Hey! Someone Got Romance In My Sci Fi!

By Lisa Anderson

For me, it all started with a gift bag.

An acquaintance of mine runs a paranormal romance* book club. Last year, she gave me a goody bag she had obtained, a reusable tote containing books, bookmarks, pencils, and other gifts. One of the ad fliers included had a starry background (indicating the book’s location in outer space) and featured a sexy embrace between a tough-looking woman in a black tank top . . . and a man wearing glasses.

It took my breath away. I couldn’t recall having ever seen a hero with glasses on the cover of a romance novel before. I’d been intrigued by the concept of Sci-Fi Romance (SFR), but had been burned by my first attempt, putting the book down after the third time the hero threatened the heroine’s life. I decided to give it another try, though, and bought the book from the flier—Rebels and Lovers, by Linnea Sinclair. Now SFR is my favorite romance subgenre!
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The Women Behind The Whedonverse

By Lisa Anderson

Even casual fans of Joss Whedon know that strong female characters are important to him. Buffy the Vampire Slayer, Echo from Dollhouse, and Zoe from Firefly are only a few examples. What casual fans may not realize is that women behind the scenes—Whedon’s fellow writers and producers—have also helped make his storylines beloved to so many fans. They include Jane Espenson, Marti Noxon, Maurissa Tancheroen, and Felicia Day.
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Beyond Twilight: Stephenie Meyer’s The Host

By Lisa Anderson

Stephenie Meyer: Few writers have ever had their work loved and hated so deeply at the same time.

Her Twilight series, consisting of four novels and a novella, has sold over 100 million copies worldwide and been translated into 38 languages, as well as being adapted into a film saga that is set to conclude this year. Meyer has a wide variety of critics, from vampire purists who resent the liberties she has taken with the lore, to feminists who find the relationship between her romantic leads unhealthy. In all the hubbub, though, you hear almost nothing about Meyer’s other brain child: A science fiction novel called The Host which was released in 2008.
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In Defense Of Elizabeth Gilbert

By Lisa Anderson

Elizabeth Gilbert seems to be a rather divisive literary figure. Her 2006 memoir, Eat, Pray, Love told the story of the year she lived abroad after her first marriage ended. It spent almost two hundred weeks on the New York Times bestseller list, and was praised by Oprah Winfrey. At the same time, it received a lot of criticism in the blogosphere. The gist of the criticism is that many people have problems starker than Gilbert’s, that very few people have the resources to travel for a year as she did, a and that to use other countries as the backdrop for her personal salvation was imperialist at best, racist at worst.

I don’t think that any writer is above criticism, and I’m not trying to silence anyone. I certainly agree that racial and cultural sensitivity are important. However, a lot of what I’ve heard said about Gilbert misses the point of her work, and some critiques are quite sexist. I’d like to point out a few of the things that I’ve heard and explain why I don’t believe they apply.
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Top Ten Romantic Comedies: A Valentine’s Day List

By Lisa Anderson

I Love You Phillip Morris

The romantic comedy: it’s the most reviled of genres, and yet also the most resilient. There’s an assumption that men only go see them out of obligation . . . although men are likely to enjoy the good ones, and women are likely to dislike the bad ones. Too many rom-coms rely on mutually insulting stereotypes (the commitment-phobic man, the miserable career woman), predictable plots (boy meets girl, boy does something stupid), and problematic supporting characters (Sassy Black Friend, Sassy Gay Friend).

Nevertheless, they keep getting made, and they keep making money. This is because among the scores of bad rom-coms, there are gems. Almost everyone can think of a few that have actually made them laugh, and managed to resonate with their feelings and experiences. Here are a few of mine, in no particular order.
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My Top Ten (or is it 11?) For 2011: Movies To Look For

By Lisa Anderson

The beginning of the New Year brings new movies to look forward to. Not all of them are Oscar contenders, and not all of them will be as good as they look. I’ll probably be skipping the overrated and (hopefully) played-out gimmick of 3D whenever possible. Here are the ten movies that I’m most excited about, and in most cases, I’m not alone.
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The Dad Abides: Tron: Legacy

By Lisa Anderson

There have been a lot of father-son issues in movies lately.

Tony Stark deals with his father’s legacy in Iron Man 2. Robert Fischer’s feelings toward his recently departed father make possible the titular mind-crime in Inception. In The Town, Ben Affleck’s character has a troubled relationship with his jailed dad. Even the critically panned Wall Street 2: Money Never Sleeps is about the daughter of Gordon Gekko. (Okay, it was actually about her boyfriend, but still.) It’s easy to wonder if it’s just coincidence—after all, fraught relationships are an easy way to raise the emotional stakes in a story—or if there’s something going on the in popular subconscious. No recent movie has put father-son dynamics as close to the forefront, though, as Tron: Legacy.
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Sherlock Holmes Has A Cell Phone

By Lisa Anderson

In Central London, Scotland Yard is holding a press conference about a recent spate of suicides. The Detective Inspector insists that the deceased must all have something in common, and instantly, everyone present—police and press alike—receives a text stating simply: “Wrong!” Later that week, an army doctor, just back from Afghanistan, is checking out a potential flat with the strange, misanthropic young man he met only the day before. The landlady asks how many bedrooms they’ll be needing, saying that it’s okay if it’s only one. “Of course we’ll be needing two!” the doctor protests, shocked.

Both of these scenes take place in Sherlock, a miniseries created by the BBC but which also aired on PBS’s Masterpiece Mystery. They also both illustrate the way this contemporary retelling brings Sir Arthur Conan Doyle’s detective into the modern world, with its ever-changing technology and complicated social realities.
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Armchair Casting Director: Open Letter To Christopher Nolan

By Lisa Anderson

Dear Christopher Nolan,

It was recently announced that your next film, The Dark Knight Rises, will be Christian Bale’s last Batman movie. Since Bale is a more than decent actor who has enthralled audiences so far as Batman and Bruce Wayne, I’m sure you want to make the most of his final spin in the Batmobile. I have a suggestion to this end, and it has to do with who Batman will fight this time around.
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The Matrix Revisited

By Lisa Anderson

Seraph: Did you always know?
Oracle: No, no I didn’t. But I believed. I believed.
—The final lines of dialog of The Matrix Trilogy

In 1999, the movie going public got its mind blown. The Matrix, directed by Andrew and Larry (Lana) Wachowski, used cutting-edge technology to draw on a range of stylistic influences, from Hong Kong action movies to Cyberpunk. What really set the film apart, though, was it’s heady blend of ideas and symbols from Christianity, Eastern spirituality, and Western Philosophy.
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