// Category Archive for: Reviews

DVD Review: The Devil Incarnate

By Brad Henderson

I’m a found footage lover, but holy shit, this style is becoming so redundant.

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DVD Review: Grave Halloween

By Brad Henderson

Have you ever watched a film and then the next day you don’t remember a thing about it? Yeah, that happened to me with Grave Halloween.

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Blu-Ray Review: Nekromantik

By Brad Henderson

Years ago I came across a VHS bootleg of Nekromantik. All these years later, I thought I had seen Nekromantik in its entirety. I was wrong.

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TAD Film Fest Review: Time Lapse

By Siân Melton

Real talk: time travel hurts my brain. Sometimes I sit and wonder about the logistics of it all. If I travel back in time, is there still a Present Me or did Present Me vanish? If the latter, what happens in present time without me there? And how can I, instead of Chuck Berry, end up responsible for the discovery of rock and roll music? I think that’s why I hesitate before seeing a time travel movie. Sometimes I can enjoy the story and time-travely-ness (very official) and not get too distracted by it and other times I’m all, WHOA, WHOA, WHOA.

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TAD Film Fest Review: Kumiko, the Treasure Hunter

By Siân Melton

There’s no better signifier of a great movie than being more than willing to see it twice. That was the case with my love affair with Kumiko, the Treasure Hunter. Sigh. Seriously, I have so much love for this movie. I saw it at Sundance and was so blown away by well, everything: the story, the cinematography, the music (the music!!), and of course Kumiko herself, played by the ravishing Rinko Kikuchi. There’s also a bunny, but I’ll get into that later.

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TAD Film Fest Review: Open Windows

By Less Lee Moore

Even though I’ve never seen Nacho Vigalondo’s Timecrimes, I’d heard enough good things about it to interest me in Open Windows. The premise was intriguing on its own: the story of an actress, a murderous stalker, and an unwitting voyeur all told through computer screens. The cast was also a draw: Elijah Wood and Sasha Grey. Unfortunately, Open Windows is a huge disappointment.

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Concert Review: Lower and Merchandise at Wrongbar

By Less Lee Moore

Toronto, ON
October 15, 2014

Two of my favorite albums of this year are Merchandises’s After The End and Lower’s Seek Warmer Climes, so my attendance at this concert was guaranteed. Not only did both bands exceed my expectations, I discovered two more bands that are also compelling.

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Music Review: Iceage, Plowing Into The Field Of Love

By Less Lee Moore

I don’t care whose house is on fire
As long as I can warm myself at the blaze.
—Iceage, “On My Fingers”

Anyone who is surprised by the evolution of Iceage on their new album Plowing Into The Field Of Love hasn’t been paying attention. The seeds of the band’s sound were sowed early on, in songs like “New Brigade” and “You’re Blessed,” a seemingly haphazard collision of styles and sounds hinting that something far greater was in their future. That something has arrived and it’s one of the best things you’ll hear this year, if not for a long while, or at least until Iceage makes another album.

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Music Review: Electric Six, Human Zoo

By Less Lee Moore

The first Electric Six album I heard was I Shall Exterminate Everything Around Me That Restricts Me From Being The Master. As if that title wasn’t strange and unwieldy enough, I literally could not process what I was hearing. What the fuck was I listening to exactly?

After seven years and several albums, I’ve figured out more about Electric Six. But it doesn’t mean that every new album from the band doesn’t make me ask that same question again. Human Zoo, their tenth (!!), is perhaps weirder than most E6 albums, but is also possibly their most cohesive since Heartbeats and Brainwaves, which was itself a bit of an anomaly in the canon.

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Music Review: Bear In Heaven, Time Is Over One Day Old

By Tyler Hodg

This past August, Brooklyn’s Bear in Heaven released their fourth album, Time Is Over One Day Old. Their signature electro-pop sound is prevalent, but it’s clear a natural growth has occurred since their last record. Although Bear in Heaven’s sound might be “in” right now, their creative songwriting has placed them in a genre of their own.

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