// Category Archive for: Movies

Movie Review: Wrath

By Less Lee Moore

Wrath is a film with much potential. Shot in New South Wales, Australia, it takes full advantage of the area’s beautiful open spaces. The cinematography is lush and the special effects are well done and believable in a grisly way. All the actors are more than capable in their roles, conveying fear, frustration, duplicity, rage, and suffering. The score, alternating between low, sinister synths and haunting harmonica, conveys the struggle between the rural residents and the outsiders. Unfortunately, what Wrath lacks is the narrative cohesion to make these elements affecting.

There’s a story in Wrath, for sure, but we never find out exactly what it is. There are many movies which suffer from too much expository dialogue and leave no questions unanswered, but Wrath‘s dialogue, while enticingly ambiguous, is too much of a good (or bad) thing. Characters often speak in evocative prose that conveys their emotions without conveying much sense. There is a voice over in the beginning that is heavy on repetitive symbolism and tries unsuccessfully to set the tone.

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DVD Review: Beyond The Black Rainbow

By Less Lee Moore

How do you describe a movie like Beyond The Black Rainbow, much less review it with a critical eye? It’s bizarre, hypnotic, compelling, disturbing, and stunning. My only complaint is that I was unable to witness the spectacle on the big screen, but even on DVD the movie is powerful and incredible.

Beyond The Black Rainbow presents a basic story, one we’ve heard before: a controlling doctor, a mysterious clinic, a tormented patient. There are other, less clear-cut or easily understood elements that contribute to the unsettling, overwhelming experience of watching Beyond The Black Rainbow. To attempt an explanation would be to rob the viewer of witnessing and interpreting these things for him or herself.

There are influences, to be sure—Altered States, The Grudge, Suspiria, The Brood—but nothing feels stolen. Beyond The Black Rainbow is a universe unto itself. It’s beautiful and horrible at the same time.

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Assemblog: October 5, 2012

Xtro, 1982

New this week on Popshifter: I assemble my favorite reviews from Fantastic Fest 2012, reveal the full lineup for Toronto After Dark Film Festival 2012, and review two new worthwhile Blu-Ray releases: The Tall Man and Chained; Emily calls John Cale’s oddly-titled Shifty Adventures In Nookie Wood “recommended listening;” Chelsea says the songs on Dark Dark Dark’s Who Needs Who are “catchy and insightful;” Michelle has conflicted thoughts on The Minus Times Collected; Ricky Lima poses questions to Artistic Director David Dacks about the upcoming X Avant New Music Festival; and Elizabeth brings us her latest installment on Linear TV.

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Blu-Ray Review: Chained

By Less Lee Moore

Chained is a gripping, grueling experience. I had originally seen Jennifer Lynch’s latest film in August in one of the Screaming Rooms at Rue Morgue’s Festival of Fear, part of FanExpo Canada. This feeling was only exacerbated upon a second viewing of the film, this time on the newly released Blu-Ray from Anchor Bay.

Chained, despite the title and subject matter (a serial killer keeps a young boy prisoner), is not a straight up horror movie, but is far more horrific than the mainstream, high-budget horror movies that have glutted theaters over the last few years.

Vincent D’Onofrio plays Bob, a taxi driver who kidnaps women, brings them home, rapes and murders them, and forces his captive, Tim, to help him clean up the mess. It’s sordid, but to avoid the movie based on the synopsis would be a mistake.

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Blu-Ray Review: The Tall Man

By Less Lee Moore

If you’ve discussed horror films with me for more than five minutes, you likely know my feelings about French director Pascal Laugier’s Martyrs. It’s a film that infuriated me when I saw it, but not for the reasons that you might think. Yet the potential of Martyrs to be a truly great horror movie is what made me curious about Laugier’s most recent feature, The Tall Man, out on DVD and Blu-Ray September 25.

Those who loved Martyrs for its uncompromising violence may despise The Tall Man, feeling incredibly disappointed. Martyrs 2 it is not. If you are willing to put aside expectations and embrace a beautifully crafted, wonderfully acted, suspenseful, and thought-provoking film that is heavy on subtext and light on gore, than I urge you to check out The Tall Man.

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Fantastic Fest 2012: The Reviews and Awards Are In

By Less Lee Moore

Another Fantastic Fest has come and gone. Congratulations to the people behind all the films that won awards, especially Here Comes The Devil which won Best Picture, Best Screenplay, Best Director, Best Actor, and Best Actress in the Horror Feature category. A well deserved round of applause! (You can read my Here Comes The Devil review on the TIFF Vanguard blog here.)

For a complete list of all the award winners, check the Fantastic Fest website.

I’ve also picked my favorite reviews of each film that I’ve previously mentioned on Popshifter, along with a couple of movies that weren’t on my radar but which I now want to see, based on the reviews coming out of the Fest.

