Interviewed by Less Lee Moore
Paul Feig is one of my heroes. In this age of cynicism, that probably sounds corny, but it’s the truth. Paul Feig has been a stand-up comedian and an actor and is currently a writer, director, producer, and author.
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By Less Lee Moore
Read Part One of this article here.
This year, I got a copy of Nirvana, a book by music journalist Everett True. Although I own Come As You Are by Michael Azerrad, I’ve never even read it. So to be fair, I read Azerrad’s book first.
By Nicole V.
We all know music award shows are boring. They’re too long and too formal, and even though the awards most people don’t care about are presented in the non-televised portion, it still feels like a lot of filler. Still, I always watch portions of both the Grammys and the Canadian version, the Junos, every year.
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By Hanna
For Hanna’s interview with Dave Markey, click here.
The Reinactors follows the lives of a group of Hollywood Boulevard reinactors—those who impersonate well-known movie industry characters on the street, posing for photos and entertaining tourists—for a span of two years. Most of them are homeless or living in mobile homes; some of them are part-time actors in Hollywood or just aspiring to it, but they are all stars in their minds.
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By Emily Carney
1. Jefferson Airplane, two nights in Germany, 1978

“Give me head.”
Grace Slick earned the sobriquet “the Liz Taylor of rock” during the 1970s due as much to her propensity for Liz-like excess as her attractive appearance. Her heights of Babylonian overindulgence climaxed with two wacky nights in Germany in 1978, during which Ms. Slick single-handedly managed to alienate an entire European nation and change the lyrics to much of her band’s back catalogue, both tasks equally momentous in scope. Some “highlights” of the performances: Grace, who appeared to be completely wasted and was drinking throughout the show from a Dixie cup, changed the lyrics of “White Rabbit” from “Feed your head” to, inexplicably, “Give more head.” It probably didn’t matter what she sang, given her throat sounded completely mangled anyway; she had probably also smoked about 100 Kools that day.
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TRANSMISSION #3574927656234689
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TUESDAY / JANUARY / 28 / 2005
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8:00 A.M.
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HOTEL CALIFORNIA RADIO SHOW—TITLE: CROISSANTS AND COFFEE
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RETRIEVED RADIO BROADCAST
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ALIEN A-1 RADIO SATELLITE
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5 MINUTES RUN-TIME
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TERRI
I am Terri Titwell, your gracious host. We are here daily at 8 a.m. in the Grand Dining Hall of the Hotel California to bring you interviews with your favorite celebrities, both living and dead, for your listening pleasure.
From Dracula to Diva—my guests today are Cult Classics. Some of the most interesting individuals, both on and off the screen, that Hollywood has to offer. All of my guests today are Stars of Cult Film.
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In Rebel Without a Cause, Natalie Wood portrays Judy, a tough-talking teenage girl who exasperates her parents. She doesn’t seem to be able to decide if she wants to be a little girl or a grown-up. Her mother tries to placate Judy’s frustrated father by saying:
“She’ll outgrow it, dear. It’s just the age. It’s just the age when nothing fits.”
By Christian Lipski
It’s kind of fitting to be discussing obsession and David Foster Wallace, since obsession plays a large part in a number of his works. He’s got an amazing way of describing exactly how it feels to be obsessed with something or someone, and while I may not be clinically (or more importantly, legally) obsessed with DFW (as he is often abbreviated), I do feel the need to collect all of his books and both read them and read about them [1].
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By Christian Lipski
It seems odd now, considering my current obsession with music, that my first concert would be a band I didn’t know very well. I wasn’t very heavily into music In 1983 when my mom asked if I’d like to go see the Beach Boys at the Garden State Arts Center in Holmdel, New Jersey. I will say that as a kid I really took to the surf/car songs I heard on K-Tel TV commercials, and my first LP was Jan & Dean (a re-release, in case you think I am 75 years old), but it never really became a habit. As a result, my reaction was a mild assent.
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By Megashaun
My introduction to The Meligrove Band came on September 28, 2000. Some friends and I decided to catch a Sloan show and they were the opening act. Unfortunately I arrived late and only caught the last two songs of their set: a rousing rendition of Elvis Costello’s “Pump it Up” and their own mini-epic rock anthem show closer (which they still play), “The Victory.”
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