// Category Archive for: Reviews

Download The New Single From UK Band Peggy Sue: “Watchman”

By J Howell

Here’s something that might appeal to fans of artists like Eleni Mandell or even Tom Waits. Smart, stinging lyrics delivered in harrowing harmonies backed by clanging percussion, Peggy Sue‘s “Watchman” has left me eager to hear more.

This Brighton, UK band—comprised of Katy Young, Rosa Slade, and Olly Joyce—is now on the fine Yep Roc label stateside, and on tour in the US through June. The video for “Watchman” is interesting too, featuring animation by Betsy Dadd. Easily one of the most impressive tracks to cross my path recently, “Watchman” has put Peggy Sue on my short list of bands to keep an eye on. Brilliant.

Watch the video for “Watchmen” here.

Peggy Sue’s album, Fossils And Other Phantoms, comes out June 1 on Yep Roc. Be sure to catch the band on tour.

June 9: Johnny Brenda’s in Philadelphia, PA
June 10: Piano’s in NYC
June 11: Paradise in Boston, MA
June 12: Le Divan Orange in Montreal
June 13: Sneaky Dees in Toronto
June 14: Schuba’s in Chicago IL
June 20: Mississippi Studios in Portland, OR
June 21: Bottom of the Hill in San Francisco CA
June 22: Spaceland in Los Angeles CA

New Music + Video From Thomas Dolby: “Love Is A Loaded Pistol”

By Jemiah Jefferson

“Love Is a Loaded Pistol,” the first new track from Thomas Dolby since approximately 2007, might come as a surprise to listeners who never knew anything more than “She Blinded Me With Science,” but the steampunk maestro has left his electronic roots well behind, interested now in a quieter, more personal, but no less intense approach to writing and performance.

“Loaded Pistol” soars on a combination of thoughtful strings and supper-club piano, with Dolby’s voice traversing from a husky near-whisper to a passionate, braying bell and a dozen emotional points between. Between the noir-styled story-song lyrics and the piano, you’d think he’d been possessed by the Blue Valentine-era Tom Waits, but the reality is a lot more clear and delicate.
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Stephan Crump with Rosetta Trio, Reclamation

By J Howell

It’s not often these days you hear a record or band led by a bassist, but with Reclamation, Stephan Crump shines.

Astute jazz fans may be familiar with Crump’s lengthy association with Vijay Iyer, or for holding down the low end in Jim Campilongo’s Electric Trio—in fact, Crump is responsible for the jarring screech that kicks off Campilongo’s most recent, barn-burning Orange.
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IAMX, Dogmatic Infidel Comedown OK

By Hanna

In general, remixes seem redundant to me because they never live up to what they purport to be: a completely new or different piece of music. Mostly I tell people that remixes sound like someone in the band can’t keep the time and is missing the beat over and over and over. But of course, like all generalizations, this is both too simple and too stupid a description of remixes to be completely true.

Remixes of the hilarious parody type can be surprisingly good, if they manage to combine two ideas. And then there are remixes that really do become a whole new piece of music. Dogmatic Infidel Comedown OK features remixes of IAMX’s Kingdom Of Welcome Addiction album and is remarkable in that it manages to do just that.
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The Fall, Your Future, Our Clutter

By J Howell

The late John Peel once famously said of The Fall that the reason he loved them was because “they are always different; they are always the same.” That pretty much sums up Your Future, Our Clutter as well as any one sentence could.

Though only Mark E. Smith has been constant throughout the band’s thirty-four year career, that same thread of similar traits is present on this, the band’s twenty-eighth album. Part of that may be that Your Future, Our Clutter was made by the same Fall that made the last album, Imperial Wax Solvent, but listening to a cross-section of Fall music made over the band’s career one can’t help but notice that there are similarities: hypnotic repetition in the music, distinctly British social commentary, Mark E. Smith’s iconoclastic vocals, and an amazing knack for being simultaneously incredibly abrasive and hooky.
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Torch Songs for the Heroin(e): Hole, Nobody’s Daughter

By Emily Carney

“You don’t understand how damaged we really are.” This is a lyric from the opening track of the “new” Hole album, Nobody’s Daughter, which seems like it has been 1,000 years or so in the making. (Well, it certainly has been feted by Courtney Love for the last five years or so). This is the “comeback” album, the one that has weathered all the setbacks, like drug issues, family problems, bad hair weaves, and ill-advised plastic surgeries.
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Let’s Get Associated Released For The Killola Army

By Christian Lipski

Dog tags are usually intended to identify the wearer as a member of a branch of the militia, but after March 2010, they’ll also be used to indicate that the wearer’s a fan of L.A. Band Killola. The do-it-yourself band have released their third album on a wearable USB drive in the shape of a dog tag, also including their previous two albums and much more.

The unique packaging is typical of a band who has made a reputation out of doing things their own way. From their beginnings in 2003, they’ve been doing their own recording, producing, and promotion, and have amassed a huge fan base, performing across the country as well as Europe.
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Rufus Wainwright, All Days Are Nights: Songs For Lulu

By Alex Arnott

Listeners unfamiliar with Rufus Wainwright would probably be surprised to hear that this obliquely named, classically influenced, piano-driven album is in fact, one of his more understated works. This masterful musician, who has a penchant for impressively orchestrated pop songs, has a great deal of unusual achievements under his designer lederhosen. In the past three years, Rufus has accomplished two incredibly ambitious projects that your run-of-the-mill pop star would never dare to undertake.

First, he challenged himself to reproduce the legendary Judy Garland Concert at Carnegie Hall song for song, even recreating some of Judy’s banter. Many of the songs in Judy’s repertoire are quite dissimilar to Rufus’ usual style, yet he pulled it off with aplomb.
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Apples in stereo, Travellers In Space And Time

By Chelsea Spear

It’s a typical Sunday morning in New England. The skies are overcast, precipitation is spitting, and a slight breeze has started to pick up and become a full-blown wind. To my Eustachian tubes, however, the weather is 85 degrees and sunny without a cloud in the sky. The music of the Apples in stereo can have that effect on listeners.

While Robert Schneider and his band of merry musicians lack the cathartic heft of their Elephant 6 buddies Neutral Milk Hotel, and were never as experimental as the Olivia Tremor Control, he’s always been adept at serving up a kind of musical comfort food to fans of 1960s bubblegum and power pop. He sets his stick-in-the-head melodies in lush, layered production, creating a satisfying sound for fans of a bygone era.
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Arranged Marriage, Dearly Beloved

By Christian Lipski

As a rule, kids never like the music their parents listen to. Likewise, there’s an unwritten law that parents must hate their children’s music. It’s important for young people to develop their own identities as people, and for parents to get a taste of what they put their own parents through. That’s what makes the band Arranged Marriage such a unique treat: father Brad Allen has teamed up with his son Scott to write, perform and produce the album Dearly Beloved.
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