// Category Archive for: Issues

Duran Duran, All You Need Is Now

By Jemiah Jefferson

In 2011, what does “relevance” mean? A term heavily bandied about by the music press, especially in the UK, a band’s relevance is of paramount importance, ranking ahead of sexiness, competency, or pure enjoyment. Perhaps for these reasons, Duran Duran hasn’t been necessarily “relevant” since their second album Rio set a new bar for all musical artists everywhere.
(more…)

Girl Talk, All Day

By Janet Brusselbach

It feels really good to be listening to free music that’s not only intended to be free, but that’s also really good.
(more…)

The Lexingtons, Isn’t It Nice To Be Loved?/Choose Choice

By John Lane

Something audacious is happening in the otherwise-inconspicuous state of Rhode Island. The Lexingtons, helmed by their chief Eric Warncke, have taken the plunge that very few bands dare to anymore: the release of a double album, titled (with its yin-yang polarity in check) Isn’t It Nice To Be Loved?/Choose Choice.
(more…)

The Corin Tucker Band, 1,000 Years

By Laura L.

If there’s one word to describe Corin Tucker, that’s punk rock. OK, that’s two words.

A few more words to describe Corin Tucker—post-riot grrrl. For those familiar with Tucker from her late, great band, Sleater-Kinney, one might expect a more guttural sound from her new band on its debut album, 1,000 Years. While there’s a definite punk edge on some of the tracks, this album often showcases the softer side of Corin Tucker. Those accustomed to Corin Tucker’s vocal trademarks will likely be surprised, and hopefully pleased, by the songs on this album.
(more…)

The Kid Is Slayed? The Crash Street Kids’ Supersonic Star Show

By Cait Brennan

Reductivism is the great tragedy of history. As the years pass and firsthand knowledge dies, the rough grain of history fades to white. Nuance is forgotten and arcane knowledge is lost. An infinite palette of color and shading fades, first to primary colors and eventually down to broad, ill-defined strokes—gouges in sandstone. Our life spans are too brief, our memories too quick to fade.

Thus in 2011, that perfect pop moment called Glam Rock is mostly reduced to flickering B-roll of Ziggy Stardust circa 1972, bless him. Or misremembered entirely as that thing Poison was doing in 1989, whatever that was. Some kid who fancies himself a music historian may mention T. Rex. But the amazing spectrum of bands and artists who made up the first glitter-rock era—from Sparks to Suzi Quatro, from Slade to the Sensational Alex Harvey Band, the Sweet, Mott The Hoople—what self-respecting 21st century boy, not even born when Marc Bolan died, could possibly hope to truly know that world?

Ryan McKay does. He’s the front man for Phoenix’s Crash Street Kids, and—along with band mates A. D. Adams, Ricky Serrano, and Ryan “Deuce” Gregory—the last, best hope for glam rock and roll.
(more…)

Time, See What’s Become Of Me

Back when I was 12, liking a certain band could get you in trouble. I remember that my classmates were almost violently divided between who was better: Adam Ant or Ozzy Osbourne. As a fan of the former, I was frequently the object of considerable disdain.
(more…)

Communications With Aliens: Q&A With Dr. Richard Doyle, Penn State

By Emily Carney

The original Voyager Golden Record

Recently, Popshifter reviewed the release Scrambles of Earth from Seeland Records. This recording consists of sounds from The Voyager Golden Record (sent into space on Voyager I and II in 1977 as sort of a message to extraterrestrials and as a space “time capsule”) allegedly remixed by some sort of extraterrestrial beings. The original record consisted of songs from all over the Earth, greetings from various then-contemporary world leaders, greetings in assorted foreign languages, and 116 images of Earth life.

I recently conducted a brief Q&A with Dr. Richard Doyle, English faculty member of Penn State University, about the various transmissions which comprise this audio recording. Dr. Doyle has been described as a “Rhetorician of Alien Communication,” so I had no doubt that his answers would be enigmatic and curiosity-arousing at best. Dr. Doyle did not fail to surprise me with his answers from our brief interview.
(more…)

When Three Is Neither Company Nor A Crowd: Least Favorite Love Triangles On TV

By Maureen

I’m not a fan of love triangles. I’ve never been involved in one, and neither has anyone I know. The modern television writer, however, seems to think that love triangles are so commonplace a situation that shows feature them frequently. Usually I am able to ignore them, but three particular examples in recent memory come to mind as especially aggravating. In the spirit of the “power of three,” here they are.
(more…)

Seinfeld: You Got To Have Three

By AJ Wood

Comedy duos are always the front of our minds, as though funny only happens in pairs: Lucy and Desi, Burns and Allen, McCain and Palin. For me, as typified in that first sentence, three is the funniest of numbers: one and two set up the pattern and three knocks them down. Works every time.

What becomes even funnier is using the same structure on top of itself: having three different series of three gags which are each funny on their own, but funnier still when they come together to form something greater. Something like a comedy turducken: nothing is left to idle stuffing; it’s just meat on meat on meat. Or perhaps as a vegetarian, I should say a comedy Voltron, with powerful parts coming together to make something more. Or maybe I should stop giggling over the fact I just wrote “meat on meat on meat” and “powerful parts coming together” and move on to the next slide.

One of the best examples of seamless tripartite comedy writing comes from an unassuming source: the show about nothing, Seinfeld. Running from mid-1989 through the 1997 TV season, this sitcom created by Jerry Seinfeld and Larry David offered something fresh and different from more typical sitcom formats. While “about nothing,” it was still quite unlike anything else on the air. One well-known episode from the early years setting this show apart was “The Chinese Restaurant” (Season 2, Episode 11): a continuous 22 minutes of Jerry, Elaine, and George waiting for a table in a restaurant. Pretty standard fare for a one-act stage comedy perhaps, but definitely not the realm of the typical sitcom.
(more…)

Terrorists, Tours, And Tourette’s: Season Three Of Curb Your Enthusiasm

By AJ Wood

Season Eight of Curb Your Enthusiasm will be starting soon, and I will of course be watching. No matter what it brings, it will be difficult for it to reach the brilliance of the third season, which aired in 2002.

Not that episodes from seasons before and after the third one have not been great in their own regard: Porno Gil’s dinner party, opening night of The Producers, and of course, a wrestler named Thor. But as a whole, the third season brings the best mix of those three things that make CYE such a comedic goldmine: impossibly bizarre situations, a wonderful supporting cast, and some great insights into the mind of Larry David.
(more…)