// Category Archive for: Movie Reviews

Inception‘s Deception

By Less Lee Moore

“Yet both directions, though not without meaning, are equally useless.”
—M.C. Escher on his lithograph Ascending and Descending, 1960

Filmmaker Christopher Nolan has only been making features for a little over a decade, but he has already established a singular style, both visually and thematically. Nolan deals in dreams and memories, in morality and duality. His latest film, Inception, is no exception to this trend.
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Suburbia Collector’s Edition

By Less Lee Moore

One weekend in 1986, a friend of mine invited me and a bunch of other freak friends over to watch Suburbia, Penelope Spheeris’ quasi-documentary look at the early ’80s punk scene. My memory is fuzzy on the details of the plot; I mostly remember being disturbed by the other movie we watched, Faces of Death. I do remember that everyone else in the group, some of whom looked somewhat similar to the punk teens examined in Suburbia, were merciless in mocking it; to this day, I still recall the particular scorn they heaped upon the T.R. “gang” depicted in the film, T.R. standing, of course, for “The Rejected.”

I had not seen Suburbia again until this latest Collector’s Edition DVD, so like with Rock ‘n’ Roll High School‘s reissue, I was curious to see if the movie was actually good (or what actually took place in the movie). I think it’s actually worse than I remembered.
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I Need That Record! The Death (Or Possible Survival) Of The Independent Record Store

By Less Lee Moore

I Need That Record! purports to be a “documentary feature examining why over 3,000 independent record stores have closed across the US in the past decade.” But it’s much more than that. In truth, the film does a splendid job of not only showing the causal links that led to this somewhat alarming situation, but also asking, answering, and ultimately, allowing its viewers to weigh in on what this really means.
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Rock ‘n’ Roll High School 30th Anniversary Special Edition

By Less Lee Moore

Although for many, The Ramones represent the birth of the US punk scene in the ’70s, I was only about three years old when the band first formed in 1974. For me, The Ramones were the four weird-looking, tall dudes who kept popping up in promos for MTV in 1981. Most of the videos in the early days of MTV were fairly bizarre; at that point the channel would show any videos they could and the shift to glamorous, new wave pretty boys had not yet occurred. However, even amongst Loverboy, Meatloaf, Split Enz, and The Tubes, The Ramones looked pretty damn strange.

I didn’t see Rock ‘n’ Roll High School until a few years later, when I’d officially hit my own teenage years. I remember feeling confused and vaguely uncomfortable, not totally grasping why it was supposed to be so great. The news of the upcoming release of a 30th Anniversary Special Edition made me curious to see how the film as aged. Would it be funny? Would it be relevant?

Thankfully, the answer to both questions is, “YES.”
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Review: Peacock

By Lisa Anderson

Not much happens in the small, quiet town of Peacock, Nebraska, until one day, a train caboose jumps the rail and lands in the backyard of bank clerk John Skillpa. Everyone thinks the young Skillpa is a bachelor, and has lived alone in the house since the death of his mother the previous year; when the neighbors rush to the scene however, they find an woman—thankfully uninjured—who they’ve never met before.

She introduces herself as Emma and says that she lives there. Soon, this woman, who all assume to be John’s wife, is drawn not only into the web of state and local politics focused on the runaway caboose, but also into the dark secrets of John’s life, which he had been keeping even from her.
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Quantizing Your Pulse: The Heart Is A Drum Machine

By Adam McIntyre

“Why music?”

The Heart Is A Drum Machine attempts to answer that question in several ways with testimonials from musicians, actors, scientists, and doctors. Bookending the film are two little pieces with Ann Druyan, producer of the Cosmos television series (starring her husband, the late astrophysicist Carl Sagan) and the human responsible for choosing the music on the Golden Record included during the deep space probe of Voyager. Even if you don’t believe in life on other planets, including this record on Voyager is a gesture of poignant optimism; it’s entirely likely that the record would be damaged or misunderstood in purpose when discovered.
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Review: Hot Tub Time Machine

By Laura L.

The moment I saw the commercials for the new movie Hot Tub Time Machine starring Rob Corddry, John Cusack, and. . . two other guys, my friends and I jumped at the chance to see it. Not because it looked to be a fine piece of cinema, but as fans of Mystery Science Theater 3000, we love making fun of craptastic movies. For the record, we have all also been to public showings of The Rocky Horror Picture Show, a movie I cannot watch on my own because, let’s face it, it’s not that great on its own. [Blasphemy!—Ed.]
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From Page To Screen: Shutter Island

By Maureen

When I saw the trailer for Shutter Island, I was instantly intrigued. My first celebrity crush, Leonardo DiCaprio, delving into my current career field, mental health? Seemed too good to be true.
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Blank Generation On DVD

By Less Lee Moore

Richard Hell got me my first paying job in the music industry. Sort of.
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Venus In Fur: Femininity, Masculinity, And The Wolfman

By Hanna

When The Wolfman‘s release date was announced, feminist blog Jezebel asked why there aren’t many female werewolves, concluding that because werewolves are disgusting and hairy, people don’t want to equate that with women. They also pointed out that vampires are a lot more popular than werewolves at the moment, and described that position with regards to sex.

Although the answer to the question about women and werewolves lies exactly in those issues, Jezebel drew the wrong conclusions.
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