Feed Your Head

The movie medium began as a series of technical advancements and research projects, an attempt to put still photographs into motion, beginning with Eadweard Muybridge’s “zoopraxiscope” and Thomas Edison’s inventions of the kinetoscope in 1889 and the vitascope in 1895, and quickly moving towards the many imitations and variations that followed.

According to film historian Benjamin B. Hampton, Edison was too involved in his laboratory experiments and “too far removed from the public to realize that his invention was anything more than a toy.” Yet soon, “[M]en with keener commercial sense than Edison. . . saw a field of money-making.”

Altered States, 1980

Although the more artistic possibilities of this new medium would soon reveal themselves through films like George Méliès’ A Trip To The Moon, these seem to have been exceptions to the norm. Hampton notes that although “[T]here was no opposition to quality; there merely was no conscious effort” since the main objectives were that the films “did not require any more film or cost any more money.”

And there was a lot of money to be made. By 1913, the gross income of Edison’s Vitagraph corporation “was between five and six million dollars a year,” a nearly inconceivable amount of money for the time. The battle between art and commerce has continued in the film industry ever since.
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Jesca Hoop, Hunting My Dress

By Less Lee Moore

The title song of singer/songwriter Jesca Hoop’s second album, Hunting My Dress, might sound odd, until you listen to the song and consider the lyrics. Rather than describing a woman’s article of clothing, she seems to mean instead the search for a guise, or perhaps a disguise. With all the various personas that she inhabits on this album, it is quite a fitting term.
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Inception‘s Deception

By Less Lee Moore

“Yet both directions, though not without meaning, are equally useless.”
—M.C. Escher on his lithograph Ascending and Descending, 1960

Filmmaker Christopher Nolan has only been making features for a little over a decade, but he has already established a singular style, both visually and thematically. Nolan deals in dreams and memories, in morality and duality. His latest film, Inception, is no exception to this trend.
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Underground Girls Blog: Q&A With Mandy Mullins Of Garbo’s Daughter

By Less Lee Moore

The lovely and talented Mandy Mullins, who has been an integral part of so many of our Popcasts here on Popshifter, was recently featured on the Underground Girls blog where fellow groovy girl Kelly Fever describes her as “one of the grooviest girls in the pop music scene” and I couldn’t agree more.

Read their Q&A with Mandy to find out more as she discusses her influences, her idols, her guitar, plus Stryper, Sassy Magazine, The Beatles, The Osmonds, and Bubblegum!

Young Doctors In Love, 5 Golden Greats EP

By Less Lee Moore

Toronto five-piece Young Doctors In Love has recently released 5 Golden Greats, an EP that is aptly titled and perfectly suited for sunny days and hot weather. These five tunes are catchy without being repetitive, hefty without being heavy, and unique without being precious.
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Tobacco, Maniac Meat

By Less Lee Moore

“I want to make you feel paranoid in a good way. There’s something seriously fucked about workout tapes from the mid ’80s, and just about everything obscure on beta tape. They make me feel awful, but really good and curious at the same time. With this Tobacco stuff, I’m trying to translate that feeling.”
—Tobacco, September 26, 2008, Interview in Kotori Magazine

The contradictions inherent in being both a music lover and a music writer frequently lead to a profound tension between pure enjoyment and the need to explain and categorize every song that weaves its way into my ears. One persistent classification has been “music that makes my mom nervous.” Although I have empirical knowledge that Born Innocent by Redd Kross is one such album, I have never been brave enough to test out other potential contenders like Nirvana’s In Utero or anything by JG Thirlwell (the cover of Scraping Foetus Off The Wheel’s Nail was enough to send her into apoplexy).

Certainly Tobacco‘s Maniac Meat would introduce my mom to an entirely new dimension of nervousness.
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Talent Is An Asset: The Story Of Sparks

By Less Lee Moore

After all the articles I’ve written, after all the mix tapes and CDs I’ve made, after all the years of continual and ridiculous fangirling over Sparks. . . do I really need to convince you that they are one of the most wonderful bands of the last 40 years?

If only there were some sort of written chronology of their illustrious career, perhaps one that covers the band’s history, album by album, with salient or illuminating quotes from those who have known, followed, and worked with the band from its inception to the present day. . . it would just make things so much easier.

Thankfully, writer Daryl Easlea has answered my cries for help and written Talent Is An Asset: The Story Of Sparks.
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It’s White Flag’s World, We Just Live In It: An Interview With Pat Fear

By Less Lee Moore

Recently we’ve been treated to new music from the venerable White Flag, an excellent EP called Keepers Of The Purple Twilight. Released on Target Earth in March of this year, all five songs are fantastic, featuring the White Flag hallmarks of clever, witty lyrics, which are often belied by hooky, but rocking tuneage.

One intriguing factor is that lyrically, the tunes are pretty introspective, perhaps pondering where a band like White Flag, who has been consistently making music but continually underrated over the years, fits into this weird world of American Idols and Justin Biebers.

If you haven’t been paying attention to White Flag, we’re here to help fill in those gaps for you. What follows is a conversation with singer, guitarist, songwriter, and main Flag-waver Pat Fear about the history of the band, including just a few of the “28 years of stories” he’s accumulated about punk rock, playing Greenland, The Shaggs, Os Mutantes, Gasatanka Records, and being the most connected band in the universe.
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Law & Order: These Are Our Stories

An elderly Jewish man is trying to convince police that he helped his ailing wife commit suicide out of love, but what is the real truth? Is he a devoted husband and Holocaust survivor, or Jacob Schulman, a former Nazi death camp officer trying to cover his tracks?

Screencap by megacaps

In 1996, I turned on my TV, randomly flipped to a channel, and became instantly riveted to the screen by the story just described. Eric Bogosian, who had completely blown my mind in Talk Radio a few years earlier, was portraying an attorney defending the fictional defendant, David Steinmetz, in a New York courtroom. This is how I discovered Law & Order. The episode was called “Night and Fog.”
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Arcadia, So Red The Rose Special Edition

By Less Lee Moore

One would think that with so many Duran Duran CDs, at least six Duran Duran DVDs, and a box of VHS tapes, I’d have enough to satisfy me. But as Hamlet used to say, it’s “As if increase of appetite had grown/By what it fed on.” And if you think that sounds pretentious, you should listen to Arcadia’s So Red The Rose.

Now now, calm down. I kid. I kid because I love. For those who haven’t been Duranies since the dawn of the ’80s, I’ll fill you in: Arcadia was a side project of Duran Duran members Nick Rhodes, Simon LeBon, and Roger Taylor. The band came to fruition in 1985, after the release of Duran Duran’s Seven and the Ragged Tiger album.
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