By Emily Carney

Don Letts, the director of the 2005 documentary Punk: Attitude, was the man who was most instrumental in bridging the gap between punk rock and dub reggae; without his influence, albums such as Public Image Ltd.’s Metal Box/Second Edition probably wouldn’t have existed, or have been as seminal. Letts made his first rock film, The Punk Rock Movie, in 1978; this effort, captured on a very of-its-time Super 8 camera, was quite murky and grainy, and even had a limited VHS tape release.
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Here’s a list of stuff I was really into in 2010.

Electric Six, Zodiac: This album arrived in the mail a few months before its actual release. When it arrived, I was so excited that I actually felt sick. So instead of listening to it right away, I read all the press notes that accompanied it. I listened to it the next day. I have listened to this album over 245 times. This is not a lie. Drive somewhere with me and you’ll hear it twice.
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2010 shaped up to be a pretty damned good year for music. In no particular order, my favorite (non-local, at least) records this year were:
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Anamanaguchi, Scott Pilgrim vs. The World Original Videogame Soundtrack
Wild Nothing, Gemini
Kanye West, My Beautiful Dark Twisted Fantasy (except for the song “Runaway,” which is the Emperor’s New Clothes of songs)
Anything Nicki Minaj does or is “feat.”-ed on
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A science fiction comic series that echoes “Mars Attacks!” and other two-fisted adventures, but with a serious emotional core. Drunken space cowboy Heath Huston finds himself pitted against robots with human brains and amoeba creatures. Swashbuckling adventure in space! The art, by Tony Moore and Jerome Opena, is first-class, and Remender’s writing is both fast-paced and deliberately plotted.
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2010 was a great year for releases, particularly for the “oldies;” there were strong albums from such long-running acts as Killing Joke, Devo, Helmet, Scorn, Young Gods, and Melvins. I’ve picked my very favourite albums of the year, as well as a standout track from each (these are definitely not in order of best to worst or whatever, like that matters one way or the other).
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Fancy Space People EP: I haven’t been this excited about a band in I don’t remember how long . . . this three-song EP is, for me, the best new thing I have heard in years. I love it! Check them out here.
Seeing Don Bolles sing in his early-era-Alice Cooper tribute band THEE EARWIGS was incredible! What a setlist! What a voice!!
The Redd Kross/Fatih No More show December 1 at the Hollywood Palladium featuring Sparks as special guests during the FNM set doing “This Town Ain’t Big Enough For Both Of Us” . . . seeing Patton and Russel Mael sing that together . . . wow.
Getting a photo taken with Sparks after the show! Not as good was me flipping out like a 15-year-old girl in front of them . . . for the third time. Can’t help it. Sorry.
The movie I Think We’re Alone Now (about stalkers)
Daiquiri released Flower Shaped Num Nums on December 6 via their Bandcamp website. You can download the magic for just five dollars! Find out more about Daiquiri on MySpace.

Here is some popular music I have been absorbing this year. Some on this list came out this year and some didn’t.
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By Laura L.

Ever since I watched The Police’s episode of Behind The Music, I’ve had a thing for Stewart Copeland. (That would be the drummer of the Police for those of you who were born after 1984, when they broke up.) He’s an awesome drummer, he’s quick-witted, and—gosh, darn it!—he’s cute. Yes, a man my father’s age, cute! A man who’s a grandfather, cute! So when I went to my local library recently and found his autobiography, Strange Things Happen, on display, I had to check it out.
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By Christian Lipski

Is it an indication that America’s litigious society has been imported to the UK, or just a production company with a guilty conscience? In addition to excited copy about the disc’s contents, the back cover of David Bowie: Rare and Unseen includes the following definitions: “Unseen: Believed unseen since first broadcast. Rare: Believed never released on DVD.” It’s unknown why they felt it legally prudent to put that text on the case, but at least the viewer knows what they’re getting, which is admirable. Regardless, if you live in the US, most if not all of the material on the 60-minute DVD is both rare and unseen.
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