Roger Joseph Manning, Jr., Catnip Dynamite

By Less Lee Moore

It’s difficult to be objective in an album review when your gut feeling tells you that the musician in question is an all-around righteous guy. Fortunately, Roger Joseph Manning, Jr.’s latest album, Catnip Dynamite, is so amazing that I won’t have to compromise my principles; this review will be completely guilt-free.
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There’s A First Time For Everything: David Bowie, Stryper, Siouxsie & The Banshees, Robyn Hitchcock

By Christian Lipski

Beginnings are a very delicate time. No matter how rabid or deep your fandom may be now, at some point there was a first experience, an introduction at a time when you weren’t sure that you were going to like whatever it was. If you do end up loving that artist, the first work always holds a special place in your heart, even if it’s not the “best” effort from that artist. I think it’s interesting to know how a fan was introduced to the object of his or her obsession, to see the foundation of a lifelong love. Interesting, too, to see the introduction to a failed obsession, when that first work didn’t blossom into more, but still remains important. Here is a selection of albums that were my first from the artists, some of which became the first in a long line of acquisitions, and some which did not.
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Japan, Quiet Life

By Less Lee Moore

Duran Duran have often been accused of shamelessly plagiarizing from Japan, via their sound as well as Nick Rhodes’ makeup sensibilities. Both accusations are true; however, the Fab Five at least had the good sense and manners to acknowledge the influence of Japan on their own music.
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Origin of Similarity: Why Muse Is Not Radiohead

By Christian Lipski

Son House’s style was ripped off by Robert Johnson.

Pearl Jam is a cheap copy of Stone Temple Pilots.

Can you claim that two contemporary artists with similar influences and styles could not possibly have developed these techniques separately? You can if you’re a music writer:
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Toothpaste For Dinner: An Interview With Drew, Humorist

By Adam McIntyre

Drew and Natalie Dee are a husband and wife duo, creators of a handful of well-known webcomics. I discovered them through their joint creation, Married To The Sea, which updates with a new comic at midnight—every night. Their webcomics—and now videos on YouTube—often become viral Internet phenomena. I had a chat with Drew about the nature of their work and where it may be headed.
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Top Five: TV’s Female Role Models

By Michelle Patterson

I want to lavish praise upon a few of my new favorite strong female role models on the small-screen. More realistic than the perfectly-tousled china dolls of Gossip Girl (although dammit, do I love me some Blair!) and much smarter than the featured bad actress of the week on Supernatural, I’m relieved to know that young girls can and do attempt to be like the women they see on their televisions when these types of characters exist. Ladies who have the required sass and the ability to kick-ass, but who also bring across the most poignant and heart-breaking moments are my favorite kinds. The following are my top five female role models on television.
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China Girls

By Chelsea Spear

Working as a production assistant on a low-budget movie teaches and rewards the novice cineaste in ways that might not immediately pay off. One of the most enduring lessons I learned during my internship involved an archaic slab of film technology. While the film’s director was working on color correction, I frequently almost-spotted the image of a woman’s face at the start and end of a reel.
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Beastie Boys, Paul’s Boutique

By Laura L.

Although the Beastie Boys released Paul’s Boutique in 1989, I was too busy gushing over Joey McIntyre of New Kids on the Block to even notice. Like most eight-year-olds at that time, my taste in music wasn’t all that hot. Thus, I did not listen to anything considered “edgy” or even “cool.” However, as I got older, I started to listen to the Beastie Boys and grew to appreciate their lyrical delivery and New Yorker commentary (much, much better than a commentary from The New Yorker, believe me). Finally, during my freshman year of college, I went on a music-shopping spree and bought a used copy of Paul’s Boutique. It has been a solid part of my record (CD?) collection ever since.
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Love And Rockets, Express

By Less Lee Moore

Every Mardi Gras, the suburban kids in Metairie, Louisiana would congregate in the 7-11 parking lot on the corner of Bonnabel and Veterans Boulevard to “watch the parades.” It was mostly an excuse to escape the watchful eyes of parents and hang out with fellow miscreants and misfits. For many, it was a way to smoke dope or huff amyl nitrate. But for me, it was a way to rub shoulders with the only new wave and punk rock kids I could find.
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All The Time In The World

“Every age is the same.
It’s only love that makes any of them bearable.”
Malcolm McDowell as H.G. Wells, from Time After Time (1979)

“I started collecting records when I was five years old.” I can say this with total honesty. However, I’m actually quoting part of the Keynote Address at the Grammy Northwest MusicTech Summit, given by Ian C. Rogers on November 6, 2008.
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