T Bone Burnett, The Speaking Clock Revue

By Chelsea Spear

Writing a negative review of an album like The Speaking Clock Revue is an almost painful thing. The album comes with an impressive pedigree, drawn as it is from a concert organized by T Bone Burnett to benefit arts education. Most of the assembled artists—among them Elvis Costello, Neko Case, the Secret Sisters, and Jeff “Lebowski” Bridges—are almost above reproach. The production is clean and listenable, and the money raised from the sale of the CD goes to a good cause.

All of this is noble and worthy, to be sure. But the well-regarded clutch of artists and the laudable cause aren’t enough to make the whole experience anything greater than snooze-worthy.
(more…)

Beirut, The Rip Tide

By Chelsea Spear

Zach Condon, the jet-setting mayor of indie pop band Beirut, knows how to set a mood. Before listeners hear so much as a note of his latest album, The Rip Tide, the song titles suggest a travelogue instead of a mere collection of tunes. They are named for locations both exotic and quotidian; the ones that aren’t suggest a skyline broader than that of his Santa Fe home. Which journeys does Condon invite his listeners on with this album?
(more…)

The Feminist Mystique: Joan Holloway, Peggy Olson, And Protofeminism In Mad Men

By Chelsea Spear

Hey Mad Men fans, let’s play a word association game. When I say to you “Peggy Olson,” what comes to mind? Of course you’d think of the plucky, ambitious copywriter of Sterling Cooper, a Cinderella out of nowhere who’s made a name for herself both through her skill with words and her dogged pursuit of every opportunity that comes her way. Thoughts of Peggy’s unfortunate wardrobe might also cross your mind, as you think about her fondness for mustard yellow and those ridiculous fluffy bangs she rocked in the early episodes.

Okay, so let’s try this again, this time with “Joan Holloway.” Two words might pop into your head: Hotchie and/or motchie! Yes, Joan is the series’ breakout character, beloved by voluptuous women and drag queens everywhere for her jewel-toned wiggle dresses, her red hair, and her way with a bon mot. True, she’s saved the bacon at SC and assisted in building the new ad firm Sterling Cooper Draper Pryce, but who are we kidding? She’s as well known for her sex appeal as she is for her efficiency and professionalism.
(more…)

Saddle Shoes and Winnipeg Tuxedos: Fashion In Twin Peaks

By Chelsea Spear

Watching Twin Peaks from a remove of over twenty years conjures a rush of emotions: The tragedy of an innocent’s brutal murder, the suspense of unraveling the mystery, the fear of the uncanny, and the occasional revulsion at the wardrobe. Holy angora, viewers may think. Did people actually dress like that in the early ’90s?

(more…)

“Seductive Subversion: Women In Pop Art”

By Chelsea Spear

Exhibit at The Aidekman Center for the Arts
Medford, MA

Free association: When I say the words “Pop Art,” what comes to mind? Screen-prints of Brillo boxes and Campbell’s soup cans, Ben-Day dots on comic-strip women, cartoon collages. And pop artists? Andy Warhol, Roy Lichtenstein, Richard Hamilton, maybe Jasper Johns and Robert Rauschenberg. Like most art movements, Pop Art is considered to be a boys’ club. “Seductive Subversion” seeks to turn this misconception on its head.
(more…)

Portrait of a Reputation: The Woodmans

By Chelsea Spear

The early months of 2011 find artist Francesca Woodman in the spotlight. After numerous solo shows throughout the United States and Europe, the photographer will be the subject of a career retrospective at the San Francisco Museum of Modern Art. Her work changes hands for hundreds of dollars. Established photographers like Cindy Sherman and Photoshop illustrators such as Rosie Hardy cite Woodman’s ethereal self-portraits as a key influence.
(more…)

The Discreet Charm of the Bourgeoisie: Sleep It Off and Doll In The Box by Cristina

By Chelsea Spear

Picture it: the Lower East Side, early 1980s. ZE Records had become the hot indie label, renowned for their tweaking of the nascent disco and no wave genres. The label incubated up-and-coming talent like James Chance and Kid Creole and the Coconuts, and helped spur the Waitresses on to trivia-question status with both of their hits.

While all of these artists have remained in the spotlight, one of the most interesting and peculiar talents got lost in the shuffle: Cristina. This one-named wunderkind of Brechtian disco pastiches, Lieber and Stoller covers and later, an album worthy of comparison with Marianne Faithfull’s Broken English, all but disappeared after her second album, Sleep It Off, barely got released in the States. A few years ago, the reformed ZE reissued Cristina’s discography. How does it stand up, after thirty years?
(more…)

The Adventures Of Miss Flitt: Q&A With Designer Beth Hahn

By Chelsea Spear

In the late 2000s, knitwear designer Beth Hahn took the knitting world by storm with her series, The Adventures of Miss Flitt. Blending steampunk-friendly Victorian style, elegant knitwear designs, and an addictive narrative, the series follows the adventures of Emma Flitt as she traverses 19th century Brooklyn to find her sister. Her travels take her to seedy vaudeville theaters, pickpockets’ dens, and—in the most recent edition—to a most spooky séance. Ever the master storyteller, Hahn weaves her story through a series of simple-yet-gorgeous and thoroughly wearable cardigans, berets, overskirts, and other accessories.

On a chilly weekend in early January, I took virtual tea with Beth Hahn to find out more about her knitting endeavors.
(more…)

Jim Sullivan, UFO Reissue

By Chelsea Spear

As with so many other albums, the reissue of Jim Sullivan’s UFO came complete with a compelling back-story.

Sullivan, a purveyor of folk-inflected pop, spent the 1960s playing in LA nightclubs, making time with outlaw movie stars like Harry Dean Stanton and Dennis Hopper, and appearing on The Jose Feliciano Hour and in the movie Easy Rider. In early 1970, he recorded the album UFO with the Wrecking Crew, which his friend Al Dobbs released as a private pressing on his Monnie Records label. When the album failed to gain traction with those in the industry, Sullivan attempted a move to Nashville to work as a professional songwriter. He mysteriously disappeared at a stop in Santa Rosa, New Mexico.
(more…)

Sarah Kirkland Snider, Penelope

By Chelsea Spear

Photo © Murat Eyuboglu

Monday morning, 10 a.m. The sixth floor of the UMass Boston Healey Library, overlooking Boston Harbor. I have been working on this goddamned paper about Marc Hirsch and Billy Collins and the role of the audience in poetry for two weeks now. The words on the page have calcified into incoherence, but I still feel the pressure of academia goading me towards a conclusion that wraps my argument into a tidy bow.

My eyes shift from the eyestrain-inducing computer screen to a small rowboat in the Harbor, by the Corita Kent gas tanks. A tiny woman, clad in an elegant grey wool coat with the shiniest brass buttons, stands at the hull of the boat, lifting her arms to the overcast sky in a dramatic gesture. I can hear her voice—a high soprano, rich in tone and trembling with vibrato—perfectly.
(more…)