// Category Archive for: Retrovirus

Underappreciated Album: Queen’s Sheer Heart Attack

By Christian Lipski

At first glance, Sheer Heart Attack‘s only claim to fame is that it’s the album with “Killer Queen” on it, which may even come as a surprise to people who thought that that was Greatest Hits I. But the album goes quite a bit deeper, and is one of my favorite complete albums from Queen, even above A Night At The Opera or News Of The World, both very popular albums. Sheer Heart Attack was Queen’s third album, and the first one to really peek its head out from the progressive-rock mire that the previous two had been firmly entrenched in. There were still some elements of fantasy and nods to prog rock, but they were kept at a tasteful level. What you got was a selection of catchy rock songs of the pop-, hard-, and arena- varieties.
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The Decline of Disney

By Maureen

They don’t make ’em like they used to: the nature of Walt Disney productions has changed. In the mid-1990s, the success of Toy Story brought the new (and previously untapped) market of computer animation into the picture. Disney’s computer-animated films have become very popular, and there are some quality movies affiliated with Disney. Recently, both WALL-E and Up have received critical and financial success. As Disney has begun to adapt their technology and marketing to the computer age, the overall tenor of their animated films has monopolized the genre.
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Still Tuning In After All These Years: Why I Love Radio

By Jesse Roth

On an otherwise normal Sunday night a couple months back, I found myself sitting alone in my car, mourning the loss of what can best be described as a fair-weather friend. 94.7 The Globe, a mediocre but mostly listenable attempt to resurrect the hallowed progressive rock station WHFS , was echoing its long-departed cousin by playing Jeff Buckey’s “Last Goodbye.” Following a minute of dead air, the station would transition to yet another bland adult contemporary wasteland, a now-familiar occurrence on the radio dial.
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On British Invasions, And Why They Might Not Happen In The USA Again

By John Lane

I have always been suspicious about the prevailing historical theory that The Beatles became big in America as a direct reaction to the Kennedy assassination. It’s too easy: our beautiful, youthful leader is dead, therefore we need youthful music to wake us up?
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These Are My Salad Days: Spandau Ballet On YouTube

By Less Lee Moore

You can’t step twice into the same YouTube river. The channel has undergone enormous transformations since its debut. In just the last few years, there have been heated disputes over copyright in the US and the UK, embarrassing incidents of corporate confusion, and irate fans who rejoice in finding long-loved-and-lost videos only to be crushed when those videos are removed for various reasons.

Thankfully, many bands have stepped up (with apparent legal muscle as well as capital) and created their own Official YouTube channels. This issue we’ll be profiling the Official Spandau Ballet YouTube channel.
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Top Five Ideas For Life After The Swineflu Apocalypse (As Gleaned From ’80s Music Videos)

By Hanna

1. In the future, David Bowie will flirt with black men and we will do experimental dance. ALL DAY.

David Bowie, “Time Will Crawl” (1987)

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Conway Twitty, Lost In The Feeling

By Danny R. Phillips

Growing up in a family of country music fanatics I have always been quite aware of the legendary status surrounding one Mr. Conway Twitty. His classic country “slow jams” have been favorites of cover bands, drunken karaoke singers, and honky tonk jukeboxes from Lubbock, Texas to Osaka, Japan.
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B.B. King, Live In Africa ’74 DVD

By Adam McIntyre

If pressed about my blues preferences, influences, or interests, I’ll stammer for a moment, name some greats, and whatever single, obscure guitarist I can vaguely pluck from my past to show that maybe we have common interests, and that I’ve educated myself a little deeper than your average blues wanker.

It’s much simpler, actually, than naming a few names once I think about it; I’m mostly a blues racist and an elitist. Oops, yeah, did I just call myself a blues racist? That’s weird, definitely, but here’s the deal: I stopped playing blues because I became increasingly self-conscious about coming across as some angsty white kid in a tie, absentmindedly regurgitating legitimately black licks.
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The Passions, Thirty Thousand Feet Over China

By Chelsea Spear

The Passions first came to me on a cloud of cinema nostalgia, flickering with maroon-tinted images of Laboratory Aim Density Girls and smelling faintly of vinegar. John Heyn, best known for co-directing the infamous Heavy Metal Parking Lot, had cut a short film of China Girl images to the tune of “I’m In Love with a German Film Star.” The images and footage of China Girls left me gobsmacked (more about that here), but the song lingered in my mind long after I first viewed the short. Though the British band’s albums were elusive on this side of the pond, a copy of Thirty Thousand Feet Over China surfaced in a bag of donations my boyfriend received at his job in a library.
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Nothing Can Stop Us: Anti-Thatcherism and Anti-Conservatism in Music, 1980 – 1987

By Emily Carney

With all the will in the world
Diving for dear life
When we could be diving for pearls
—Elvis Costello, “Shipbuilding” (performed by Robert Wyatt)

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