// Category Archive for: Reviews

Not Your Mother’s Biopic: Gus Van Sant’s Milk

By Maureen

“My name is Harvey Milk, and I am here to recruit you.” At many of his public appearances, the late politician uttered these words. They’re also my words, because I am also here to recruit you . . . to see the film version of Milk’s life, directed by Gus Van Sant.
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Weep, Never Ever

By Less Lee Moore

5. Weep is completely without marketing savvy and has no idea how to “make-it”. Therefore: your love of Weep will never be sullied. You can always enjoy your hip status of loving an underground band.
—From the Weep Manifesto

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Peter Project, S/T

By Megashaun

His MySpace page may label him as “Disney-core” but don’t think this means he’s as whack as the Fresh Prince. Peter Project’s compositions are the closest thing to old-school hip hop without jumping into a DeLorean and going back to the early 80s.
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Sebastien Grainger & The Mountains, S/T

By Less Lee Moore

Listening to these songs on Sebastien Grainger’s MySpace page and hearing them on CD is like the difference between reading about eating a crème caramel and actually eating one. Granted, the MySpace music player doesn’t have the greatest sound quality, but that does not adequately explain it. There’s something more, something that makes this album better than the sum of its parts.
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Bands, Posters, Lights, Money: The Notebooks of Rob Gretton

By Emily Carney

A Q & A with Lesley Gilbert, Rob’s widow, can be found here.

Rob Gretton, Joy Division’s manager, has attained legendary status due to his massive presence in Manchester’s musical history, and due to his various depictions in cinema. He’s been portrayed in two major films: 24 Hour Party People (directed by Michael Winterbottom, 2002) and Control (directed by Anton Corbijn, 2007). He has been depicted as being brusque and pint-loving-yet-sympathetic by actor Paddy Considine in 24 Hour Party People; he is rendered as being somewhat harsh and expletive-using by actor Toby Kebbell in Control. A new book, entitled 1 Top Class Manager (referring to Rob referring, well, to himself), consists of Rob’s journals and notebooks from the period between 1978 and 1980, when Joy Division began to make their mark upon the world of popular music. These notebooks set out to “humanize” the myth of Joy Division while underscoring the enormous work it took to make the band successful.
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The Heart Of Darkness: Comedy And Drama From The Coen Brothers

By Lisa Anderson

In 2008, Joel and Ethan Coen’s No Country For Old Men took home Oscars for best film, direction, supporting actor, and adaptation, as well as numerous other awards and critical accolades. This year, their follow-up caper comedy, Burn After Reading, garnered Golden Globe, BAFTA, and WGA nominations, before being passed up altogether by Oscar.

Speaking as a critic and a film fan, I appreciate the craft that went into both movies, but vastly prefer the first to the second. On the surface, both seem to have the characteristic Coen worldview, where nothing that happens has any meaning beyond itself. A closer look, however, reveals that the denizens of No Country For Old Men at least try to bring meaning to their own lives, even if they ultimately fail.
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The Shortwave Set, Replica Sun Machine

By Chelsea Spear

If you like lush melodies, boy/girl harmonies, blackly clever lyrics, handclaps, obsolete musical technology, analog synths, or references to great pop songs of the past, I have great news for you: The Shortwave Set has released their second album.
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The Gonzo Tapes: The Life and Work of Dr. Hunter S. Thompson

By Lisa Haviland

“For me, it was the first time I’d ever even heard an artillery shell fired and when they come in and hit, it’s a, ah, unnerving experience. . . When you’re out in a jeep that continually backfires and boils over and stops by the side of the road in the midst of voluntary convoys and hoards of refugees, yeah, you tend to think that maybe the world is about to come to an end.”

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Jay Reatard, Matador Singles ’08

By Less Lee Moore

After seeing Jay Reatard’s name pop up all over The Big Takeover blog last year I grew curious. Then I saw he was also profiled in Spin a few times and I became suspicious. Was this more of the typical music press hype and hysteria?
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The Bicycles, Oh No, It’s Love

By Less Lee Moore

The Bicycles are a Toronto-based band, but one for whom the word “band” seems terribly limiting. Their live shows traditionally feature not only the four core members—Matt Beckett, Andrew Scott, Drew Smith, and Dana Snell—but also members of several other local bands and musicians such as Henri Fabergé and the Adorables, Laura Barrett, and many others.

Oh No, It’s Love, reflects the collaborations of this collective of musicians but also retains the signature sound the band established on their first album The Good, The Bad, and The Cuddly: captivating pop with ironic lyrics.

Yet Oh No, It’s Love is far more ambitious and fully-fledged than the band’s first album, and not just because it features more than twenty contributors (in addition to the four “official” band members) and a vast array of instruments, from harp and harmonica to kalimba and pedal steel. Although there are many current bands who also use less traditionally rock & roll instruments, many of them are utterly boring and passionless. The Bicycles are the complete opposite.
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