has always existed: rooted in the earth, clicking along train tracks through the countryside, forever.

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Music Review: Banditos, Banditos

Published on May 15th, 2015 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Melissa Bratcher

When was the last time you heard a kick-ass kazoo solo (or even a bad one)? On the Banditos’ self-titled debut you’ll find one, and realize that you don’t hear enough kazoo in your daily life. And while that’s an interesting moment on Banditos, there is so much more to dig. The band is tight, taking disparate influences and deftly weaving them into a sound that is completely their own. It’s an incredibly assured, fully formed debut featuring smart songwriting and three vocalists who each add their own flavor to the songs.

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Music Review: Paul Revere and the Raiders, Revolution! (Reissue)

Published on May 8th, 2015 in: Current Faves, Music, Music Reviews, Reissues, Retrovirus, Reviews |

By Melissa Bratcher

Paul Revere and the Raiders were weirder than they got credit for. In 1967, during the making of their Revolution! album, lead singer Mark Lindsay was living at 10050 Cielo Drive with producer/musician Terry Melcher, making music and doing the sorts of things that young rock stars do. Paul Revere, the band’s namesake, wasn’t in the studio much, having been relegated to playing chords on the organ and taking a backseat to Lindsay’s musical ambition and insane charisma. This left Lindsay and Melcher free to make Revolution! more experimental and freewheeling than other Raiders outings, with a host of the finest session musicians (Ry Cooder! Taj Mahal! Hal Blaine! Glen Campbell!). And Revolution! has some excellently weird moments.

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Music Review: Various Artists, Rock! Wreck! & Rule!

Published on May 8th, 2015 in: Current Faves, Music, Music Reviews, Reissues, Retrovirus, Reviews |

By Melissa Bratcher

What do you get when you marry B-movie sensibilities with punk ethos and rockabilly’s hard driving, stand-up bass flavored beats? Did you answer “psychobilly?” Of course you did.

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Music Review: Jacco Gardner, Hypnophobia

Published on May 8th, 2015 in: Current Faves, Music, Music Reviews, Reviews |

By Melissa Bratcher

On Hypnophobia, the follow up to Dutch multi-instrumentalist/producer Jacco Gardner’s 2013 Cabinet Of Curiosities, the lines between sleeping and waking are blurred. Hypnophobia is dream-like and gauzy, with gorgeous, hazy melodies. It feels like Syd Barrett joined the Beatles.