Reviewing a film like A Field In England almost feels impossible and insulting. While it takes place during the English Civil War of the late 17th century, a historical drama it is not. It is a Ben Wheatley movie and if you’ve seen his others (Sightseers, Kill List, Down Terrace), you’ll know that means you’re in for something entirely different than a standard cinematic experience.
Maybe I’ve watched too many horror movies or I’m just exceptionally paranoid, but I can absolutely relate to the slowly creeping terror experienced by the protagonists at the beginning of In Fear. Tom (Iain De Caestecker) and Lucy (Alice Englert) are a young couple on their way to a music festival who decide to stop at what they think is a quaint hotel on the way. And of course, with a title like In Fear, you can probably figure out pretty quickly that their plans go terribly awry.
There are plenty of films in comedy and horror that mix in nostalgic or so-called throwback qualities and make us feel like we are watching something from the ’80s. These types of films are scarce when it comes to the action genre and I wish there were more of them because of how fun they are. Of course, we have the Expendables series, which is fun and satisfies a large audience, and there was also last year’s Homefront, which felt like it belonged in the ’80s.
Recently a film called The Outsider was released starring Craig Fairbrass (yes, he is the lead), Jason Patric, Shannon Elizabeth, and James Caan. Patric and Caan are both solid actors but it seems that they tend to portray the same characters in every single film, even though it usually does work. Kind of like how John Cusack is always John Cusack, but we still love him.
Every once in a while we see a film with a killer idea that doesn’t realize its full potential. The plot for Children Of A Darker Dawn (originally titled Railway Children) is better than the film itself. I feel it didn’t go the lengths it should have. I’m saying this with the utmost respect towards the filmmakers themselves. I’m not saying what they did was wrong, but they did have something special and went in a different direction than I thought they were going to.
This is devastating.
Tom Holland has made two of my most beloved horror films: Fright Night and Child’s Play. Child’s Play is still one of my favorite horror films of all time and one of the only films that frightened me as a kid. I still get extremely nervous when Andy’s mother discovers that there are no batteries inside of Chucky. That film and that certain scene are perfection to me and both are a huge inspiration for all sorts of projects and things I do.
By Cait Brennan
The great Memphis folk blues legend Sid Selvidge, who we lost last year, left us so much treasure that it almost seems criminal to try to lay the “great lost masterpiece” idea on him. While he surely didn’t get all the recognition he deserved in his lifetime, most everything he brought us was its own masterpiece. But The Cold Of The Morning, his long-unavailable 1976 album, just might be his finest.
There are quite a few bat shit crazy horror films that exist in this world. I’m not talking about just the bizarre films, I’m talking about the shit that makes you wonder what the hell you just watched and what the hell was going on during filming. Night Train To Terror is one of those films that make you say “WTF” in the beginning, middle, and end. After it is all over you still don’t know if what you saw was real.
It takes a certain amount of balls to name your band Doomsquad. It sets up myriad expectations. What kind of music do you expect when you hear that name? Totalitarian anthems, denouncing self and praising the Motherland? Some heavy-handed comic book villainy? Angry Norsemen with long hair and corpse paint?
Wrong. Try again.
There are many words that can describe Virginia Obscura, but some of those words might give away the surprise. Virginia Obscura is one of the films Full Moon Streaming picked up for their new horror VOD service. It is a beautiful thing that they are doing and it even helps give chances to indie horror.
Indie films hardly stand a chance against mainstream films and even more so in the horror genre. Indie horror films are getting more popular these days, but big studio films still overrun them. It’s even worse when indie horror is released through a smaller distribution label and is only available to purchase online and not on Netflix or Amazon. Midnight Releasing is one of those companies who seems to have difficulty getting their name out there, but that is why we are here.
Films like Armynel and many others need to be discussed because they never get a good start when you can’t find them in Wal-Mart or other stores or unless you happen upon a used copy. Even the chances of that are slim because hardly anyone buys these films in the first place. That doesn’t mean these movies are bad or anything, it’s just that they don’t have near the amount of coverage as most mainstream horror.