// Category Archive for: Issues

Thank You PBS For Giving Us The BBC

By Noreen Sobczyk

As a child I often tuned into PBS, where shows like Sesame Street, Electric Company, and Zoom taught me my letters and numbers. However, during the evening hours PBS brought me the wonderful world of the BBC where I learned about the decadence and treachery of history through vehicles like I, Claudius and The Six Wives of Henry VIII. There was also the mind-expanding science fiction of Doctor Who. But the most enduring impact was made by British comedies.
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A Young Person’s Guide To: Powell & Pressburger*

By Chelsea Spear

Who They Are

In the late 1930s, Michael Powell had left banking to study film in the south of France, working his way from lowly production assistant to director of silent films and early talkies. Meanwhile, Emeric Pressburger—a Hungarian émigré—had written screenplays at the legendary Ufa Studio in Germany and in France before settling in London. The pair met as hired hands on Alexander Korda’s 1939 feature Contraband, and spent the following two decades crafting some of the best-loved features to come out of the UK, including The Red Shoes, Black Narcissus, and The Life and Death of Colonel Blimp.
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I’m A Writer, Not A Fighter: The Secret Cult Of Gilbert O’Sullivan

By Emily Carney

Most music fans probably associate Gilbert O’Sullivan with a song called “Alone Again” by Biz Markie from Biz’s 1991 album I Need A Haircut. Markie sampled Gilbert’s 1972 hit, “Alone Again (Naturally),” without securing the necessary copyright clearance to sample the song; O’Sullivan famously sued the living shit out of Markie, and set the legal precedent that all samples had to be cleared with record labels prior to using them. (The Jams/KLF would run into a similar issue when they flagrantly —and hilariously—sampled “Dancing Queen” by ABBA, who were clearly pissed).

While I like Biz Markie, I can safely and proudly announce that I am a bigger fan of Mr. Gilbert O’Sullivan. While many may dismiss his music as early 1970s AM-radio schlock, I see O’Sullivan as the forerunner of singer-songwriters such as Morrissey and Orange Juice’s Edwyn Collins. He truly deserves to have a secret cult following—his music’s appeal transcends mere “hipster-y” trends and inane revivals. (Remember when Tony Bennett did a song with Bad Religion? What the fuck?)
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Morphine, At Your Service

By Noreen Sobczyk

Morphine’s music is like a steamy, illicit affair in a slightly dodgy hotel room. It’s dark and smoky and might take you someplace you oughtn’t go, but you are compelled to travel none the less.
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The Sick Brick: Eric Weber’s Lego Art

Interviewed by Less Lee Moore

Eric Weber is an incredibly interesting and inspirational person. He’s a cult movie junkie, horror film fanatic, Divine devotée, and luckily for us, he writes about these things for Popshifter.

He’s also a visual artist who includes sketching, painting, and photography in his repertoire.

When he’s not following one of his many artistic and creative pursuits, he reenacts scenes from some of his favorite films in Lego form and photographs them.

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Top Five Vampire Songs

By Lisa Anderson

As Halloween approaches, we start hearing certain seasonal songs like “Monster Mash” and “Spooky”; we may also dust off our copies of albums by supernaturally-themed acts like Rob Zombie. However, I would like to share my list of the top five vampire songs that aren’t really about vampires.

Some of these are from my vamp-loving early adolescence, but they all taught me that a song can be about more than one thing. They may be heard at any time of year, but scratch the surface, and they still remind me of everyone’s favorite children of the night. (The last one? Is just for fun.)
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Driving Me Backwards (Apologies To Brian Eno)

By Jimmy Ether

As a kid, backward masking gave me chills. But, I was also intrigued by the idea of spinning records backwards to see what crazy messages I might hear. The creepiest one to me at the time was Led Zeppelin’s “Stairway to Heaven.” As the urban legend goes, Jimmy Page purchased Aleister Crowley’s mansion and was, effectively, living with Satan. He then encoded backwards messages of this experience into “Stairway to Heaven”. If you play the fifth verse of the song backwards, you hear an account of life with this terrifying Prince of Darkness.
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Tatt-screwed! Top Five Wanna-Be Scary Tattoos

By Ann Clarke

A few weeks back, I was out at dinner, and some guy walked by sporting a rather alarming tattoo on his arm. . . in blood-dripping scrawl, it read “Junkie.” My partner and I laughed to ourselves. We got in the car, and it got me thinking of other bad tattoos I’ve seen on various people who have passed my way.
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Big Star, Keep An Eye On The Sky

By Kaye Telle

The mythical proportions of Big Star are hard to deny, so I won’t. Big Star are a treasure worth (re)discovering; they have gems worth seeking out and examining over and over, for years to come.
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Moon: Look At Yourself

By Jemiah Jefferson

Moon is a great example of how to make an engaging, gripping science fiction film with not too much money, but a solid appreciation of cinematic and narrative possibility. It is a remarkable achievement from well-regarded journeyman actor Sam Rockwell and director Duncan Jones, who knocks it way out of the park on his first feature film.
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