// Category Archive for: Reviews

Prometheus: More Than A Spectacle

By Paul Casey

You will see Prometheus. Of course you will. If you have even a modicum of space knowledge of Ridley Scott, you will. Alien, Blade Runner, Prometheus. Even if this is a space version of Robin Hood, you have to see it. Ridley Scott is as important to science fiction cinema as Stanley Kubrick. We all know this. In spite of the cynicism and waiting Internet doom machine, you have no choice but to see this movie. And when you do, you need to see it in 3D.

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Gainsbourg: A Heroic Life (Vie héroïque), Directed by Joann Sfar

By Ann Clarke

Being a diehard Serge Gainsbourg fan, I have wanted to see this film since I heard it was being made like three to four years ago. It was just so long overdue!

Eric Elmosnino as Serge Gainsbourg
Gainsbourg: A Heroic Life, 2010

Many biopics suck, but that’s usually because they are about people who aren’t even that interesting or they are poorly cast and scripted. Sometimes they suck because the person in question was not only an asshole in the limelight, but even worse in private. Serge Gainsbourg embodies those traits to a degree, but that depends on your definition of an asshole. In many ways he was, but at least he was an interesting asshole! What I will give him credit for over many other dead asshole celebrities: he lived out loud. His antics were never candy-coated. He did what he did, and didn’t really give a fuck about how it was received—but, he actually DID care (he just didn’t let the world know that he did).
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The Lowbrow Reader Reader

By Michelle Patterson

Let me preface my take on The Lowbrow Reader Reader which a bit of nostalgia: When I think about the candy I had as a child—the kind that I tried to sneak under my parents’ radar because of the illicit pleasure of spending my allowance on the various toxic-looking treats at the corner store—I only get nostalgic for a few of them and upon closer inspection, my choices were pretty telling. The soda candy, in which the soda-type-liquid is encased in tiny, hard plastic bottle-shaped blobs, was some of the foulest-tasting candy on this earth, both past and present, but I still sucked that down with joyous glee. Candy cigarettes, in both hard and gum form, actually evinced a chuckle from my mom when she did find a pack in the back pockets of my shorts, while doing laundry, because she used to “sneak them,” as well.
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Ode to a Poet’th Poet: Ernie Kovacs, Percy Dovetonsils . . . thpeaks

By John Lane

Let’s start the proceedings with a heartfelt ode to Omnivore Recordings for bringing to light a long-lost and rumored (but now real!) holy grail in comedy history. That grail is Ernie Kovacs: Percy Dovetonsils . . . thpeaks
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More Modern Noir: Max Payne 3

By Paul Casey

Noir has been having a good time in video games, over the last few years. Quantic Dream’s high profile Heavy Rain, and last year’s L.A. Noire (which we reviewed here) both used noir as their foundation. Max Payne 3 arrives as the third in a trio of story-driven, highly stylized games indebted to the classics—Raymond Chandler, John Huston, anything starring Humphrey Bogart—as well as modern creators who have ensured that noir and hardboiled fiction stay vital—James Ellroy, Frank Miller, Michael Mann.

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Charlie Parker; Dizzy Gillespie; Bud Powell; Max Roach; Charles Mingus; The Quintet: Jazz at Massey Hall

By Jemiah Jefferson

This new remaster of The Quintet: Jazz At Massey Hall—a truly historic convergence of five of the most celebrated musicians in jazz—is so classic, so iconic, that at first it’s hard to understand what’s so special about it. It really does take some schooling, and some careful and studied listening, before the true magic trick is revealed. For anyone with an interest in jazz, however, this album is essential listening, and can be enjoyed without knowledge of its importance.
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Thelonious Monk, Misterioso

By Jemiah Jefferson

It must have been a thrill for audiences in 1958 to imagine that the performances they witnessed in smoky nightclubs could be recorded and released as brilliant record albums to be savored and studied at home by those less lucky than they. I doubt that many of them could have imagined that more than fifty years later, those same performances would be captured on a shiny silver disk, played back by a laser beam, and savored and studied just as avidly. It’s also possible that the audience listening to what would be titled Misteriso, the live performance by the Thelonious Monk Quartet at the Five Spot Café in New York had no idea of future audiences or listening technologies at all, being entirely too occupied in experiencing the delights of a genius at the peak of his abilities.
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The Bill Evans Trio, Moon Beams

By Emily Carney

By 1962, jazz pianist Bill Evans was emotionally bereft by the car crash death of his bassist, Scott LaFaro. Indeed he was so devastated, he wouldn’t perform for months. He was already in the grips of a powerful addiction to heroin, which he wouldn’t overcome until the end of the 1960s; however, this addiction would be replaced by another: cocaine. No one was shocked by Evans’s death in September 1980, characterized by one of his peers as “the longest suicide in history.”

After LaFaro’s death, Evans had reformed his trio, adding new bassist Chuck Israels. While Evans and his distinctive style of piano playing—hunched directly over the keys—may be a ghost in the machine, this reissue of 1962’s Moon Beams takes the listener back to his melancholy brilliance.
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Tyburn Saints, You And I In Heaven EP

By Less Lee Moore

Can we just go ahead and define ’80s music as a genre? I think enough great music was made during that decade and enough time has passed that it qualifies. Especially when so many bands continue to profess their love for the ’80s through amazing music (School of Seven Bells, The Chain Gang of 1974, Weep, White Lies, etc.). With their latest EP, You and I in Heaven, Tyburn Saints carry the torch with a firm grip and full hearts.
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Little Richard, Here’s Little Richard

By Hanna

For the 55th anniversary of the original release of Here’s Little Richard, Concord Music Group has reissued a remaster of his debut on Specialty Records. This reissue also features a bunch of extras to put the album into context and provide some information on its meaning and background (and make total nerds like me wig out, of course). I wish I could just shout my review, but here it is in written form.
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