Don’t Quit Your Day Job: Super Bowl “Singers” Please Take Note

By Laura L.

Ah, football. (That would be American football for most of the world.) What do you think of when you think of football? Touchdowns? Sure. Tailgating? Perhaps. Rap? Are you serious? Sadly, I am afraid I am. And YouTube has reminded me of this dark moment in not just National Football League history, but rap history as well. And with the 2011 Super Bowl upon us, what better time is there to open that vault?

It all started back in 1985. The Chicago Bears, under the leadership of legendary coach Mike Ditka, were having an incredible run, losing only once in the regular season. They would eventually win the Super Bowl that season. But that legacy may not be completely untainted. Three words: Super Bowl Shuffle.
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The Power & The Glory: White Lies Live

By Less Lee Moore

The Mod Club, Toronto ON
January 29, 2010

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Rare is the band that I like immediately upon hearing them; rarer still is the one that can sustain that feeling in a live setting. White Lies have accomplished both.

Hugely popular in Britain, White Lies played just four dates in North America this time around—actually three, since their New York show at the Highline Ballroom was canceled at the last minute due to bad weather. Luckily, Toronto residents did not have to miss them at the Mod Club last weekend.
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Cthulhupalooza II: Son of Cthulhupalooza

By Less Lee Moore

If you’re in Vancouver, BC on February 18, you must check out Cthulhupalooza II: Son of Cthulhupalooza!

Celebrate your enthusiasm for forbidden tomes, ancient space gods and eldritch cake by joining us on Feb 18. Prizes for the Miskatonic Middleschool Bake Sale competition are provided by our generous sponsors, entrants should contact us to register at info@secondlevelwizards.com and for rules and regulations. Roaring ’20s period costume welcome. It’s tentacular!
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Our January/February 2011 Issue Is Out Now!

January/February 2011 Issue – All You Need Is Now

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to read the issue!

Issue 020—All You Need Is Now—Q&A with White Lies, Beth Hahn, Mary Edwards; Interviews with Allie Hughes, Sean O’Hagan; Destroy All Movies; Top Ten Movies For 2011; Tron: Legacy; The Good Wife; The Walking Dead; Sherlock; The Cape; Phineas and Ferb; Reviews of Foetus, Duran Duran, Girl Talk, The Lexingtons, The Corin Tucker Band, and The Crash Street Kids.

The Hall Of Mirrorers

The search for originality and creativity seems like an undending, inexorable voyage down a wormhole.

The Lady From Shanghai, 1947

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Bigger Than Us: Q&A With White Lies

By Jim R. Clark

If you haven’t listened to White Lies’ debut album, To Lose My Life yet, well then, what are you waiting for? Now is the time. Their new album, Ritual, was released on January 18. Much like reading chapter two in a great novel, you won’t want to forge ahead without reading chapter one first.

As you may know from reading my previous articles, I’m an avid fan of the ’80s electronic sound, so I’m excited. Personally I’m still hoping for a cover of Alphaville’s 1985 song, “A Victory Of Love,” but I think that may be asking too much. (For some reason, I’m convinced that this song would make for an awe inspiring show stopper if given the White Lies treatment, but then again, that’s just me.)

White Lies just completed a few dates in the US and North America (sadly, their NY show was canceled due to a snowstorm) and has scheduled a British tour in February to promote Ritual, so if you’re reading this in Britain, then get up and buy some tickets. And if, like me, you’re not in Britain, try to catch them on Later . . . with Jools Holland reruns on BBC America.

The band took some time out from their busy touring schedule to answer a few of my burning questions and shed some light upon their dark and mysterious nature, hinting at the more electronic sound for their second album.
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Painters Paint: The Definitive Career-Spanning Interview (to date) With The High Llamas’ Sean O’Hagan

By John Lane

For the uninitiated, The High Llamas are an enduring band that emerged in the early ’90s. Sidestepping the twists and turns of the teenage-angst/grunge bandwagon propagated by the media because of Nirvana, the Llamas hoed their own row and followed the credo that sometimes a small sound can make its own huge explosion. They were armed with banjos, vibraphones, strings, and a savvy musical sensibility that embraced everything from Bacharach to Bizet.

I first came across the High Llamas circa 1997 when a friend of mine (knowing of my love of The Beach Boys’ Pet Sounds) asked me if I had heard of them. I didn’t, so he made me a tape copy of their album Hawaii, which I proceeded to play ad nauseum on a small General Electric radio/tape-player the night before a wedding. I was the groom’s best man, and after about ten listens of the epic album, he politely asked if I could spin something else. I grudgingly obliged, but can’t remember what the substitute was.

I was thrilled to get the chance to prod the brain of High Llama guitarist and songwriter Sean O’Hagan.
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The Adventures Of Miss Flitt: Q&A With Designer Beth Hahn

By Chelsea Spear

In the late 2000s, knitwear designer Beth Hahn took the knitting world by storm with her series, The Adventures of Miss Flitt. Blending steampunk-friendly Victorian style, elegant knitwear designs, and an addictive narrative, the series follows the adventures of Emma Flitt as she traverses 19th century Brooklyn to find her sister. Her travels take her to seedy vaudeville theaters, pickpockets’ dens, and—in the most recent edition—to a most spooky séance. Ever the master storyteller, Hahn weaves her story through a series of simple-yet-gorgeous and thoroughly wearable cardigans, berets, overskirts, and other accessories.

On a chilly weekend in early January, I took virtual tea with Beth Hahn to find out more about her knitting endeavors.
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A Goddess At The Console: Q&A With Mary Edwards

By John Lane

In another era, Mary Edwards might have been a behind-the-scenes songwriter in the famous Brill Building, that renowned stable of musical artisans that included Goffin & King, Laura Nyro, and a host of others. Instead, in this era, we are lucky to have singer/songwriter Mary Edwards in clear view. Her music is characterized by a smooth charm that draws upon soft-pop, jazz, and funk, framed with a soulful voice that is reminiscent of Dionne Warwick in her prime; her attitude reflects an almost guileless enthrallment with music and the sometimes subtle, gifted influences that can become songwriting fodder. I caught up with Mary upon the recent release of her latest album, Console.
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Destroy All Movies!!! The Complete Guide To Punks On Film

By Less Lee Moore

Any marginalized subculture bristles at being misinterpreted on film. Then again, the punk subculture is by now so fragmented and unrecognizable, one hesitates to even attempt to define it, much less depict it on the screen.

Yet best friends Zack Carlson and Bryan Connolly spent five years documenting each and every appearance of punks on film. They were inspired to undertake this monumental task after re-watching Penelope Spheeris’s quasi documentary Suburbia and then shortly thereafter, seeing Joysticks, a video arcade comedy from 1983, for the first time.
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