Like The Brood, Ciarán Foy’s Citadel was inspired by real life events. David Cronenberg’s iconic 1979 horror film showed the physical manifestation of anger through mutant, murderous children and channeled the rage the director felt following an ugly divorce. Citadel features a gang of similarly mutated murderers and reflects the director’s struggle to deal with the physical and emotional toll he endured after being attacked by a gang of kids.
Both films deal with the fantastic, but while Cronenberg tends to sublimate his angst through far more outlandishly indirect tropes, Citadel unflinchingly examines what it’s like to live, sleep, and breathe fear.
Resolution: In a cabin by the woods, a junkie is visited by his estranged best friend in a desperate bid to rehabilitate him. As they rekindle their friendship in the dilapidated abode, they soon find themselves accosted by increasingly sinister neighboring forces, while stumbling upon a series of interconnected media (from diaries to VHS tapes) that surreally begin to embroil them in a supernatural plot that pervades both the cabin and its surroundings. (Synopsis from the Toronto After Dark website)
Directed by Justin Benson (who also wrote the script) and Aaron Moorhead (who is the director of photography).
One of my most cherished horror film premises is when realistic yet awful situations transform into something extraordinarily terrifying. Resolution seems to meet these criteria, and also points to quasi-conspiracy theories. It also seems to be the kind of horror that doesn’t splatter you with gore but rather lingers, which is the scariest kind of real-life fear. IMDB’s entry for Resolution includes no special effects, which makes its premise all the more intriguing. The trailer varies between uber-gritty realistic settings and disjointed edits and jarring noises.
The film is another Toronto After Dark first feature, this time for Justin Benson, who shares directorial credit with DP Aaron Moorhead, who also shot the rather amusingly titled Dating A Zombie. Resolution screened at Tribeca and Fantasia Film Festival this year.
Resolution makes its Toronto premiere on Tuesday, October 23 at 9:45PM.
Bloor Cinema, 506 Bloor Street West.
Oh Prometheus. If loving you is wrong I don’t want to be right. I didn’t think a movie could court as much controversy unless it was directed by Christopher Nolan. How naïve I was back then!
Four months after the “Prometheus sucks!” furor died down (just in time for the considerably less hysterical “Cloud Atlas sucks!” and “The Master sucks!’ outrage to begin), those of us who didn’t write petulant, ignorant letters to Damon Lindelof had to have our hearts trampled on all over again in preparation for the “Prometheus still sucks!” onslaught.
If you saw Prometheus and hated it, I would urge you to rewatch it on Blu-Ray. However, we all know how film critics are loath to change our minds on anything and (heaven forbid) admit we might be wrong. I saw Blade Runner in the late ’80s and honestly hated it. I was interested enough, however, to see the Director’s Cut theatrical release in 1992 and immediately changed my mind. Granted, the voiceover was removed in that version, but I also like to think I grew up a little bit.
It’s rare that a trailer conveys the tone of a movie successfully without giving major spoilers. If you liked the trailer for Ryan Smith’s debut feature After, however, you should certainly like the movie. It’s a strong start to what will hopefully be a successful writing and directing career.
Citadel: Following an unprovoked attack by a mysterious group of hooded thugs, a young father finds himself paralyzed by fear and unable to leave his home. To compound his nightmare, the local priest warns him that the hoodies will be back one day to claim the child. (Synopsis from the Toronto After Dark website)
Written and directed by Ciarán Foy.
Citadel is the first feature from writer/director Ciarán Foy and based on his real life experiences “of being attacked, and the fears and agoraphobia he was left dealing with in the aftermath of the incident.” Anything that intense and personal immediately sparks my interest. It’s also intriguing that it’s a male lead character experiences paranoia instead of the often-used horror trope of the “hysterical woman.” Citadel won the Audience Award at SXSW earlier this year.
Visually the trailer reminds me of David Cronenberg’s The Brood (one of the most memorable horror films I’ve ever seen) as well as Heartless, a film from a couple of years ago which I just recently watched and adored. I love films set in apartment buildings and high rises (have you seen La Horde?) because they lend an air of realism and claustrophobia.
Citadel‘s Toronto premiere takes place Monday, October 22 at 9:45PM.
Bloor Cinema, 506 Bloor Street West.
After: When two bus crash survivors awake to discover that they are the only people left in their small town, they must form an unlikely alliance in a race to unravel the truth behind their isolation. As strange events begin to unfold, they start to question whether the town they know so well is really what it seems. (Synopsis from the After website)
Written and directed by Ryan Smith.
