// Category Archive for: Music Reviews

The Cramps, Smell Of Female

By Christian Lipski

“Ladies and Gentlemen, live from the Peppermint Lounge, The Cramps”
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Oren Lavie, The Opposite Side of the Sea

By Chelsea Spear

In the early days of 2009, the Internet became aware of Oren Lavie. The video for “Her Morning Elegance,” the album’s opening track and first single, was auspiciously posted on YouTube, and was subsequently linked on individual blogs and websites (like the group blog MetaFilter.com) with great enthusiasm. As Lavie’s catchy melody burbled along, a narrative of dreams and unrequited love unfolded in appropriately elegant, yet painstaking stop-motion animation. The album’s sales figures at online retailers increased faster than you can say, “YouTube embed.”
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John Lee Hooker, Anthology 50 Years

By J Howell

What can be said about John Lee Hooker that hasn’t been said at least a thousand times before? If you’re somehow unfamiliar with Hooker’s well-deserved “Blues Legend” status, this two-disc compilation isn’t a bad place to start. Hooker was notoriously prolific, recording multiple versions of songs over the years, sometimes under assumed names (but usually laughably close, such as “John Lee Booker”) to avoid contractual snags. Because of Hooker’s prodigious output on so many labels over so many years, assembling a perfect career summary set—especially on just two discs—would be nearly impossible. That said, Anthology 50 Years does a more than adequate, if not-quite-stellar, job of offering an overview of John Lee Hooker’s idiosyncratic style.
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Shiny Around the Edges, Holy Roller

By J Howell

Denton, Texas’ Shiny Around the Edges, a band described by the Dallas Observer as “somewhere between Low and Swans,” are a little hard to explain.
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The Sweet, Action: The Sweet Anthology

Disc One: By Hanna

Glam Rock fans can be divided into two groups: the ones who think The Sweet were not actually glam because glam is an intelligent genre, and the ones who think The Sweet were the best Glam Rock band because they seemed to be in it for the money only.
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Weep, Never Ever

By Less Lee Moore

5. Weep is completely without marketing savvy and has no idea how to “make-it”. Therefore: your love of Weep will never be sullied. You can always enjoy your hip status of loving an underground band.
—From the Weep Manifesto

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Peter Project, S/T

By Megashaun

His MySpace page may label him as “Disney-core” but don’t think this means he’s as whack as the Fresh Prince. Peter Project’s compositions are the closest thing to old-school hip hop without jumping into a DeLorean and going back to the early 80s.
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Sebastien Grainger & The Mountains, S/T

By Less Lee Moore

Listening to these songs on Sebastien Grainger’s MySpace page and hearing them on CD is like the difference between reading about eating a crème caramel and actually eating one. Granted, the MySpace music player doesn’t have the greatest sound quality, but that does not adequately explain it. There’s something more, something that makes this album better than the sum of its parts.
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Adam Ant, Strip

By Less Lee Moore

In 1983, having just experienced Adam Ant performing live to support Friend Or Foe (my very first concert!), I was a certified fan. I loved the videos for “Strip” and “Puss’n Boots” and was psyched for the upcoming Strip album.
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Jay Reatard, Matador Singles ’08

By Less Lee Moore

After seeing Jay Reatard’s name pop up all over The Big Takeover blog last year I grew curious. Then I saw he was also profiled in Spin a few times and I became suspicious. Was this more of the typical music press hype and hysteria?
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