// Category Archive for: Movies

Movie Review: Cold Blooded

By Less Lee Moore

Jason Lapeyre‘s Cold Blooded is only his second feature film, but it’s already obvious that he’s a director to watch. The film has a terrific trailer that gives hints at the goodness within; it doesn’t spoil anything but it does leave you wanting more. Cold Blooded is definitely more than your average indie thriller.

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The Horrors Of The Black Museum: Q&A With Paul Corupe And Andrea Subissati

By Less Lee Moore

If you were at FanExpo Canada on Saturday, August 25 this year, you were lucky. Lucky to be alive because the Saturday of the now four-day event is by far the busiest, the most crowded, and the most likely to cause severe claustrophobia, and/or exhaustion.

Besides that, however, Saturday featured the introduction of The Black Museum, a “limited engagement of horror lectures and screenings” in Toronto. The series is named after the collection of criminal memorabilia that Scotland Yard kept at their headquarters in London, England, beginning at the end of the 19th Century.

Although I was unable to attend The Black Museum panels at FanExpo, I did recently get the chance to chat with the two curators, Andrea “Lady Hellbat” Subissati and Paul Corupe to find out more about their macabre multimedia endeavor.

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The Art Of Frankenweenie: From FanExpo to Fantastic Fest

By Less Lee Moore

At this year’s FanExpo Canada, I was fortunate enough to take a trip through the mind of Tim Burton. No, I wasn’t shrunk down like Fantastic Voyage or anything. The kind folks at FanExpo worked with Disney and Mr. Burton to present an exhibit of the artwork for the movie. Since Frankenweenie will premiere at Austin’s Fantastic Fest tonight (and will open in wide release October 5), I thought it was a good time to share these terrific photos with you.

First some history: Frankenweenie was a 29-minute short Burton made in 1984. The story is about a kid named Victor Frankenstein who decides to bring his beloved dog Sparky back to life after poor Sparky is hit and killed by a car.

Like the original, the full-length Frankenweenie is in black and white, but the new version is much longer and will also be released in 3D.

These photos do not do the exhibit justice. The detail was amazing and I literally wanted to play with everything there, even the fake Tim Burton desk.

Take a look at these images and don’t forget to check out the movie in October!

Bob Mould, Silver Age

By Danny R. Phillips

I feel as though I should begin this review with a disclaimer: I believe Bob Mould to be a true master of his craft. From his days with the groundbreaking group Husker Du to his time piloting the power pop band Sugar, Mould has made few musical missteps (I choose to forget the mess that was his electronic music phase). His latest album, Silver Age, is an ode to the genre he helped create, a flawless mix of Husker Du noise/aggression and Sugar’s bouncy goodness.

Some of the music literati have said that Silver Age is the return of Mould to the world of musical relevance. I say it is just an excellent album that proves that he’s never gone away or gotten rusty with age. Listen to several bands over the years, most notably Foo Fighters, and you will hear Bob’s omnipresence. For the past thirty years he has blended aggression with melody, volume with deep thought and beautiful songwriting. Silver Age is certainly no exception.

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Assemblog: September 14, 2012

You’re Next, 2011

New this week on Popshifter: Emily dares you to get “Les Sucettes” out of your head in her review of France Gall’s Made In France and John places Mary Edwards’s Eastern/Central & Mountain/Pacific in his Top Ten of 2012.

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Assemblog: September 7, 2012

Lord Of Tears

New this week on Popshifter: I have mixed but positive feelings about the new Weep release, Alate and suggest that you check out Blind Benny’s great new EP, No Honor, while Cait adores the reissues of 20/20’s self titled debut and Look Out! (and not-so-secretly wants them to get back together).

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Assemblog: August 31, 2012

Cruising, 1980

New this week on Popshifter: John talks about the secret handshake and Booker T. and the M.G.s’ Green Onions reissue on Stax; Melissa B. wonders if Harry Shearer’s Can’t Take A Hint is timely; guest blogger and author Alex Bledsoe gives the deets on Rafael Sabatini and pirates; Chelsea loves Micah Sheveloff’s Exhibitionist and the singer/songwiter’s “lived-in marvel of a voice”; I proclaim Big Black Delta’s Tour EP to be “diverse” and “thrilling”; and I share some photos from FanExpo Canada 2012.

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FanExpo Canada 2012: In Pictures

By Less Lee Moore

We came, we saw, we Fan Expo’d.

Click on each thumbnail for a larger image and a description!. We’ll have more coverage of some of these happenings in the upcoming weeks.

The Man Who Gave Us Pirates

By Alex Bledsoe

Alex Bledsoe is guest blogging today on Popshifter. Our Q&A with him appeared in our 2010 Halloween Horrors issue, Season of the Witch.

Rafael Sabatini

My fourth Eddie LaCrosse novel, Wake of the Bloody Angel is about pirates. Yes, those filthy, illiterate, ruthless criminals of the sea who tortured, raped, murdered, and pillaged their way into history in a surprisingly short period of time (roughly 1690-1730). And after reading about some of their deeds, I was struck by this question: why the hell do we admire these people? Why do we look up to them as heroes, write books and make movies about them, give them sexy faces like Errol Flynn, Tyrone Power, and Johnny Depp?

And then I realized it’s mostly because of Rafael Sabatini.

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Basquiat Goes To The Cinema

By Chelsea Spear

Jean-Michel Basquiat: The Radiant Child, 2010

Jean-Michel Basquiat’s life seems all but made for the silver screen. The art world star lived fast. During his 27 years on the planet, he created a complex, engaging body of work. In addition to his solo paintings, he collaborated with Andy Warhol and formed the No Wave band Gray. He died young as the result of self-destructive habits. And he left a good-looking corpse. The half-life of flickering 16mm and unforgiving video reveals a young man with the sulky charisma of a 1950s screen idol.

About a decade after Basquiat’s death, he began surfacing in the movies. His life has the potential for either a brilliant big-screen epic in the style of Lust for Life or a misdirected attempt at catching lightning in a bottle. How have the different films about Jean-Paul Basquiat stacked up?

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