Back in the day I bought just about every VHS I could find and still own a great deal of the ones I’ve purchased through the years. I would stumble across some great films and some not so great ones, but either way I was educating myself thought I didn’t realize it. Honestly, a lot of the films that I didn’t care for back in the day are the ones I fell in love with later on in life. The House Of The Yellow Carpet is one of those films.
Evilspeak was a film that I’d always heard about but never saw a physical copy of in the video or retail stores. It always seemed to hide from me so I never got to see it until now . . .
Scream Factory isn’t just about the popular horror films, they love the lower budget underrated flicks as well and that’s what I love about them. I do wish Scream Factory would focus a little more on VHS-only films and less on stuff that has already received a DVD release but I can’t complain. I love my HD. I’m stoked that a film like Evilspeak has seen the light of day on Blu-Ray because this film is batshit insane and all the blood looks glorious in HD.
There are quite a few slashers out there and among them are some underrated ones. Last month I focused on Hide and Go Shriek for VHS Visions and now I bring you another hidden gem called Iced.
One of my goals in life is to watch every single film in existence. That isn’t a realistic goal but I would love to think I could achieve it someday. There are many films out there that I’ve never heard of and that is why I love companies like Olive Films. They release things that are popular amongst a certain fan base but that fan base is usually an older audience. The films they release please their existing audience as well as people like me because I get to see films I would probably never seek out because they are hard to find or just not in existence anymore.
I’ve heard the name Tinto Brass thrown around for a number of years but never watched any films he’s made. For these past few months, I’ve been delving into the more risqué side of cinema and watching vintage hardcore and softcore porn. Apparently, Tinto Brass is a “god” when it comes to this stuff, but I have a different outlook on films like this.
Cheeky is a softcore film with a few harder shots but all in all, it’s a silly comedy about a girl looking for an apartment and her boyfriend trying to find out if she actually cheated on him. Yeah, these films don’t have great plots.
Scream Factory has blessed us with the Blu-Ray of another slasher from the ’80s. Sleepaway Camp is probably the most spoiled horror film to date. I imagine there are people who still haven’t seen it, so I will keep this spoiler free. I don’t agree with the idea that “it’s been out for X amount of years” because we all miss shit. Even I have a number of popular films I haven’t seen yet and I consider myself a huge film buff. We all have those unseen movies and we will eventually get to them.
It’s always a challenge to step out of your comfort zone.
Although I certainly enjoy my share of R&B and Soul music, I would never claim to be an expert. This made Numero Group’s soul compilation South Side Story Vol. 23 all the more interesting, especially with the release’s lack of liner notes. A PR rep referred to it as a “cool mix tape,” and that’s an apt description. Mix tapes were always a labor of love, with homemade artwork and only the band names and song titles included. South Side Story is definitely a labor of love for the Chicago-based label who included relative unknowns in the soul genre, at least unknown to those outside of the Chicago area. This required a lot of digging on the Internet, and unsurprisingly, there was not a wealth of information found, although thanks to soul fanatics and collectors, I managed to find some information on each performer included.
Final Exam is one of the slashers that got me into the subgenre. I first came across this film when I was young because I set out to watch every slasher ever made. I still haven’t accomplished that task, but I’m well ahead of the game. Final Exam has always and will forever be in my Top 10 favorite slasher films of all time.
By Paul Casey
The Dramatics had the funky, harder sound. Then they had the smooth and low-down sound. That falsetto by Ron Banks put them in that category of magical 1970s Soul with The Delfonics and The Stylistics. L.J. Reynolds brings some of that rougher and gruffer vocal love. This Greatest Slow Jams compilation grabs a bunch of the sweetest and sexiest tracks from 1971-1976, excluding the group’s collaboration with The Dells. It also includes the L.J. Reynolds single “Tomorrow” from his 1987 album Tell Me You Will. This would sound great next to a James Ingram track or Between the Sheets-era Isley Brothers or hell, something from The Dramatics’ reunion album from ’85! Out of print, yes, but placed next to the very 1970s sound of the rest of the songs, it breaks the mood. And with slow jams, the mood is everything. If you have to stop having sex, that playlist needs to be tweaked, pal.
What if I said that Robot Ninja is one of the most important films in the history of cinema? I would be full of shit, but I can tell you that it’s my favorite J.R. Bookwalter film and probably the most fun you could ever have with a title like Robot Ninja.