This is one of the most fascinating trailers I’ve seen all year. It’s got that creepy, mysterious Twilight Zone vibe, but also reminds me of The Mist (one of the best horror movies ever, in my opinion). After seems to have an interesting mix of real life tragedy, supernatural scares, and nasty creatures. I’m also a sucker for creatures with rows of sharp teeth; they really freak me out.
This is Ryan Smith’s first feature, which is always a little bit exciting. After looks to be a pretty DIY affair, with story co-creator Jason Parrish serving as associate producer and art director. I’m always on the lookout for new talent in indie horror films and Toronto After Dark is ready and willing to provide it.
After‘s Canadian premiere takes place on Sunday, October 21 at 9:45PM.
Bloor Cinema, 506 Bloor Street West.
If you remember Jen and Sylvia Soska from their feature debut, Dead Hooker In A Trunk, their new film American Mary will provide plenty of pleasant surprises. It’s a remarkably solid effort for this pair of up and coming young horror filmmakers and one that bodes well for their future.
Mary Mason is a cash-strapped medical student who gets sucked into the world of strip clubs and underground body modification surgeries after a traumatic experience. Katherine Isabelle (Ginger Snaps) portrays Mary with an immense amount of subtlety and charm. She’s studying to be a surgeon and right away, her deadpan voice, sarcastic sense of humor, and fashion sense (including interior decorating skills) prove that she is serious and mature. Wisely, the Soska sisters (who also penned the script) have chosen to make Mary a convincing character, not a bimbo with a tacked-on med school plot device.
Beyond The Black Rainbow
New this week on Popshifter: The full schedule for the Toronto After Dark Film Festival 2012 is out; I profile one of my top five picks for the festival, American Mary; and Elizabeth weighs in on The Rumble 2012 in her new installment of “TV Is Dead, Long Live TV.”
American Mary: A disillusioned medical student decides to ply her trade in the shady underworld of unregulated surgeries and body modification with horrifying consequences. (Synopsis from the Toronto After Dark Film Fest website)
Written and directed by The Twisted Twins, a.k.a. Jen and Sylvia Soska.
At the risk of restating the oh-so-obvious, women do not frequently get taken seriously in the film industry, especially in genre films. Although there are many strong female characters throughout the history of horror, there are more Final Girls and Scream Queens than horror heroines, much less writers and directors. The film also boasts women behind the camera including casting, production, art and set decoration, production and costume design, and effects makeup. American Mary should ace the Bechdel Test.
Twins Jen and Sylvia Soska were born in Vancouver, where they filmed 2011’s exploitation smash, the ultra-violent (and controversial) Dead Hooker In A Trunk. The appeal of a female Canadian horror director—much less two—cannot be overstated. American Mary received a lot of positive attention at this year’s Fantastic Fest, including the performance of lead actress Katherine Isabelle (from horror cult classic Ginger Snaps).
American Mary‘s Canadian premiere takes place on Thursday, October 18 at 9:45PM.
Bloor Cinema, 506 Bloor Street West.
Only one day left until the 2012 Toronto After Dark Film Fest!
This year’s nine-day event includes twenty feature films, many of which are premiering in Canada for the first time.
All the films will be screening at the glorious, newly remodeled Bloor Cinema in Toronto, at 506 Bloor Street West. Here’s the schedule:
Grabbers, 6:45PM
American Mary, 9:45PM
Crave, 6:45PM
Inbred, 9:45PM
Shorts After Dark, 3:45PM
[REC] 3: Genesis, 6:45PM
Cockneys vs. Zombies, 9:45PM
Doomsday Book, 1:00PM
Lloyd The Conqueror, 3:44PM
Universal Soldier: Day Of Reckoning, 6:45PM
After, 9:45PM
Grave Encounters 2, 6:45PM
Citadel, 9:45PM
My Amityville Horror, 6:45PM
Resolution, 9:45PM
Sushi Girl, 6:45PM
Dead Sushi, 9:45PM
In Their Skin, 6:45PM
Wrong, 9:45PM
A Fantastic Fear of Everything, 6:45PM
Game of Werewolves, 9:45PM
For more info on the films, trailers, and tickets, please check the Toronto After Dark Film Festival website.
I’ll be profiling my Top Five Picks of the festival over the next few days, so stay tuned!