IAMX, Dogmatic Infidel Comedown OK

By Hanna

In general, remixes seem redundant to me because they never live up to what they purport to be: a completely new or different piece of music. Mostly I tell people that remixes sound like someone in the band can’t keep the time and is missing the beat over and over and over. But of course, like all generalizations, this is both too simple and too stupid a description of remixes to be completely true.

Remixes of the hilarious parody type can be surprisingly good, if they manage to combine two ideas. And then there are remixes that really do become a whole new piece of music. Dogmatic Infidel Comedown OK features remixes of IAMX’s Kingdom Of Welcome Addiction album and is remarkable in that it manages to do just that.
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Venus In Fur: Femininity, Masculinity, And The Wolfman

By Hanna

When The Wolfman‘s release date was announced, feminist blog Jezebel asked why there aren’t many female werewolves, concluding that because werewolves are disgusting and hairy, people don’t want to equate that with women. They also pointed out that vampires are a lot more popular than werewolves at the moment, and described that position with regards to sex.

Although the answer to the question about women and werewolves lies exactly in those issues, Jezebel drew the wrong conclusions.
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That Would Be An Ecumenical Matter: Father Ted and Ireland

By Hanna

Most of Ireland’s cultural presence in Western countries is undeniably depressing. Even such light-hearted fare as Breakfast on Pluto features repression of sexuality by the church, the IRA, terrorism, and attacks on women for having children out of wedlock.
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Become A Published Author: Make A Comment

By Hanna

In a lot of “end of the year” lists for 2009, Twitter was listed as the Internet trend or website of the year. Another contender was Facebook, which has amusingly been included in “trends that won’t return next year” for about five years now. Although to most people who spend a lot of time online, Twitter had its trendy moment a few years back, and Facebook’s was around 2005, there remains this insistence that quite a lot of the Internet is just part of a fad or a trend.
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Not M-Miss M-M-Mitford: Brideshead Revisited, Revisited

By Hanna

When it came out in 1981, the Brideshead Revisited TV series starring Jeremy Irons was an event, and something remembered like a significant date in history by a lot of people who were alive then. Its greater cultural importance lay in the fact that it set the standard for all eccentric and twee undergraduate behavior, eventually becoming a staple for undergrad language students in the UK.

The TV series’ cult status arose from a situation that sounds like an urban legend, because it seems strange that people took it seriously at any point, and even stranger that they would try to copy a lifestyle that is presented as, at best, ambiguous in both the book and the series. But it’s true, and especially in the ’80s and ’90s, students took the TV series as a model for their lifestyles, co-opting with enthusiasm a philosophy of life that would most likely have excluded them from it on the basis of their origins, had it been real.
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I Just Can’t Stop Loving You

The reaction to Michael Jackson’s death surprised me. I can’t pretend to be like the true hardcore Michael fans; I have always hovered on the edges of the fandom and kept it to myself, too much perhaps. For years I have kept quiet about loving him, even as part of a music fandom where coolness doesn’t really matter. There has just been so much wrong with loving him—truly and wholly—in the eyes of the world for so long.
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Top Five Ideas For Life After The Swineflu Apocalypse (As Gleaned From ’80s Music Videos)

By Hanna

1. In the future, David Bowie will flirt with black men and we will do experimental dance. ALL DAY.

David Bowie, “Time Will Crawl” (1987)

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Renato Zero, Presente

By Hanna

Presente is a great album—if you can get it. As a result of his breaking with Sony, Renato has released it independently, as he’s emphasized overly clearly in interviews. It’s like a perfect tiny illustration of protectionism: while the independent release has had many advantages—more control over promotion, a more detailed concept and, of course, the uncommercial 17 tracks of the CD—it also means it isn’t for sale anywhere outside of Italy. The Sorcini network has insured it gets shared, but it is a situation that should be resolved, as this is shutting many people out and alienating an already detached market.
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Morrissey, Years Of Refusal

By Hanna

There is a feeling among Morrissey fans that he is alienating them; there is a general disquiet, like the lights turned on in the theatre. Blog posts focus on how Morrissey’s face of arrogance is really showing behind the mask—well, more than usual, I mean.
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The Sweet, Action: The Sweet Anthology

Disc One: By Hanna

Glam Rock fans can be divided into two groups: the ones who think The Sweet were not actually glam because glam is an intelligent genre, and the ones who think The Sweet were the best Glam Rock band because they seemed to be in it for the money only.
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