TV Is Dead, Long Live TV: October 5, 2012

By Elizabeth Keathley

Here is our second installment of our ongoing series on the life and death of linear television, a.k.a. old-style appointment television, TV that only moves forward in time. For previous installments, go here.

Remember that show that you really like that was cancelled by Fox? It doesn’t matter which one. If it had been cancelled today, the creators now have the very profitable option of starting a digital only subscription channel and allowing you to pay for the content you want, instead of letting Fox television executives decide weather your favorite programs live or die.

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Expanding Circuits: Q&A with David Dacks, Artistic Director at The Music Gallery

By Ricky Lima

I think that some of the most interesting and forward thinking stuff is being done in the electronic scene. There is something about having the ability to literally craft every instrument and sound an artist uses that encourages a high level of creativity. From October 12 to the 21, The Music Gallery presents X Avant New Music Festival VII: Expanding Circuits, a music festival dedicated to electronic music. The festival will take place in Toronto, Ontario at The Music Gallery. I had a chance to talk to David Dacks, the artistic director at The Music Gallery, to discuss this year’s X Avant festival.

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Book Review: The Minus Times Collected

By Michelle Patterson

What is it like to take a time machine back to a time when I was a burgeoning sarcastic twenty-something with a tendency to sneer and a sense of humor as black as it comes? The recent Minus Times Collected, lovingly assembled for its 20th anniversary, is a portal to that time, for me at least. Is it a place I want to be, though?

When confronted with work like this—a relic full of irony for irony’s sake that creates a critical distance on purpose—it only brings out my ponderous side. By definition, isn’t nostalgia supposed to create a sense of wistfulness and yearning? Sure, I like a thumb in my eye when the humor feels earned, and I realize that this style should be different because it isn’t meant to feel cozy and warm. When I looked back at this wicked side of this particular collection it only served to make me realize that there are other and better time capsules, ones that are consistent and head and shoulders above this in quality.

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Music Review: Dark Dark Dark, Who Needs Who

By Chelsea Spear

If Who Needs Who dropped in the early 1990s, Dark Dark Dark would have appeared in Sassy magazine’s “One to Watch” column. This band is the real deal. Frontwoman Nona Marie Imrie has a striking voice, their songs are catchy and insightful, and their arrangements and the spare production cast a spell over the listener. This Minneapolis-based quintet has a great album in them. The band’s third long-player isn’t quite that album.

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Blu-Ray Review: Chained

By Less Lee Moore

Chained is a gripping, grueling experience. I had originally seen Jennifer Lynch’s latest film in August in one of the Screaming Rooms at Rue Morgue’s Festival of Fear, part of FanExpo Canada. This feeling was only exacerbated upon a second viewing of the film, this time on the newly released Blu-Ray from Anchor Bay.

Chained, despite the title and subject matter (a serial killer keeps a young boy prisoner), is not a straight up horror movie, but is far more horrific than the mainstream, high-budget horror movies that have glutted theaters over the last few years.

Vincent D’Onofrio plays Bob, a taxi driver who kidnaps women, brings them home, rapes and murders them, and forces his captive, Tim, to help him clean up the mess. It’s sordid, but to avoid the movie based on the synopsis would be a mistake.

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Music Review: John Cale, Shifty Adventures in Nookie Wood

By Emily Carney

John Cale turned 70 in March; however, his music proves to be age-proof with his new album, Shifty Adventures in Nookie Wood. Don’t ask; I have no idea about the title, either. Cale does have typically inscrutable album titles.

Usually when musical artists of any sort turn 70, they do endless “farewell” or “greatest hits” tours, or they engage in embarrassing collaborations with a very 1990s-sounding Metallica (I’m looking at you, Lou Reed. Yeah, I said it). Cale is doing neither, refuses to give into age, and is turning out impressive original compositions that aren’t at all dated or misguided. He’s only gotten better and more experimental as he’s gotten older.

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Blu-Ray Review: The Tall Man

By Less Lee Moore

If you’ve discussed horror films with me for more than five minutes, you likely know my feelings about French director Pascal Laugier’s Martyrs. It’s a film that infuriated me when I saw it, but not for the reasons that you might think. Yet the potential of Martyrs to be a truly great horror movie is what made me curious about Laugier’s most recent feature, The Tall Man, out on DVD and Blu-Ray September 25.

Those who loved Martyrs for its uncompromising violence may despise The Tall Man, feeling incredibly disappointed. Martyrs 2 it is not. If you are willing to put aside expectations and embrace a beautifully crafted, wonderfully acted, suspenseful, and thought-provoking film that is heavy on subtext and light on gore, than I urge you to check out The Tall Man.

