Sextreme Ball 2010: My Life With The Thrill Kill Kult/Lords Of Acid

By Christian Lipski
Photos by Deborah Lipski

Praga Khan’s girlfriend
tempts the audience

Dante’s, Portland OR
July 14, 2010

Touring together for the first time in 15 years, Lords of Acid and My Life With The Thrill Kill Kult are the main events on the Sextreme Ball 2010 tour, which began in Seattle on July 13. Both bands were part of the techno music movement of the late ’80s/early ’90s, and judging from the first two sold-out shows, both are still popular among the electronica crowd.
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Punks In Portland: Buzzcocks

By Christian Lipski

Berbati’s Pan, Portland OR
June 1, 2010

Even if it’s in print, it’s not always true. The concert ticket said eight o’clock, but once we got to the club, a sign indicated that opening band The Dollyrots would start at nine. Inconsistently, the ticket was right about the door time, so from seven until nine I had plenty of time to take in my surroundings.
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Let’s Get Associated Released For The Killola Army

By Christian Lipski

Dog tags are usually intended to identify the wearer as a member of a branch of the militia, but after March 2010, they’ll also be used to indicate that the wearer’s a fan of L.A. Band Killola. The do-it-yourself band have released their third album on a wearable USB drive in the shape of a dog tag, also including their previous two albums and much more.

The unique packaging is typical of a band who has made a reputation out of doing things their own way. From their beginnings in 2003, they’ve been doing their own recording, producing, and promotion, and have amassed a huge fan base, performing across the country as well as Europe.
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Arranged Marriage, Dearly Beloved

By Christian Lipski

As a rule, kids never like the music their parents listen to. Likewise, there’s an unwritten law that parents must hate their children’s music. It’s important for young people to develop their own identities as people, and for parents to get a taste of what they put their own parents through. That’s what makes the band Arranged Marriage such a unique treat: father Brad Allen has teamed up with his son Scott to write, perform and produce the album Dearly Beloved.
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The Remakening: Movies That Should Be Remade

Intro by Less Lee Moore

A February article on Horrornews.net proposed a list of 13 movies that need to be remade. While I didn’t agree with all of the films listed, it got me thinking.
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Muse: Under Review DVD

By Christian Lipski

Muse: Under Review is a retrospective of the British rock band’s career since its start in Teignmouth, UK (and thank you for showing me how that is pronounced).

It’s an unauthorized biography, meaning the members of Muse did not contribute or endorse the material. Immediately, I’m assuming this means no music, no photos, and no new information, which was the main problem with earlier documentaries like Muse: Manic Depression.

Happily, I was well mistaken here. The DVD is filled to the brim with clips from videos and live performances, behind-the-scenes photos, and interviews with music journalists and key participants in the band’s rise. It’s two hours of in-depth study which should make the band’s fans glow with satisfaction.
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Lost & Never Found Again: Mixtapes

I made a mix tape in 1990 that I loved and lost. I loved it because it was filled with odd songs and crazy stuff that I collected from different sources. All I can remember now is that it had Kid Frost’s “La Raza” on it, and that it had a heart painted on the case with nail polish.
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Embracing Pop: Throwback Suburbia

By Christian Lipski

Backspace, Portland OR
February 16, 2010

Although they are from my home base of Portland Oregon, I first heard about Throwback Suburbia from Indiana resident Gidget Bates, a DJ for Woody Radio. They’re her favorite modern band, and they’re neighbors of mine, so I went to see them at local venue Backspace.
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Johnny Action Figure, Good Eye

By Christian Lipski

In every genre of art, there evolve solidified scenes, where well-defined rules force participants to toe the line and conform, even if the theme itself is nonconformity. And there are, logically, points when those scenes lose their power to enclose, and you suddenly begin to see variety where there once was only similarity. At this point, there are usually no existing words to define the new forms, except to identify what scene they were or are not a part of.
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Samples: Where’d That Come From?

By Christian Lipski

In addition to my love of original versions of songs, I also like to collect songs that are used as samples in other songs.
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