Blu-Ray Review: Let Us Prey

By Less Lee Moore

Brian O’Malley’s feature debut Let Us Prey reveals its darkness slowly and deliciously at first, evoking a sense of dread and mystery that keeps you watching. It also provokes a lot of questions. Who is this mysterious stranger who looks a lot like Liam Cunningham? Why has Police Constable Rachel Heggie been reassigned? Why is everyone at the police station so angry?

(more…)

Blu-Ray Review: Society

By Less Lee Moore

Oh how we all get richer / Playing the rolling game
Only the poor get poorer / We feed off them all the same
—Society‘s version of the Eton Boating Song

How do you explain a movie like Brian Yuzna’s Society? It truly is one of those things you must experience for yourself. The 1989 film is an important chapter in the body horror/ero goru subgenre, but it’s also just plain weird.

(more…)

Music Review: Ty Segall and King Tuff, Live At Pickathon

By Less Lee Moore

Pickathon aims to answer the question, “What does it take to be the best weekend festival of the year for music lovers?” 2015 marks the fifteenth year of this unique festival, known for scheduling a diverse blend of musical acts.

Easy Sound has just released a vinyl only split 12″ of Ty Segall and King Tuff performing at the 2013 festival, which seems appropriate considering the history of Pickathon. Segall takes the first half, with six songs that are fairly stripped down, considering his reputation as a shredder.

(more…)

CMW 2015: Toronto Women In Music at The Garrison

By Less Lee Moore

Toronto, ON
May 5, 2015

Megan Bonnell

What a splendid idea for an evening! Whoever programmed this lineup did a fantastic job: the sonic palette of the musical offerings increased in intensity as the evening progressed.

(more…)

Music Review: Them Are Us Too, Remain

By Less Lee Moore

In the press release for Remain, the debut album from southern California duo Them Are Us Too, the band is compared to both Cocteau Twins and The Sundays. It’s a description that is not an exaggeration.

(more…)

Music Review: Part 1, Funeral Parade EP (Reissue)

By Less Lee Moore

Perhaps the only reason that hundreds of copies of Part 1’s 1982 EP Funeral Parade weren’t burned at Southern Baptist churches during the eighties is because there were only 300 of them pressed. Lord knows if I’d heard their vicious, anti-religious lyrics and angular, distorted music back then I would have been an instant fan. Now we can all rejoice because Sacred Bones has reissued a remastered version of Funeral Parade in a deluxe gatefold sleeve. The UK band also reformed in 2013 and did a brief tour of North America for the first time ever this past April.

(more…)

Music Review: Allie X, CollXtion I

By Less Lee Moore

There are a lot of singers with impeccable voices who make terrible music. And there are many great songwriters who can’t sing worth a damn. Luckily, Allie X is not plagued with either of these problems.

(more…)

Canadian Music Week 2015: Popshifter Picks

By Less Lee Moore

Canadian Music Week 2015, or CMW, has been around for 33 years. This year’s CMW runs from May 1 to 10, and there are over 1,000 participating bands. That sounds overwhelming, but thankfully the CMW schedule page is searchable by date, venue, and band to make it easier to plan out who you want to see, where, and when.

There is an embarrassment of riches this year in terms of music. Here are my suggestions for what you should check out at this year’s CMW.

(more…)

Music Review: Marching Church, The World Is Not Enough

By Less Lee Moore

I’ve said it before: there must be something in the water in Scandinavia. How else do you explain the incredible music coming from the area? Much has been written on Popshifter about Iceage as well as the band Lower, both from Copenhagen. They’re friends who’ve toured together as well as collaborated on music, film, and photography.

Iceage singer Elias Bender Rønnenfelt has now released a solo album under the enticing moniker of Marching Church. No doubt there are those who see the phrase “solo album” associated with a 23-year-old guy who looks like Leo DiCaprio in Romeo + Juliet and roll their eyes to the heavens. But we were all 23 once. I’m certain that a lot of people reading this never unleashed music as stupendous as the last three Iceage albums when they were that age, so let’s hold off on the snark.

(more…)

Music Review: Male Gaze, Gale Maze

By Less Lee Moore

I’d never heard Blasted Canyons, Mayyors, or The Mall, so references to these San Francisco bands failed to pique my interest when a link to Male Gaze’s “Cliffs Of Madness” single made its way into my inbox last year. What I did like about the song was that it reminded me a bit of Red Lorry Yellow Lorry (in its nervy, post-punkishness) and a bit of Modern English (in the way Male Gaze singer Matt Jones sounds like Robbie Grey). It’s a real thunderstorm of a track with vocal and guitar melodies that present themselves at just the right moments.

(more…)