By Noreen Sobczyk
When you visit the Black Moth Super Rainbow website, you’ll find that their new album Eating Us is available in a limited “hairy summer jacket” version. Well if that doesn’t say it all, what does? Hopefully this review will help elaborate on this, at least a bit, because a lot of the beauty of Black Moth Super Rainbow is that the music must be experienced and can’t be fully explained in text. Does that sound pretentious? It’s not, I promise. Take a tab of BMSR and you’re guaranteed not to have a bad trip.
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By Jemiah Jefferson
Tribute albums can be a tricky thing. Gathering the right combination of bands and artists to do the best work in performing new versions of well-known songs has got to be difficult. This is one of the facts that makes this compilation’s success as remarkable as it is. Not every track is a keeper, but the ones that are stand on their own as showcases for the bands performing them as well as the exceptional songwriting that has become one of the Prids’ trademarks.
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By Megashaun
Cartoons are typically not known for their musical scores. In fact, for many that I watched growing up, the music was often more of an afterthought (outside of the main title theme, that is). Incidental music in The Transformers, for instance, was so generic and overused that the show even shared many of its compositions (if they could be called that) with its counterpart half-hour Hasbro commercial, G.I. Joe.
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By Danny R. Phillips
Growing up in a family of country music fanatics I have always been quite aware of the legendary status surrounding one Mr. Conway Twitty. His classic country “slow jams” have been favorites of cover bands, drunken karaoke singers, and honky tonk jukeboxes from Lubbock, Texas to Osaka, Japan.
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By Less Lee Moore
When first heard Michael Hurtt and His Haunted Hearts, I was dazzled. I’d seen Hurtt play with The Royal Pendletons dozens of times when I lived in New Orleans, but this was something altogether different.
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By Chelsea Spear
The Passions first came to me on a cloud of cinema nostalgia, flickering with maroon-tinted images of Laboratory Aim Density Girls and smelling faintly of vinegar. John Heyn, best known for co-directing the infamous Heavy Metal Parking Lot, had cut a short film of China Girl images to the tune of “I’m In Love with a German Film Star.” The images and footage of China Girls left me gobsmacked (more about that here), but the song lingered in my mind long after I first viewed the short. Though the British band’s albums were elusive on this side of the pond, a copy of Thirty Thousand Feet Over China surfaced in a bag of donations my boyfriend received at his job in a library.
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By Noreen Sobczyk
This compilation is culled from covers of the many high quality songs in the Scott Walker catalog. If one wants an emotive, theatrical, “over the top” vocal, inherent to Scott Walker’s delivery—they would do better with the genuine article. On the flip side, if Walker’s show-tune-meets-cabaret delivery is too dramatic for your liking, then this compilation is an excellent way to enjoy these beautiful songs.
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By Less Lee Moore
Danny Echo has been blessed with a great big rock and roll voice. This was apparent when I saw the band live at NXNE 2008: they played their hearts out and even though there were only a handful of people in the crowd at Lee’s Palace, you’d never know it by their enthusiasm.
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By Lisa Anderson
The boys of Depeche Mode and I go way back. This relationship has had its ups and downs, but the romance has been rekindled. I was able to reconnect with them last month when they released Sounds Of The Universe, their first new album in four years.
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By Hanna
There is a feeling among Morrissey fans that he is alienating them; there is a general disquiet, like the lights turned on in the theatre. Blog posts focus on how Morrissey’s face of arrogance is really showing behind the mask—well, more than usual, I mean.
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