Duran Duran, Three To Get Ready

By Jemiah Jefferson

“No obscure cheeses.”
—John Taylor, giving directions of what the band wants on its tour rider

The film opens on a very dry, very droll Nick Rhodes rejecting most of a series of recent photos of the band. We see that he’s joined with Simon Le Bon, just as dubious about most of the pictures, but he does helpfully supply, “I like the shape in the middle.” The empty space might have once been occupied by their departed band mates, Andy Taylor and Roger Taylor. Without even meaning to, this signals a new Duran Duran than expected by the legions of loyal global fans seduced by their mixture of surrealism, style, and raw sensuality, but accustomed to the five faces and iconic mops of expertly teased hair.

This is Three to Get Ready, the 1986 documentary depicting a band all too aware of their market share, refusing to be fractured, and yet straining towards expressing the creativity embodied in the core members of Le Bon, Rhodes, and the remaining Taylor: John, a former art student, lover of punk rock and disco, and at this time, in the grips of raging cocaine and hashish addiction yet no less tenderly gorgeous as he manifested in the earliest days of Duran Duran (and was barely out of his teens).
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The Matrix Revisited

By Lisa Anderson

Seraph: Did you always know?
Oracle: No, no I didn’t. But I believed. I believed.
—The final lines of dialog of The Matrix Trilogy

In 1999, the movie going public got its mind blown. The Matrix, directed by Andrew and Larry (Lana) Wachowski, used cutting-edge technology to draw on a range of stylistic influences, from Hong Kong action movies to Cyberpunk. What really set the film apart, though, was it’s heady blend of ideas and symbols from Christianity, Eastern spirituality, and Western Philosophy.
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Pop Music: The Balkans

By Jim R. Clark

There has been quite a bit of interest in Balkan music lately due to the popularity of such bands as Gogol Bordello and Balkan Beat Box. If you’re one of those music nuts who’s heard everything, then hopefully this article can introduce you to something new. Here is a taste of some of the great musical offerings popular in the Balkans today. Maybe you will get hooked and want to start your own Manele band!
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Trio The Band: Their Greatest Hit

By Emily Carney

Trio is a band generally known for two momentous things. First, they were obviously a trio (consisting of singer Stephan Remmler, guitarist Gert Krawinkel, and drummer Peter Behrens). Second, they had one of the biggest hits of 1982, even if you’ve never heard of them before reading this little tribute.
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Words, Guitar, and Passion: The Music of Sleater-Kinney

By Laura L.

I remember where I heard about Sleater-Kinney for the first time.

It was in the unlikeliest of places: Seventeen magazine. This was in 1997, when they were promoting what’s now my favorite Sleater-Kinney album, Dig Me Out. I wanted to know more about them, but for some reason, I was afraid. I was so self-conscious at the time about listening to a band I’m sure none of my friends would have heard of.

Photo from The Sleater-Kinney Archives

Fast forward three years later. I was in college, and it was the height of Napster’s heyday. Sleater-Kinney had another album out, All Hands On the Bad One, and, after sampling a few tracks on Napster, I decided to finally buy the album. I was hooked from “Ballad of a Ladyman” all the way to the last track, “The Swimmer.” As soon as I could, I bought all the other Sleater-Kinney albums.
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Do You Want Trombone Or Do You Want The Truth?

By Jimmy Ether

In the documentary Kill Your Idols, Lydia Lunch expressed her frustration with the current music scene:

“The commodification and homogenization of especially bass, guitar, and drums is the downfall of music. Where’s the fucking tuba? A trombone! Anything but a bass, guitar, and drums!”

That seems an odd statement coming from someone who very successfully used those very instruments with Teenage Jesus and the Jerks to challenge rock conventions along side bands like D.N.A., Mars, and many of the other bands from the influential New York City No Wave scene. To a certain extent, she has a point.
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Armchair Casting Director: Good Omens

By Lisa Anderson

I will always associate late November with Good Omens, the classic comedy novel by Neil Gaiman and Terry Pratchett. This was the time of year that I first read it, and it helped get me through a rough period in my life. For those who don’t know, Good Omens is the story of an angel (Aziraphale) and a demon (Crowley) who have, over the course of millennia, become friends, and now have to avert Armageddon with the coming of the Antichrist.

Sadly, the film version of this beloved book has been stalled for years. Director Terry Gilliam has been signed on with the project since 1999, with a script completed since 2002, but funding for the movie has never come together. In the meantime, however, it is fun to speculate about who might play the characters that so many readers have come to love. The main rumor, for a long time, was that Johnny Depp would play Crowley and Robin Williams would play Aziraphale. As you might imagine, I have my own ideas for my ideal Good Omens cast. Continue reading ‘Armchair Casting Director: Good Omens‘

Brian Wilson: Songwriter 1962-1969

By Christian Lipski

Each new documentary about Brian Wilson or the Beach Boys adds another drop to the ocean of product already available. Many of them are the same old story, with poorly-researched information and no original music. This is most certainly not the case with Brian Wilson: Songwriter 1962-1969. At three hours of interview and analysis spanning two discs, the new release from Sexy Intellectual stands head and shoulders above its peers.
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Echo Revolution, Counterfeit Sunshine

By Less Lee Moore

Counterfeit Sunshine, the new album from San Diego’s Echo Revolution, is anything but what its title implies. These tunes are sincere in their joyfulness; even the sad songs contain some optimism amidst the despair.
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Robert Wyatt/Gilad Atzmon/Ros Stephen, For The Ghosts Within

By John Lane

Say what you will about Robert Wyatt, but he has never done anything for the fast buck.

What’s more, in an age where the music industry is in an odd state of flux, Robert Wyatt seems to be among the rare legacy laborers who remain somehow protected. Or maybe he’s just kept his head down and tried to stay inconspicuous.
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