Tony Bennett, Isn’t It Romantic?

Published on February 21st, 2012 in: Current Faves, Music, Music Reviews, Reviews |

By Melissa Bratcher

tony bennett isnt it romantic

Tony Bennett‘s Isn’t It Romantic? hit my doorstep on Valentine’s Day. It is fair to say that there isn’t a finer collection of romantic, swoon-worthy songs than this. Isn’t It Romantic? is an excellent, entry level primer of Tony Bennett’s catalog for those whose interest may have been piqued by his recent Grammy win for Duets II.

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The Explorers Club, Grand Hotel

Published on February 14th, 2012 in: Current Faves, Music, Music Reviews, Reviews |

By Cait Brennan

the explorers club grand hotel cover

You’ve got to admire Jason Brewer, the founder of Charleston, South Carolina’s The Explorers Club. Barely 30, Brewer has mastered the language of 1960s pop songwriting with the kind of heart, skill, and creative ambition that would be the envy of any musician, especially those who were old enough to have been there in the first place. His band’s well-reviewed 2008 debut, Freedom Wind, echoed some of the Beach Boys’ most gorgeous moments; it was such a grand love letter to Brian Wilson that Brian Wilson’s own 2008 album That Lucky Old Sun was probably only the second-best Brian Wilson album that year.
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The Heartless Bastards, Arrow

Published on February 14th, 2012 in: Current Faves, Music, Music Reviews, Reviews |

By Danny R. Phillips

heartless bastards arrow

The Heartless Bastards are a bit of an anomaly in the world of music. They are a rock band led by the charismatic and clever Miss Erika Wennerstrom. Instead of taking the manufactured pop road much traveled like Katy, Britney, or Lana, Wennerstrom charges ahead like Chrissie Hynde, strapping on a guitar and scorching the Earth.

Arrow, the Bastards fifth album and first for Paristian Records, is full of exceptional lyrics, 1970s rock stomp, and just a sprinkling of country twang. Where 2009’s The Mountain (my pick for album of the year) was full of heartbreak and cathartic reflection (Wennerstrom had ended a nine-year relationship), Arrow is packed with wonder and acceptance of life.
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Pan Am: Music From And Inspired By The Original Series

Published on January 17th, 2012 in: Current Faves, Music, Music Reviews, Reviews, Soundtracks and Scores, TV |

By Melissa Bratcher

I love a good soundtrack, even for things I’ve not seen. I love the way that carefully chosen songs can convey a feeling and even a look, and that the use of music in a show or movie can make or destroy a moment.

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Various Artists, Meet Me At Mardi Gras

Published on January 10th, 2012 in: Culture Shock, Current Faves, Holidays, Music, Music Reviews, Reviews |

By Melissa B.

mardi gras cover

How fortunate the New Orleanians are: Once Christmas and New Year’s are over, they get to move straight into Carnival season. Parades, food, music, revelry, and the finest of these things, I’d wager, is the music.

I’ve often wondered how New Orleans can have so many obscenely talented, homegrown musicians. Is it the food, the humidity, the heritage, the proximity to water? Is there a great funk reservoir that all of the drinking water comes from? Do they put it in babies’ bottles at birth? Whatever causes it, there is a bumper crop of amazing New Orleans music out there and Meet Me At Mardi Gras puts it all in one convenient disc, making a party in your living room, or car, or ears. What have you.

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Misterman, With Cillian Murphy

Published on January 9th, 2012 in: Current Faves, Reviews |

By Maureen

misterman poster

Let me just get this disclaimer out of the way: I fucking love Cillian Murphy. I would crawl through a river of shit, Andy Dufresne-style, just to listen to him read the phone book. Which, in a twisted and complex way, he kind of does in Enda Walsh’s play Misterman.
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Melody Walker, Gold Rush Goddess

Published on January 3rd, 2012 in: Current Faves, Feminism, Music, Music Reviews, Reviews |

By Kai Shuart

gold rush goddess

In the interest of full journalistic disclosure, I have to say that I know Melody Walker—the artist behind this CD—personally; I had the privilege of playing with her many times when we were both attending Humboldt State University and seeing her talent grow from her early days playing at Muddy Waters. We remain great friends to this day.

However, that does not diminish the fact that this is an outstanding record. The opening title track, “Gold Rush Goddess” intertwines the earthy images of dynamited mountains and the lusty image of a woman dancing for money and melds them into a cohesive allegory for exploitation, as evidenced in the lyric “Come down off that mountain/come down all you men/but don’t you come knockin’ without money in your hand.”
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Peggy Sue, Acrobats

Published on December 27th, 2011 in: Current Faves, Music, Music Reviews, Reviews |

By J Howell

peggy sue acrobats

The concept of the “sophomore slump” may be a tired old critical cliché, but it’s applicable often enough that when a band with a great debut gets around to that second record, one may find oneself a bit nervous. Thankfully, Peggy Sue—whose Fossils and Other Phantoms was likely the best debut album of last year—have not only avoided the second record hex, they’ve completely obliterated it. It’s difficult to recall another sophomore effort that so masterfully retained the best of its creators’ aesthetic while expounding upon it by orders of magnitude; the example that springs to mind is Castanets’ First Light’s Freeze, and like that record, Acrobats may well stand as a modern classic.
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X: The Unheard Music: The Silver Anniversary Edition DVD

Published on December 20th, 2011 in: Blu-Ray, Current Faves, Documentaries, DVD, DVD/Blu-Ray Reviews, Movies, Music, Reviews |

By Chelsea Spear

x the unheard music

To the layperson in the early ‘80s, punk rock was an atonal mess of a sound made by destructive adolescent boys with an all-consuming hunger for amphetamines and an allergy to shirts. In the documentary X: The Unheard Music, director W.T. Morgan and the punk band X challenge these stereotypes by focusing on the creative process and the day-to-day experiences of a working band trying to find their audience.
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Thomas Dolby, A Map Of The Floating City

Published on December 20th, 2011 in: Current Faves, Gaming, Music, Music Reviews, Reviews |

By Jemiah Jefferson

dolby map of floating city

It’s somewhat startling to realize that this is Thomas Dolby’s first album in twenty years. Since the 1992 non-success of Astronauts & Heretics, his last album of originals, Dolby busied himself in Silicon Valley, inventing and patenting applications involved in ring tone technology. This is the sort of thing that the cerebral, nay—pointy-headed—Dolby would do when the music industry started to bore him. But what happened after the man created his patents, got rich, got bored (again), and went home?

Once a musician, always a musician. Dolby began touring again, solo, several years ago, and to his audiences, dropped teasing hints that he was working on new music. A Map of the Floating City, in all its forms, is the result of that lengthy process, revealing painstaking perfectionism that occasionally gets in the way, but mostly creates a multilayered experience that develops in complexity with every revisit.
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