By Lisa Anderson
Carols are an inevitable part of the holiday season. Most of us have carols, whether sacred or secular, that we love, and others that we hate. It’s not unusual to end up sick of all of them by the end of the season, either—especially for someone who works in retail. I’ve decided to make a list of five of my favorite contemporary holiday songs. They all take a fresher and more realistic view of the season, as well as not being so overplayed that they barely register.
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By Lisa Anderson
As Halloween approaches, we start hearing certain seasonal songs like “Monster Mash” and “Spooky”; we may also dust off our copies of albums by supernaturally-themed acts like Rob Zombie. However, I would like to share my list of the top five vampire songs that aren’t really about vampires.
Some of these are from my vamp-loving early adolescence, but they all taught me that a song can be about more than one thing. They may be heard at any time of year, but scratch the surface, and they still remind me of everyone’s favorite children of the night. (The last one? Is just for fun.)
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By Lisa Anderson
There is a new Sherlock Holmes movie coming out in December, and I for one am a little nervous.
Now, I’m no Holmes expert, even though I read some of the original stories by Arthur Conan Doyle when I was younger. And I was actually excited about the project at first, because of the involvement of Robert Downey, Jr. and in spite of widespread skepticism over the director, Guy Ritchie. It was the trailer that really concerned me.
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By Laura L.
Recently, the world lost a talented writer/director in John Hughes, who died of a heart attack at the age of 59. Hughes defined 1980s adolescent teen angst, writing and directing such movies as Sixteen Candles, Weird Science, The Breakfast Club, Pretty in Pink, and Ferris Bueller’s Day Off. Yes, it’s true that the quality of his work eventually went downhill (Maid in Manhattan. No, seriously!), but those of us brought up in the ’80s—or, in my case, afterward—his high-school-era films really seemed to strike a chord. Here are my five favorite scenes from five John Hughes movies.
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By Emily Carney
Manner of death: Victimized by his own vomit
On September 18, 1970, Jimi Hendrix joined the Great Rock Supergroup in the Sky when he died at age 27. It was initially assumed he probably died of a drug overdose, since he was a casual abuser of drugs; suicide was even bandied about as the probable cause of his death. However, the doctor who attended to him at the death scene concluded he had died because his lungs had filled with red wine vomit.
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By Brenna Chase
Rather than keep your eyes glued to your favorite news channel for the latest intrusive development or read another biased career retrospective on the recently deceased King of Pop, ponder these conundrums, posed by a true (frustrated) fan who pays attention to what’s really important.
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By Christian Lipski
What makes a D.I.D.? It’s not necessarily your favorite movie—we’re talking about a desert island here (albeit one with a DVD player). You’re only going to have these movies for what may be years, and that’s the deal: they need to stand up to repeated viewing, and although that may include your top five faves of all time, it also may exclude them. For example, Star Wars is one of my favorite movies. It played a major role in my adolescence, and I will still watch it today. However, since I’ve seen it so many many times, I would probably regret bringing a move that I have memorized, and would not go to it as often. That said, my five DIDs are. . .
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By Emily Carney
Author’s note: This piece is almost entirely fictionalized. Enjoy.
In the 1980s Midge Ure was best known as the lead singer of mope rockers Ultravox, while Bob Geldof was best known as the husband of Paula Yates and a guy who really, really liked money. He also did some philanthropist work. In 1985, both men mobilized their talents for the massive rock concert known as Live Aid.
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By Hanna
1. In the future, David Bowie will flirt with black men and we will do experimental dance. ALL DAY.
By Chelsea Spear
If In the Aeroplane Over the Sea were a child, that child would be entering middle school right now. That the landmark album turned eleven in February of this year is a bit unbelievable. It certainly doesn’t sound as though it’s been around for that long. Some of the album’s elements, like its tarnished brass-band arrangements and intoxicating, passionate vision sounded out of step with the detatched irony of indie rock in 1998, while others—like the evocation of Anne Frank and the rich melodies—were simply timeless.
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