Music Review: Holograms, Forever

By Less Lee Moore

The first time I heard Holograms’ second album Forever, I got goosebumps. It was like being transported back to 1985, listening to college radio late at night, rushing to press the RECORD button on my stereo, waiting for the DJ to reveal the name of the band. But Holograms is not a post-punk ripoff.

The album takes off like a rocket with “Sacred State”: booming drums, bass dancing around the jagged guitar edges, and enormous vocals from singer Andreas Lagerström. The frenetic energy is undeniable. It’s tempered only slightly by a instrumental bridge towards the end that prepares you for a melodic assault of guitar slowly building to an intense emotional peak before the vocalized chorus joins in again. And that’s just the first song.

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Waxing Nostalgic Connecting the Dots: Phasing

By Jeffery X Martin

In 1971, I was two years old the house was awash in mild psychedelia. We had an aluminum Christmas tree, all silver. The branches were metal spikes that fit into a pre-drilled steel tube. Reflective bits of Mylar replaced the false pine needles. We also had a color wheel, four plastic cels of colored plastic revolving slowly in front of a bare light bulb. Groovy? Yeah, man.

The living room awash in color, my father had the music playing as usual. I was sitting on the couch under my own power, which was a relatively new thing for me. The speakers were huge and he liked it loud. He took a sip from his drink, looked at me levelly, and said, “Phasing.”

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Blu-Ray Review: Frankenstein’s Army

By Less Lee Moore

Frankenstein’s Army is the feature debut of director Richard Raaphorst, who’s worked as a concept artist and visualizer. A few years ago, he released some impressive teaser trailers for a planned film called Worst Case Scenario, which unfortunately never came to fruition because his financing fell through. Fortunately for us, he used many of those ideas in Frankenstein’s Army.

Frankenstein’s Army is less like a straight-up horror film and more like a home movie of a haunted house or a survival horror video game, but don’t let that scare you away, because then you’d be missing out on some incredible visuals.

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Music Review: Glen Campbell, See You There

By Melissa Bratcher

There’s debate on the Internets regarding whether releasing Glen Campbell’s See You There is exploitative. Campbell is suffering from Alzheimer’s disease, and some say this album—stripped down versions of his greatest hits—is just an attempt to cash in. I disagree, utterly. See You There is touching and triumphant—and painful to hear, but in a good way.

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Music Review: San Fermin, San Fermin

By Melissa Bratcher

San Fermin‘s self-titled debut is wildly ambitious. Full of songs that are like journeys, but journeys that end up in an entirely different place than you thought you might go, it’s a challenging, interesting listen. San Fermin is the brainchild of Yale-educated composer Ellis Ludwig-Leone, and he is ably backed by vocalists Jess Wolfe and Holly Laessig (of Lucius) and Allen Tate.

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TIFF 2013 Review: Brazilian Western

By Less Lee Moore

“Rich people design it; poor people build it.”
—João in Brazilian Western

If you’ve heard the song “Faroeste Caboclo” by Legião Urbana, the storyline of Brazilian Western will be familiar to you. For those who haven’t, it follows the song’s same storyline: a poor young man named João moves to the city for a better life, becomes a drug dealer, and falls in love, only for his life to end in tragedy.

Revealing this information won’t ruin your enjoyment of the film. From the opening scenes—which are very much in the style of a Western—we already know the ending is a sad one. Watching the events unfold is what makes Brazilian Western worth seeing.

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Blu-Ray Review: I Come In Peace (Dark Angel)

By Brad Henderson

Just when I thought Scream Factory has outdone themselves, they have the balls to release Dark Angel (a.k.a. I Come In Peace). I honestly don’t know where to begin with a film like this. First, it has Dolph Lundgren. Second, it has Dolph Lund . . . wait. It doesn’t matter what else it has; this film is insanely badass.

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Assemblog: September 6, 2013

New this week on Popshifter: Less Lee finds “much to celebrate” on Ty Segall’s Sleeper, compares Italian new wave compilation Mutazione to “an excellent mix tape made by a music-savvy friend”, and selects her top 20 picks for TIFF; Brad “nearly drowns” in the “radical” Deranged; I get down with “the legendary Barrence Whitfield” and his new album with the Savages, Dig Thy Savage Soul; Jeffrey waxes nostalgic over the Moody Blues; and Paul observes that pro wrestling “is as good a place as any for creativity”.

Our Fearless Leader is still guest-blogging for the Toronto International Film Festival. Do you think she’d notice if I turned the Assemblog into a carefully curated page of corgi gifs?

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How Wrestling Can Modernize

By Paul Casey

“Fantasy is hardly an escape from reality. It’s a way of understanding it.”
—Lloyd Alexander

Daniel Bryan

If you’ve read any of my wrestling based writing over the last couple of years, you know that I believe professional wrestling/sports entertainment is as good as place as any for creativity. I am not a casual fan and have devoted many hours and dollaroos, and on occasion have even attempted to apply a figure-four leg-lock to humans and actually make it hurt (unfortunately impossible to do).

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TIFF 2013: My Top 20 Picks

By Less Lee Moore

A Field in England

This year’s Toronto International Film Festival runs from September 5 – September 15. Rather than focus on some of the highest-profile films in the Festival (a few of which are already on my Top Ten Movies To Watch In 2013 list), I thought I’d pick 20 that are a little different.

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