By Emily Carney
Recently, Popshifter reviewed the release Scrambles of Earth from Seeland Records. This recording consists of sounds from The Voyager Golden Record (sent into space on Voyager I and II in 1977 as sort of a message to extraterrestrials and as a space “time capsule”) allegedly remixed by some sort of extraterrestrial beings. The original record consisted of songs from all over the Earth, greetings from various then-contemporary world leaders, greetings in assorted foreign languages, and 116 images of Earth life.
I recently conducted a brief Q&A with Dr. Richard Doyle, English faculty member of Penn State University, about the various transmissions which comprise this audio recording. Dr. Doyle has been described as a “Rhetorician of Alien Communication,” so I had no doubt that his answers would be enigmatic and curiosity-arousing at best. Dr. Doyle did not fail to surprise me with his answers from our brief interview.
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By Lisa Anderson
Seraph: Did you always know?
Oracle: No, no I didn’t. But I believed. I believed.
—The final lines of dialog of The Matrix Trilogy
In 1999, the movie going public got its mind blown. The Matrix, directed by Andrew and Larry (Lana) Wachowski, used cutting-edge technology to draw on a range of stylistic influences, from Hong Kong action movies to Cyberpunk. What really set the film apart, though, was it’s heady blend of ideas and symbols from Christianity, Eastern spirituality, and Western Philosophy.
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By Emily Carney
In 1977, two separate US spacecraft, Voyager I and Voyager II, were sent into space to explore the solar system and, ostensibly, any worlds that perhaps existed beyond the one with which we are most familiar.
By Less Lee Moore
I Need That Record! purports to be a “documentary feature examining why over 3,000 independent record stores have closed across the US in the past decade.” But it’s much more than that. In truth, the film does a splendid job of not only showing the causal links that led to this somewhat alarming situation, but also asking, answering, and ultimately, allowing its viewers to weigh in on what this really means.
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By Christian Lipski
Dog tags are usually intended to identify the wearer as a member of a branch of the militia, but after March 2010, they’ll also be used to indicate that the wearer’s a fan of L.A. Band Killola. The do-it-yourself band have released their third album on a wearable USB drive in the shape of a dog tag, also including their previous two albums and much more.
The unique packaging is typical of a band who has made a reputation out of doing things their own way. From their beginnings in 2003, they’ve been doing their own recording, producing, and promotion, and have amassed a huge fan base, performing across the country as well as Europe.
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By Matt Keeley
DEVO’s been proven right about everything, and now they’ve joined with Mother LA to focus group the future.
DEVO has long been one of my favorite bands. In fact, my original art collective, TODCRA, was almost killed in the womb when the co-founder and I discovered that DEVO’d been basically saying everything we were saying, but in a much better way and for longer. (But given the Devolutionary Oath, we kept on keeping’ on.) And, luckily, DEVO have also kept on keeping’ on, whereas TODCRA eventually sacrificed itself so Kittysneezes may live.
Finally, after initial studies about color and whether or not people would hold the new song, “Fresh” with their feet, we’ve come to the meat of it: the Song Study!
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By Matt Keeley
The Apples in stereo are such a great band: shiny retropop that just makes you happy, even when the lyrics are depressing. It also seems that they’re nice folks.
At a show once, my best friend and I got to talk with Apples member Robert Schneider, and not only was he one of the happiest folks out there, he gave us a hug, one that HE initiated. That is really awesome.
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By Lisa Anderson
As Oscar night grows near, two of the most closely watched nominations are for Best Picture and Best Director. Former spouses James Cameron and Kathryn Bigelow are pitted against each other in both categories—Cameron for Avatar and Bigelow for The Hurt Locker. If Cameron wins, it will be a rare triumph for science fiction, one achieved despite controversy about Avatar‘s content. Bigelow stands not only to score an upset victory against a blockbuster, but also to become the first woman to win the Oscar for Best Director.
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By Toren Atkinson of The Darkest Of The Hillside Thickets
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By Less Lee Moore
Since after nearly thirty years I still remain somewhat obsessed with Band Aid’s “Do They Know It’s Christmas?” single (despite how ridiculously offensive it is), naturally I was overjoyed when Megashaun pointed me in the direction of a MIDI version of the song.
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