// Category Archive for: TV

It’s a Love/Hate Thing: Why Dollhouse‘s Echo Matters

By Catherine Coker

We hate Echo.

Well, many of us do. Because she’s played by Eliza Dushku (who we didn’t have a problem with as Faith, or as Buffy in Faith’s body, come to think of it), or because she is so very much a FOX network construct (iddy-biddy dress and shiny red motorcycle), or because she’s really the misogynist wet dream Joss Whedon never dared to have otherwise (Yeah, I’ve got nothing on that one; anti-Whedonists are a class all their own). When Dollhouse was canceled, the anger wasn’t at television executives it was at Echo.

Why?
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Suzi Quatro: Like A Lightning Flash

By Cait Brennan

It’s hard to imagine how unwelcome women were in the rock music world of the 1960s. While the titans of what we now call “classic rock” were singing about “social justice” and standing up to The Man, the man they were talking about was definitely not the one in the mirror. Most rock stars used and abused women in ways even their fathers and grandfathers would have found offensive, and the notion that women could rock—or should even be allowed to try—was as foreign to the classic rock era as the idea of an openly gay rock star. (Sorry, Jobriath.)
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The Big, Bad World Of The Good Wife

By Less Lee Moore

Alicia and Peter Florrick

At first, preview spots for CBS’s The Good Wife looked less than promising: another press conference, about another cuckolded wife of a politician. Even the casting of dashing Chris Noth and long-absent-from-TV Juliana Marguiles didn’t appeal to me.

Then there was the name of the show itself: The Good Wife. It just seemed . . . stuffy.

I started catching bits and pieces of the show by accident. Despite my misgivings, it was actually intriguing, on par with the best episodes of Law & Order (Rest In Peace). Then one night I was flipping channels and there was Alan Cumming as conniving political campaign manager Eli Gold, bitching out and out-bitching some snarky-looking teenage girl. Suddenly, I was hooked.

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Sometimes Undead Is Better: The Walking Dead

By Less Lee Moore

Although I’ve never read The Walking Dead comic series, I have been intrigued ever since Popshifter covered it in a past Halloween issue. When news of the AMC series popped up, I was relieved that it was receiving the episodic TV treatment; it seemed far too complex for a 90-minute movie. Interesting then, that the premiere episode was about that long, and far more engaging than much of the new breed of undead that has infected pop culture.

Rick, Lori, and Carl

As a diehard horror fan, my affections are frequently misunderstood or misinterpreted as some kind of prurient interest in the sick and depraved. Like all good additions to the horror canon, however, The Walking Dead isn’t just about zombies, the undead, or as the show itself refers to them, “Walkers.” Its social commentary is less heavy-handed than the recent spate of Romero zombie creations, but far more relevant. In fact, The Walking Dead has succeeded where four (or five) seasons of LOST failed: deftly mixing interpersonal drama with a touch of the supernatural, to raise provocative questions about our society.
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Sherlock Holmes Has A Cell Phone

By Lisa Anderson

In Central London, Scotland Yard is holding a press conference about a recent spate of suicides. The Detective Inspector insists that the deceased must all have something in common, and instantly, everyone present—police and press alike—receives a text stating simply: “Wrong!” Later that week, an army doctor, just back from Afghanistan, is checking out a potential flat with the strange, misanthropic young man he met only the day before. The landlady asks how many bedrooms they’ll be needing, saying that it’s okay if it’s only one. “Of course we’ll be needing two!” the doctor protests, shocked.

Both of these scenes take place in Sherlock, a miniseries created by the BBC but which also aired on PBS’s Masterpiece Mystery. They also both illustrate the way this contemporary retelling brings Sir Arthur Conan Doyle’s detective into the modern world, with its ever-changing technology and complicated social realities.
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The Cape: Learnin’ The Tropes

By Cait Brennan

Television has changed mightily since 2004, when a little show called Lost took to the airwaves and left behind a trail of time-traveling, Old Testament, daddy-issue, polar bear carnage. One after another, the networks have pelted home viewers with high-concept sci-fi and fantasy adventures, ranging from engaging (the unjustly canceled Invasion) to laughable (really? a reboot of V?) to just plain stultifying (The Event).

The Cape and Orwell

None of these genre efforts better typified pop culture’s creepy-uncle embrace of comic book culture than Heroes. Engaging and original in its first season, Heroes took a great cast of characters and ran them around in angel-dust spaghetti-squash circles for its last three years, finally collapsing under the weight of a mythos so impenetrable it made The X-Files look like Three’s Company. Strange and even brave, then, that NBC greenlit another big budget superhero show so soon after Heroes‘ implosion. It’s a good thing they did, because The Cape is a lot of fun—a show that both embraces and spoofs comic book tropes, with a rogue’s gallery of great characters that make it all worthwhile.
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Phineas and Ferb: Glory Days Are Here Again

By Cait Brennan

Everything was better when we were kids. Ask anybody.
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Best Of 2010: Megashaun

Here’s a list of stuff I was really into in 2010.

Music

Electric Six, Zodiac: This album arrived in the mail a few months before its actual release. When it arrived, I was so excited that I actually felt sick. So instead of listening to it right away, I read all the press notes that accompanied it. I listened to it the next day. I have listened to this album over 245 times. This is not a lie. Drive somewhere with me and you’ll hear it twice.
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Robin Hatch, Sheezer: Best Of 2010

New Music that I was into this year

Anamanaguchi, Scott Pilgrim vs. The World Original Videogame Soundtrack
Wild Nothing, Gemini
Kanye West, My Beautiful Dark Twisted Fantasy (except for the song “Runaway,” which is the Emperor’s New Clothes of songs)
Anything Nicki Minaj does or is “feat.”-ed on
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Best Of 2010: By Danny R. Phillips

Hope you enjoy . . . following my advice on these picks is optional and I will not be held responsible for the damages.

Albums

The Black Angels, Phosphene Dream (more…)