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Toronto After Dark 2012: Full Lineup Released

By Less Lee Moore

Like I said in the interview with Paul Corupe and Andrea Subissati from The Black Museum, Toronto is a wonderful city for genre fans, especially horror fans like me.

The 7th annual Toronto After Dark Film Festival is quickly approaching. This year’s TAD Film Fest starts on October 18 and runs through October 26. TAD Film Fest has expanded from four to nine nights since its inception in 2006.

There are 210 features screening this year, along with 29 short films, many of which are making their North American or Canadian premieres and the list of features this year is spectacular.

The full lineup includes: A Fantastic Fear of Everything, After, American Mary, My Amityville Horror, Citadel, Cockneys vs. Zombies, Crave, Dead Sushi, Doomsday Book, Game Of Werewolves, Grabbers, Grave Encounters 2, In Their Skin (formerly known as Replicas), Inbred, Lloyd the Conqueror, REC 3: Genesis, Resolution, Sushi Girl, Wrong, and Universal Soldier: Day of Reckoning. If you’ve been reading my Assemblogs for the last few months, you’ll recognize quite a few of these titles.

You can watch all the feature trailers on the TAD Film Fest YouTube page here.

This year will also be the first for the Toronto After Darkcade, which will feature independent horror, sci-fi, fantasy, action, and cult video games.

The complete festival schedule, which includes all feature and short screening times will be announced on Tuesday, October 2, so check the Toronto After Dark site for details. You can also by all-access passes from the site to get the most out of the festival.

Fantastic Fest 2012: The Reviews and Awards Are In

By Less Lee Moore

Another Fantastic Fest has come and gone. Congratulations to the people behind all the films that won awards, especially Here Comes The Devil which won Best Picture, Best Screenplay, Best Director, Best Actor, and Best Actress in the Horror Feature category. A well deserved round of applause! (You can read my Here Comes The Devil review on the TIFF Vanguard blog here.)

For a complete list of all the award winners, check the Fantastic Fest website.

I’ve also picked my favorite reviews of each film that I’ve previously mentioned on Popshifter, along with a couple of movies that weren’t on my radar but which I now want to see, based on the reviews coming out of the Fest.

No doubt you’ll be hearing more about these movies on Popshifter in the coming months. Enjoy!

American Mary (Fear.net)
Horror Feature Best Actress Special Mention: Katherine Isabel

The American Scream (Indiewire and Theater Thoughts, because I couldn’t choose a fave.)
Best Documentary: Director Michael Stephenson

Antiviral (Complex)

Combat Girls (Twitch’s review was so wonderful it made me add this to my “must see” list.)
AMD “Next Wave” Spotlight Competition Winner for Best Actress: Alina Levshin

The Conspiracy (Very Aware)

Frankenweenie (Bloody Disgusting)

Holy Motors (Screen Crush)

Looper (Geek Nation)

Sinister (Bloody Disgusting)

Taped (Film School Rejects)

Tower Block (Fear.net)

Vanishing Waves (I am not posting any reviews here because the few I started to read were spoiler-heavy. Here’s the trailer again to refresh your memory, though.)
Fantastic Features Best Picture, Best Director: Director Kristina Buozyte
Fantastic Features Best Screenplay: Bruno Samper, Kristina Buozyte
Fantastic Features Best Actress: Jurga Jutaite

Wake In Fright (Another outstanding review from Twitch on this rarely seen Australian film from 1971 put this on my radar. Drafthouse Films picked up the film and it will play in New York on October 5 at The Film Forum and again in L.A. on October 19 at The Nuart. A national release will follow with VOD and home video releases in early 2013.)

Assemblog: September 28, 2012

The Bird With The Crystal Plumage, 1970

New on Popshifter this week: I strongly recommend Richard Crouse’s new book Raising Hell: Ken Russell and the Unmaking of The Devils; a concerned citizen lays down some rules on proper Facebook etiquette; Julie can’t find a song to dislike on Gemma Ray’s Island Fire; Emily deems The Very Best Of Vince Guaraldi and The Very Best Of The Bill Evans Trio as “essential” and praises Timi Yuro’s The Complete Liberty Singles as a “wonderful collection”; Paul explains why only hipsters hate hipsters; and Jemiah has good news for people who don’t know the difference between “grisly” and “grizzly” in her review of The Wrong Word Dictionary.

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