By Less Lee Moore
Here are five more horror movie picks, just in time for Halloween viewing!
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By Emily Carney
“Some places are like people: some shine and some don’t.”
True confession: I have never read Stephen King’s The Shining.
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By John Lane and Less Lee Moore
Hands-down, Polanski’s Rosemary’s Baby is one of our favorite horror movies of all time. We love it as much for what it doesn’t do as for what it does do. It seems that there’s a storm cloud of creepiness that settled upon this movie before, during, and after which makes it all the more fascinating. Like a lot of other things from the late sixties, it is a sinister relic from a haunted time. So here are our reasons why Rosemary’s Baby—behind and in front of the camera—is one of the most enduring, complex horror films ever committed to celluloid.
By Chelsea Spear
The year was 1942, and the producer/director team of Val Lewton and Jacques Tourneur were riding high. Cat People, the first feature released through Lewton’s B-horror division at RKO, had saved the studio from bankruptcy and was on its way to becoming a cornerstone of contemporary horror. Before they’d finished counting the receipts, RKO studio heads gave the pair their next assignment.
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By Ann Clarke
I like trashy films. I probably watch more trash films as opposed to movies with actual integrity. Not to say I don’t enjoy some Oscar-worthy entertainment, but I find it much more intriguing to watch the stuff that has no redeeming quality (at face value, anyway).
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By Jesse Roth
Looking back on my movie-viewing history, I can think of few films that have really bothered me. Most of the time, unless an animal dies or there is excessive torture, I won’t even flinch. Murder and cruelty can pass before my eyes and be acknowledged the same way as a car chase or moment of truly exceptional dialogue between two characters: interesting, but certainly nothing that impacts me on a deep, emotional level.
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By Less Lee Moore
“He who fights with monsters should be careful lest he thereby become a monster. And if thou gaze long into an abyss, the abyss will also gaze into thee.”
Frederick Nietzsche, Beyond Good & Evil: Prelude to a Philosophy of the Future
The Black Dahlia was the first James Ellroy novel I read and I loved it. I had become a fan of the hardboiled detective fiction genre after being introduced to the pulp novels of Jim Thompson in a Film Noir class. Then, seeking more books in that vein, I soon devoured all the books of Raymond Chandler and James M. Cain. Since Thompson, Chandler, and Cain were all deceased, I was thrilled that Ellroy was still alive and kicking.
But it was more than that.
With Less Lee Moore and Megashaun
Here are our ten horror movie picks for this issue of Popshifter. We’ve tried to keep the Popcast as spoiler-free as possible so as not to ruin your enjoyment of any of these great movies. And in order to avoid playing favorites, we’ve listed them in alphabetical order.
We’ve also got the scoop on five movies that we wish we hadn’t watched, even in part.
And don’t forget to check out “Five More Instruments Of Evil,” too.
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By Megashaun
I was in the sixth grade, eleven years old, and I didn’t understand why I wasn’t cool. I only knew I wasn’t. I liked Ninja Turtles and Batman in a time when everyone else in my class was into MC Hammer, Technotronic, and Public Enemy. I didn’t own any albums. I didn’t try chasing the girls. One of my classmates—a boy—asked me which girl I liked and I said I didn’t like any (which was a lie; I didn’t want that secret getting out and risk being made fun of for it) and he asked me if I was gay.
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