By Noreen Sobczyk
Every music lover has undoubtedly been asked the same question at some point: “So what kind of music do you like?” It’s one of those tricky questions that sometimes results in a snarky answer, such as “the kind with melody and rhythm.”
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By Lisa Anderson
Many people may not know this, but the roots of banjo music actually go back to Africa. Eclectic American banjo player Béla Fleck traveled to Africa to explore this history and learn from African musicians. The result was the 2008 documentary Throw Down your Heart, and the 2009 album Throw Down Your Heart, Tales From The Acoustic Planet, Africa Sessions. Part two of the album was released early this year.
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By John Lane
There’s something a-brewing in Scotland, and aye, I believe it has the whiff of genius. (Macbeth, Scotland, witches reference—anyone? Bueller?)
The Man From Another Place (a.k.a. Dan Hirst) has proven himself to perhaps be the next incarnation of Burt Bacharach, providing five cinematic tunes on his debut EP that defy the listener to not daydream or soul-search. The title itself, The Loneliest Cowboy, hints at its instrumental-only air, suggesting a mute cowboy who wistfully ambles along with his ol’ horse and lets the music in his head do the talking while visualizing sweeping country vistas.
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By Danny R. Phillips
In my younger years, Power Pop was a genre that I avoided it like the Black Plague or Herpes. As a long time advocate of the virtues of punk rock I could not allow myself to support music with such an identity crisis. Was it hard rock? Bubblegum? What? With a few exceptions, mainly Cheap Trick, The Cars, and the riff from “Jessie’s Girl,” it was not something I championed or even tolerated.
Then came the 1990s and with it came bands like Weezer and the exceptional songsmith Matthew Sweet, musicians who embraced the principles of power pop and drank fully of its long and storied past. Perhaps years had softened my barriers or I was now old enough to see that punk has its limits. Power Pop was no longer the enemy.
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By Noreen Sobczyk
When I first heard that Dyan Valdes (The Blood Arm) and Eddie Argos (Art Brut) were recording an album together, I was excited.
Argos always has plenty of humor and clever turns of phrase in his musical arsenal to fight the musical blahs. His antics with faux glam band Glam Chops even made Christmas music more enjoyable. So when I read Fixin’ the Charts was an album of answer songs I thought, “Well, that’s clever.”
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By Less Lee Moore
In I Found All The Parts: Healing The Soul Through Rock ‘n’ Roll, we learn a lot about author Laura Faeth as we follow her on an important journey.
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By Christian Lipski

Muse: Under Review is a retrospective of the British rock band’s career since its start in Teignmouth, UK (and thank you for showing me how that is pronounced).
It’s an unauthorized biography, meaning the members of Muse did not contribute or endorse the material. Immediately, I’m assuming this means no music, no photos, and no new information, which was the main problem with earlier documentaries like Muse: Manic Depression.
Happily, I was well mistaken here. The DVD is filled to the brim with clips from videos and live performances, behind-the-scenes photos, and interviews with music journalists and key participants in the band’s rise. It’s two hours of in-depth study which should make the band’s fans glow with satisfaction.
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I had a pair of Sparks badges, Kimono My House-era, that I bought on Ebay when I first got into Sparks. (Yes, I was a latecomer). I loved them dearly and wore them on my green winter jacket. A few winters ago, I went on a trip to Amsterdam with my friend Zoe. When we got off the train from Schilpol to Amsterdam Centraal, there was naturally a huge group of people, and even as we were on the platform, I realized that I had lost my Ron badge, but it was too late. There was not going to be any searching around on the ground with such a massive hubbub. I like to think a Dutch Sparks fan found it and they lived happily ever after.
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By Less Lee Moore
With Ben Stevenson & The Wondertones/Hot Panda/Sweet Thing
Lee’s Palace, Toronto ON
March 13, 2010
For a band to reach an exalted position on my list of all time faves they must possess two qualities: wonderful musicianship and witty lyrics. Because they have consistently excelled in both categories, Electric Six have ascended quickly up my own personal charts over the last three years. Put another, less pedantic, way: they crack me up and they fucking rock.
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I made a mix tape in 1990 that I loved and lost. I loved it because it was filled with odd songs and crazy stuff that I collected from different sources. All I can remember now is that it had Kid Frost’s “La Raza” on it, and that it had a heart painted on the case with nail polish.
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