By Alex Arnott
When the theme of this issue—Canadiana—was decided upon, I knew that I had to write about the Wainwrights and McGarrigles. Oh, who am I kidding? There’s another word for the Wainwright-McGarrigle clan, and I’m sure it’s already floating around inside the heads of those readers who know them. It starts with a D and ends with a Y.
It should be admitted upfront that the questionable patriarch in this family, Loudon Wainwright III, is not in fact a Canadian. Patriarchs aren’t everything, and I am certain that the surviving family members of this clan would agree. Anyway, there are countless articles detailing the history of those Wainwright-McGarrigles (I liked this one), but this is not one of them.
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By Christian Lipski
Nick Gilder and Tal Bachman: Great White Northerners and purveyors of melodic sound since 1975; both are identified by one song, but have equally engaging back catalogs. More popular in Canada than further south, they both suffered from a severe lack of regard by listeners everywhere. Much more than their singles, and at the same time those singles’ very equal.
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By J Howell
What follows is a true story.
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By Chelsea Spear
Guy Maddin carries on the tradition of deeply idiosyncratic experimental Canadian film from such forebears as David Cronenberg, Ryan Larkin, and Patricia Rozema. His work blends a voluptuous silent film aesthetic with fractured memories, mild body horror, and autobiographical details. His films contain gorgeous images, and the deliberate pacing draws in and engages viewers.
Maddin’s prolific filmmaking schedule serves as both a sop to his diehard fans, and an intimidation to those potentially interested in his work. When contemplating an IMDB profile that features over forty films, where do you start? A crash course in Maddin’s bizarre and wonderful oeuvre is in order.
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By Mackenzi Johnson
The Kids in the Hall were going to be huge. They never got there. Oh, they got close. But much like the gun fighter played by Dave Foley who once shot a man just to watch him die, something happened and they missed the big moment.
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By Maureen
I can’t believe I even suggested I write this. I don’t watch Degrassi. I don’t care about Degrassi. I am too old and too not-Canadian to have grown up with it and find it endearing. I openly mock it and still remind everyone Drake was once Aubrey Graham.
That said, my friends did go through a post-college, pre-full time employment period of watching the shit out of Degrassi. During the marathons I unwittingly experienced, there was one thing I noticed that I did find impressive.
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By Emily Carney
Certain commercials, jingles, TV show themes, and public television identifications from the 1980s and 1990s are etched into my mind like a road map of the past. These are the kinds of things that I’m humming after I wake up from a deep sleep . . . obviously, watching public television in those days made for some strong formative impressions. One new website, RetrOntario.com, takes this spirit further by preserving Ontario-based programming from that era.
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