At the dawn of the eighties, I was a little kid trying to deal with divorced parents, being crappy at sports, and the overwhelming feeling of not fitting in. My grandma was the first person I knew with cable, and since I was addicted to movies, I watched a few things that I was probably too young to fully understand, but which I still love to this day: Foxes, Foul Play, Heaven Can Wait, and Meatballs.
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By Mandy Mullins and Jaime Sparrowhawk
(with lots of help from Paul Cowsill!)

Susan, Paul, and Bob Cowsill
The Cowsills are one of the foremost musical families in pop history. Brothers Barry, Bill, Bob, and John formed the group in 1965. Joined by their mother, Barbara (a.k.a. “Mini-Mom”), they recorded their self-titled debut album in 1967 and achieved their first hit, “The Rain, The Park and Other Things” (#2). A short time later, brother Paul and sister Susan (the youngest Cowsill) rounded out the lineup. With unparalleled harmonies soaring above an infectious bubblegum beat, The Cowsills went on to release a slew of LPs and singles, including the top ten hits “Indian Lake” (#10, 1968) and “Hair” (#2, 1969), and served as the inspiration for the popular television show The Partridge Family before disbanding in 1972.
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By Christian Lipski
I was going to do my top five summer camp movies, but as I looked back through history, it seems that summer camp movies are, as a rule, not very good. So with the kind permission of my editor I expanded to include summer movies in general. These are the films that make me feel cool in the desiccating heat of the Pacific Northwest, the ones full of the possibilities of summer.
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By Megashaun
There are few Canadian bands who have been around as long as 54-40, and few who remain as consistently active. And as with many bands who’ve been around for any significant amount of time, they’ve gone through a few minor line-up (and wardrobe) changes. Their style, however, remains the same. While each 54-40 record has its own vibe, the songs are at their core heartfelt and sincere if not a little tongue-in-cheek from time to time.
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Interviewed by Less Lee Moore
Even if you have never heard of Roger Joseph Manning, Jr., you’ve probably heard him. You might know him best from Jellyfish, Imperial Drag, Malibu, Moog Cookbook, or TV Eyes. But he’s worked with dozens of other bands and musicians: from Air, to Beck, to Cheap Trick, to pretty much every other letter in the alphabet. Except Q and X (I checked).
By Christian Lipski
I’ve made no secret of the fact that I do not like Avril Lavigne’s corporate persona. It may have had a grain of truth to it six years ago when she released her first CD at the age of 17, but it’s gotten increasingly hollow as she has grown up. For fans of the Venture Bros., she’s the Master Billy Quizboy of the music world. For the rest of you, she’s the mom who insists on wearing belly shirts and toe rings even though she’s 50. The discrepancy between her character and her actual age is growing with every passing day, but as long as it attracts buyers, the label will still insist on it. And as long as the label has a contract, Avril’s gonna do it.
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By Christian Lipski
That’s what I imagine people say when I try to explain what Cerebus is all about. There are so many questions to get past before you can really get down to why the epic is worth reading, but here are a few answers to those questions. . .
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By Mandy Mullins and Jaime Sparrowhawk
The Garbo’s Daughter Popcast on Top Ten 45s from last issue was such a blast, we asked them to do another one. This time around, it’s their list of Top Ten Musical Siblings, plus an honorable mention featuring The Brady Bunch. Enjoy!
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By Christian Lipski

I’m cheating a little on this one, as I didn’t actually own this album. But I do definitely remember when it was released, and when it exploded into a phenomenon. I would see the video for “Please Don’t Go Girl” from time to time, back when the boy band was a relatively new concept in the U.S. (at least for those who didn’t remember the Osmonds). It wasn’t until a couple years later that I really started getting into the NKOTB, but I did dip back into their “old school” stuff when “Step By Step” came out.
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by Less Lee Moore
“Ron’s lyrics are humorous, but they have a deeper side. Though they make you smile, there’s a darker undercurrent.”
—Sparks’ Russell Mael in Current Planet Sound, May 2008