This was a shit year. It’s hard to find a “best” thing about a terrible time frame, so it’s no surprise that my Best Of list is exceeding dark. We are the times, and times is hard, Missus Lovett. But my choices, all of them, provide small glimmers of hope, muted rays within the coal dust, a little something to grab for. In a year like 2014, it’s the best I can do.
Mark Raso makes his feature film directorial debut with Copenhagen, for which he also wrote the screenplay. The film was highly anticipated; Raso won the Student Academy Award (Oscar®) Gold Medal for his short film Under. Copenhagen had a very successful festival run, receiving six festival prizes prior to its recent US theatrical release. I eagerly offered to review the film, certain I would love an award-winning film with great viewer buzz and critical acclaim, but unfortunately that wasn’t the case.
Episode 40 is up now! Brad, Sean, and Brian tackle VHS classic To All A Goodnight, a Santa Slasher from 1980.
I watch quite a few movies in a year’s time, subjected to an endless amount of horror and indie flicks. I review a lot of them, too, so when I actually have time to watch what I want, I scour the depths of VOD and check out the newest horror releases there, or maybe catch something I didn’t get to see in the theater. I also go to a few festivals throughout the year so I get to see some of my favorites there, too. One of those festivals is Fantastic Fest from which a good portion of my Top Ten movies come.
In no order:
St. Vincent
St. Vincent at Fuji Festival
JD McPherson at The Echo
JD McPherson, “I Wish You Would”
Ty Segall, Manipulator
Ty Segall at The Echo
Cherry Glazerr, “Had Ten Dollaz”
Birdman, directed by Alejandro González Iñárritu
Tomorrow’s Tulips, “Baby/Glued To You” video
Burger Records
Homeland, 2014 season
A former member of The Three O’Clock, The Quick, The Weirdos, and other bands, Danny Benair owns and operates Natural Energy Lab, a music marketing company, and manages The Danny Benair Record Club on Facebook.
Some people are born to be rock stars. Jerry McGill was one of them. He was talented, devilishly handsome, and had the kind of charisma that can’t be faked. He recorded a single for Sun Records, and it was a minor hit in 1959.
I love punk rock, always have and always will. When I was younger I had a tough time fitting in because I was awkward. It took me a while to understand that I needed to be myself and people would accept that a lot more quickly than any alternatives. During my middle school years I became really good friends with some punks and they told me to just be myself because that would be best for me. Fred, Nick, Iggy, and Daniella accepted me for who I was, a nerd. Well, a pretty badass nerd.
Just about everything Drafthouse Films has put out has been worth my time. . . so far. Their releases have been top-notch, from contemporary films to older titles. After seeing The Act Of Killing (review) I was anxious to see their next documentary acquisition. Now Drafthouse Films has released The Dog, about the “mastermind” behind the bank robbery on which the movie Dog Day Afternoon is based. We are introduced to the creepy, perverted, and overly annoying John Wojtowicz who also goes by The Dog, but I prefer to call him “asshole.”
There are three new episodes of The ScreamCast up for your listening pleasure.
Episode 37 – Prom Night (1980): Podcast includes Canuxploitation.com founder Paul Corupe in a discussion of this new reissue from Synapse.
Episode 38 – Monkey Shines (1988) & The Dark Half (1993): Brad and Sean discuss whether or not these films hold up on their new Scream Factory reissues.
Episode 39 – Raw Force (1982) & Christmas Evil (1980): Brad, Sean, and Brian discuss these two reissues from Vinegar Syndrome.
OK, full disclosure: as a sort of sommelier of the strange, I’m embarrassed to say I had never seen La Planète Sauvage (a.k.a. Fantastic Planet) until recently. But never fear, because this should prove to even the most jaded, freaky, boogie children that it’s never too late to discover something mind blowingly cool. If you haven’t seen this gorgeously animated Science Fiction philosophical allegory, seek it out immediately. Do not pass go; do not collect 200 dollars.