No doubt you’ll be hearing more about these movies on Popshifter in the coming months. Enjoy!

American Mary (Fear.net)
Horror Feature Best Actress Special Mention: Katherine Isabel

The American Scream (Indiewire and Theater Thoughts, because I couldn’t choose a fave.)
Best Documentary: Director Michael Stephenson

Antiviral (Complex)

Combat Girls (Twitch’s review was so wonderful it made me add this to my “must see” list.)
AMD “Next Wave” Spotlight Competition Winner for Best Actress: Alina Levshin

The Conspiracy (Very Aware)

Frankenweenie (Bloody Disgusting)

Holy Motors (Screen Crush)

Looper (Geek Nation)

Sinister (Bloody Disgusting)

Taped (Film School Rejects)

Tower Block (Fear.net)

Vanishing Waves (I am not posting any reviews here because the few I started to read were spoiler-heavy. Here’s the trailer again to refresh your memory, though.)
Fantastic Features Best Picture, Best Director: Director Kristina Buozyte
Fantastic Features Best Screenplay: Bruno Samper, Kristina Buozyte
Fantastic Features Best Actress: Jurga Jutaite

Wake In Fright (Another outstanding review from Twitch on this rarely seen Australian film from 1971 put this on my radar. Drafthouse Films picked up the film and it will play in New York on October 5 at The Film Forum and again in L.A. on October 19 at The Nuart. A national release will follow with VOD and home video releases in early 2013.)

Assemblog: September 28, 2012

The Bird With The Crystal Plumage, 1970

New on Popshifter this week: I strongly recommend Richard Crouse’s new book Raising Hell: Ken Russell and the Unmaking of The Devils; a concerned citizen lays down some rules on proper Facebook etiquette; Julie can’t find a song to dislike on Gemma Ray’s Island Fire; Emily deems The Very Best Of Vince Guaraldi and The Very Best Of The Bill Evans Trio as “essential” and praises Timi Yuro’s The Complete Liberty Singles as a “wonderful collection”; Paul explains why only hipsters hate hipsters; and Jemiah has good news for people who don’t know the difference between “grisly” and “grizzly” in her review of The Wrong Word Dictionary.

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Book Review: Raising Hell: Ken Russell And The Unmaking Of The Devils By Richard Crouse

By Less Lee Moore

If you live in or around Toronto, Ontario, Canada and you like movies, then you’ve already heard of Richard Crouse. For the rest of you, he’s a Toronto-based film critic and TV personality, who can be seen on both Canada AM and CTV’s 24-hour news channel (as well as at nearly every film event and festival in the Toronto area). Most importantly:, he’s also a tremendous, lifelong fan of filmmaker Ken Russell.

Crouse’s latest book (he’s written six others) is all about Ken “Enfant Terrible” Russell’s most controversial and frequently misunderstood 1971 film The Devils, starring Oliver Reed and Vanessa Redgrave. Raising Hell: Ken Russell and the Unmaking of The Devils begins much like my own recent reintroduction to Ken Russell: a prologue detailing Crouse’s 2010 meeting and interview with Russell in conjunction with Rue Morgue’s Festival of Fear screening of The Devils.

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Assemblog: September 21, 2012

Grease 2: “Friday night . . . talent show!”

New this week on Popshifter: Danny calls Bob Mould’s Silver Age “flawless;” Cait thinks Coal Porters’ Find The One is “gorgeous;” Elizabeth Keathley introduces a new series on “linear television” I look at the art of Frankenweenie; chat with Andrea and Paul of horror lecture series The Black Museum; give you the goods on Fantastic Fest 2012; and review Jason Lapeyre’s great new film Cold Blooded.

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Fantastic Fest 2012: What’s It All About?

By Less Lee Moore

What is Fantastic Fest? If you’re a film superfan, especially a fan of what’s commonly known as “genre films” (horror, sci-fi, action, anything that doesn’t fit neatly into the mainstream), then you probably already know. For everyone else, I’ll just quote from the Fantastic Fest website: “Fantastic Fest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, action and just plain fantastic movies from all around the world. Fantastic Fest is held each year in various venues, but primarily at the Alamo Drafthouse Cinema on South Lamar in Austin, Texas.”

Ah yes, the Alamo Drafthouse Cinema. Founded by Karrie and Tim League (who is famous for his zero tolerance policy on bad behavior in theaters) in 1997. It began as a second run theater but eventually became a first run theater specializing in distinctive and unusual programming. Although it now includes nine locations across the US, the Austin location is perhaps the best known, and it’s also Fantastic Fest central.

This year’s Fantastic Fest started on Thursday, September 20 and runs through next Thursday, September 27.

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