// Category Archive for: Reviews

Anna Waronker, California Fade

By Less Lee Moore

Singer/songwriter Anna Waronker has surrounded herself with talented musician friends for her second full-length album, but no voice rings as clear as Anna’s own. Her lovely alto is the shining star in this collection of tunes on which she also plays piano, guitar, synths, and more. Waronker has a real gift for harmonies and melodies; these skills become particularly gratifying in the way she crafts the endings of her songs, as they transcend the typical fade out or repeated chorus, and transform the entire song into something better than the sum of its parts. Additionally, Waronker’s vocal and string arrangements are beautifully crafted.
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Foetus, Hide

By Less Lee Moore

“Don’t ask me any questions you don’t want the answer to.”
—From “You’re Trying To Break Me”

At the risk of beginning a Foetus review with reference to another, I will do just that. If Sparks, the uncategorizable band composed (mostly) of brothers Ron and Russell Mael, can be said to make music that is practically theatrical, then Foetus, also known as JG Thirlwell, makes music that is downright cinematical.

And you know those annoying people who claim to despise movies that make them think? Those people will never appreciate JG Thirlwell. Sometimes it feels exhausting trying to figure out all his references and nods and motifs, especially when he keeps his true self so close to the chest. But for those of us who love listening to his music over and over—digging and pondering, delving deeper and deeper into it—the payoff is outstanding.
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Duran Duran, All You Need Is Now

By Jemiah Jefferson

In 2011, what does “relevance” mean? A term heavily bandied about by the music press, especially in the UK, a band’s relevance is of paramount importance, ranking ahead of sexiness, competency, or pure enjoyment. Perhaps for these reasons, Duran Duran hasn’t been necessarily “relevant” since their second album Rio set a new bar for all musical artists everywhere.
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Girl Talk, All Day

By Janet Brusselbach

It feels really good to be listening to free music that’s not only intended to be free, but that’s also really good.
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The Lexingtons, Isn’t It Nice To Be Loved?/Choose Choice

By John Lane

Something audacious is happening in the otherwise-inconspicuous state of Rhode Island. The Lexingtons, helmed by their chief Eric Warncke, have taken the plunge that very few bands dare to anymore: the release of a double album, titled (with its yin-yang polarity in check) Isn’t It Nice To Be Loved?/Choose Choice.
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The Corin Tucker Band, 1,000 Years

By Laura L.

If there’s one word to describe Corin Tucker, that’s punk rock. OK, that’s two words.

A few more words to describe Corin Tucker—post-riot grrrl. For those familiar with Tucker from her late, great band, Sleater-Kinney, one might expect a more guttural sound from her new band on its debut album, 1,000 Years. While there’s a definite punk edge on some of the tracks, this album often showcases the softer side of Corin Tucker. Those accustomed to Corin Tucker’s vocal trademarks will likely be surprised, and hopefully pleased, by the songs on this album.
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American Hardcore: A Tribal History, By Steven Blush

By Danny R. Phillips

Over the five plus decades that rock & roll has been a force in American youth culture, many books have been written, most with futility, in an attempt to explain its history, its debauchery, its value, and the ebb & flow of the trends sprouting in all directions from its fruitful loins.

Steven Blush’s American Hardcore: A Tribal History not only explains a big part of the punk rock subculture but comes out swinging like a bloody knuckled little brother with something to prove.
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Sister Smile (Suor Sorriso): The Tragic Tale Of The Singing Nun DVD

By Hanna

Suor Sorriso, also known as Sister Smile, is a cult classic in a lot of ways; it has also served to revive interest in the real-life “Singing Nun,” also known as Jeannine Deckers. There has been a demand for Sister Smile on DVD for some time; many viewers will be watching this film for its position in cinema history. Whatever its cinematic merits, though, I found the almost entire lack of factual accuracy or congruency difficult to surmount.
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Jim Sullivan, UFO Reissue

By Chelsea Spear

As with so many other albums, the reissue of Jim Sullivan’s UFO came complete with a compelling back-story.

Sullivan, a purveyor of folk-inflected pop, spent the 1960s playing in LA nightclubs, making time with outlaw movie stars like Harry Dean Stanton and Dennis Hopper, and appearing on The Jose Feliciano Hour and in the movie Easy Rider. In early 1970, he recorded the album UFO with the Wrecking Crew, which his friend Al Dobbs released as a private pressing on his Monnie Records label. When the album failed to gain traction with those in the industry, Sullivan attempted a move to Nashville to work as a professional songwriter. He mysteriously disappeared at a stop in Santa Rosa, New Mexico.
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Punk: Attitude On DVD

By Emily Carney

Don Letts, the director of the 2005 documentary Punk: Attitude, was the man who was most instrumental in bridging the gap between punk rock and dub reggae; without his influence, albums such as Public Image Ltd.’s Metal Box/Second Edition probably wouldn’t have existed, or have been as seminal. Letts made his first rock film, The Punk Rock Movie, in 1978; this effort, captured on a very of-its-time Super 8 camera, was quite murky and grainy, and even had a limited VHS tape release.
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