// Category Archive for: Issues

Entirely a Matter for You: Peter Cook

By Emily C.

Forget the distressing manner of his death, and his sometimes shambolic, disheveled appearances on 1980s and early 1990s British television: for me, Peter Cook is the pinnacle of elegance and style in the English comedy canon. I was reminded of this upon finding 1970s interviews of Peter from the TV chat show, Parkinson, on YouTube.
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The First Synthpop Song, Part Three

By Less Lee Moore

In the July/August 2008 issue of Popshifter, I attempted to answer the question, “What was the first synthop song?” Not being able to resolve the quandary quite so easily in one article, I delved further into the issue in our September/October issue.
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London Triad, 1987: Sigue Sigue Sputnik, The The, Fuzzbox

By Christian Lipski

Twenty-two years ago I was in my freshman year of college, and my friend Mark and I decided to spend two weeks of our winter break in London. We were both huge music fans: Mark was a Beatles expert and I followed David Bowie, so London was Music Mecca for us. Pictures of me from the trip show a plastic shopping bag always at my side, full of tapes for my Walkman. My headphones were nearly always on, pumping a steady diet of British sounds into my brain. Adam Ant, Gary Numan, Bowie, Rolling Stones. . . the bag was very heavy.
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Electric Six, Flashy

By Christian Lipski

I remember when Electric Six (E6) was explained to others as “that band that did the Gay Bar song for that video with the kittens.” Now, of course, they’re “that band that did the Gay Bar song for that video with the kittens which you may not remember.” This is through no fault of their own, of course; E6 are hilarious and fun and at times amazing, but their label certainly doesn’t have the sheer cash-power to compete with the Top 40 acts. Thanks to the Internet, though, they’re well-known and loved by hipsters, geeks, and perverts the world over.

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Television Verité: Degrassi High

By Jesse Roth

A few years ago, I found myself home during a break from college happily engaging in my two of my favorite pastimes: grazing in the kitchen while watching way too much TV. I used this particular break to become re-acquainted with the television shows that I adored in my childhood; ones that had recently made their way into the lineup on a digital cable channel then known as Noggin. As part of their block of evening and late-night programming (known as “The N”), the channel showcased my personal favorites such as Clarissa Explains It All and The Adventures of Pete and Pete. Later hours were devoted to even older classics such as The Electric Company, a show that predated my childhood (and thus my nostalgia radar) by at least a decade. Nonetheless, I now had the chance to watch and find out what I had missed out on by being born too late.
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Must-See-TV: The Eighties

By Kaye Telle

Say what you will about the eighties, but the explosion of music videos and competition with new cable stations made for some good television. Growing up in the midwest (pre-alternative rock) one felt completely isolated if they didn’t take a Journey to the river Styx on the R.E.O. Speedwagon. Looking back I can only chuckle at my gumption in pointlessly arguing the merits of Devo’s cover of “Satisfaction.” But alone with the TV after school, there were these crazy kids in California who understood. I can remember looking at the clock while snapping my watermelon Bubble Yum during school, ticking down the minutes until I could go home and watch my compatriots on MV3. Late at night and into the early morning hours on weekends, strange short films and more music beamed over the wires via a show on the USA Network called Night Flight. And I thought: I am not alone. An awful lot of cool things happened in that decade—and many of them happened on the boob tube.
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Be Epic: The Glory of Power Metal

By Christian Lipski

Let us drink to the power, drink to the sound
Thunder and metal are shaking the ground
Drink to your brothers who are never to fall
We are brothers of metal here in the hall
Manowar, “Brothers of Metal Pt. 1”

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Madness, Madness

By Jimmy Ether

The second British invasion hit me squarely between the eyes in 1983. Having just been graced with the glowing electric love of cable (and, as a result, MTV), I was transfixed by Kevin Rowland and his rag-tag overall-clad crew dancing in the streets to “Come on Eileen.” Dexys Midnight Runners was my first visual splash of Great Britain, and while I had grown up listening to healthy amounts of my Dad’s Brit-rock, I never really geographically separated The Beatles from The Beach Boys or The Who from Aerosmith. But, with video, the contrast was sharp.
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Bucking Trends: How I Learned to Love Buck Owens

By Melissa Bratcher

One of the earliest crushes I can remember having is smiling Buck Owens on Hee Haw with his red, white, and blue striped guitar; his charming smile; his cringeworthy humor; and his soothing voice. I wore a pair of Hee Haw overalls to show my devotion to Mr. Owens and often pretended that he was my dad (not that anything was wrong with my dad, just, well, he wasn’t Buck Owens). I loved him and his music always reminded me of home.

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1970—1980: Ten Golden Years of Teen Films

By Noreen Sobczyk

In the 50s and 60s, the word “teenager” had long been part of the American lexicon, but it wasn’t until rock and roll came along that the generation gap began to widen exponentially. Music was a major delineating factor separating the generations, and as teenage culture began to blossom, a target marketing audience was born. Rock and roll was all the rage and some films caught a ride on the teen bandwagon via the medium of music. Who can forget Elvis cashing in on his fame with some of his similarly-plotted films?
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