// Category Archive for: Music

Trio The Band: Their Greatest Hit

By Emily Carney

Trio is a band generally known for two momentous things. First, they were obviously a trio (consisting of singer Stephan Remmler, guitarist Gert Krawinkel, and drummer Peter Behrens). Second, they had one of the biggest hits of 1982, even if you’ve never heard of them before reading this little tribute.
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Words, Guitar, and Passion: The Music of Sleater-Kinney

By Laura L.

I remember where I heard about Sleater-Kinney for the first time.

It was in the unlikeliest of places: Seventeen magazine. This was in 1997, when they were promoting what’s now my favorite Sleater-Kinney album, Dig Me Out. I wanted to know more about them, but for some reason, I was afraid. I was so self-conscious at the time about listening to a band I’m sure none of my friends would have heard of.

Photo from The Sleater-Kinney Archives

Fast forward three years later. I was in college, and it was the height of Napster’s heyday. Sleater-Kinney had another album out, All Hands On the Bad One, and, after sampling a few tracks on Napster, I decided to finally buy the album. I was hooked from “Ballad of a Ladyman” all the way to the last track, “The Swimmer.” As soon as I could, I bought all the other Sleater-Kinney albums.
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Do You Want Trombone Or Do You Want The Truth?

By Jimmy Ether

In the documentary Kill Your Idols, Lydia Lunch expressed her frustration with the current music scene:

“The commodification and homogenization of especially bass, guitar, and drums is the downfall of music. Where’s the fucking tuba? A trombone! Anything but a bass, guitar, and drums!”

That seems an odd statement coming from someone who very successfully used those very instruments with Teenage Jesus and the Jerks to challenge rock conventions along side bands like D.N.A., Mars, and many of the other bands from the influential New York City No Wave scene. To a certain extent, she has a point.
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Brian Wilson: Songwriter 1962-1969

By Christian Lipski

Each new documentary about Brian Wilson or the Beach Boys adds another drop to the ocean of product already available. Many of them are the same old story, with poorly-researched information and no original music. This is most certainly not the case with Brian Wilson: Songwriter 1962-1969. At three hours of interview and analysis spanning two discs, the new release from Sexy Intellectual stands head and shoulders above its peers.
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Echo Revolution, Counterfeit Sunshine

By Less Lee Moore

Counterfeit Sunshine, the new album from San Diego’s Echo Revolution, is anything but what its title implies. These tunes are sincere in their joyfulness; even the sad songs contain some optimism amidst the despair.
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Robert Wyatt/Gilad Atzmon/Ros Stephen, For The Ghosts Within

By John Lane

Say what you will about Robert Wyatt, but he has never done anything for the fast buck.

What’s more, in an age where the music industry is in an odd state of flux, Robert Wyatt seems to be among the rare legacy laborers who remain somehow protected. Or maybe he’s just kept his head down and tried to stay inconspicuous.
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The Greenhornes, “★★★★”

By Adam McIntyre

It doesn’t matter whether or not you’ve heard The Greenhornes before before; a recent hiatus for the Cincinnati trio has only helped their legend grow.

The rhythm section of Jack Lawrence and Patrick Keeler, once great and intimidating, has only become more effective during their time with other bands (The Raconteurs, Dead Weather, and Loretta Lynn, to name a few). Front man Craig Fox, meanwhile, has created such a lean and well-written catalog of garage, pop, psychedelic, and soul numbers over the last few years that “★★★★” sounds much like a brilliant career retrospective. It’s suspiciously good.
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I Could Observe You All: Gary Numan Pleasures Your Principle

By Christian Lipski
All photos by Deborah Lipski

Click for larger image.

Roseland Ballroom, Portland OR
November 1, 2010

In the tradition of older groups revisiting their seminal works, Gary Numan is playing his 1979 album The Pleasure Principle in its entirety.

The crowd at the Roseland Ballroom skews towards the later 30s, the more experienced fans with serious time in. Some darkwave, some new wave, outsiders and outcasts in black leather trenchcoats (I’m not burning the duster), mixing with younger hip kids who are tracing roots back from chiptune and electro, because as Tron said, “you always forget how good fresh energy feels, till you get to a pure source. . . ” It is generally a core crowd, though. Most of the fairer-weather fans have dried up and fallen off after 30 years without a whisper on US radio after “Cars.” But there are those fans who still prefer Numan’s earlier work, hence “The Pleasure Principle Tour.”
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Doctor Ew Presents Gadzooks At The Imperial Pub!

By Less Lee Moore

From the photo on his MySpace page and the rather suggestive name you might think Doctor Ew is a goofy tribute to Doctor Demento. Nope, try again.
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Scrambles of Earth: The Voyager Interstellar Record, Remixed by Extraterrestrials

By Emily Carney

In 1977, two separate US spacecraft, Voyager I and Voyager II, were sent into space to explore the solar system and, ostensibly, any worlds that perhaps existed beyond the one with which we are most familiar.

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