When I first heard about the upcoming horror movie, Found Footage 3D, I immediately got on Twitter to make fun of it. Oh, don’t act like you’re shocked. The real surprise for me happened when the director of the movie, Steven DeGennaro, saw my tweet and engaged me in a civil conversation. That’s the inherent joy and terror of Twitter; you never know who’s reading. After talking to Steven for a while, I moved out of mockery mode and into curiosity. That led to research.
Steven DeGennaro previously directed the short film, First Date. For his new movie, he is working closely with horror icon Kim Henkel, co-writer of The Texas Chainsaw Massacre. That certainly intrigued me. Then, I had the opportunity to talk to Steven DeGennaro at the end of last month.
By Paul Casey
About a month ago, I had a conversation with a talented musician from Toronto. Jamaal Desmond Bowry goes by the name Jhyve and makes modern R&B. He also has a touch for Rap. His latest album, Supermegafutureshit, resulted from a collaboration with producer Soul. The album is an atmospheric thing and another sign of how the genre is regaining its standing with listeners and musicians. Get low, change the tone, push through a whole bunch of compatible influences.
I spoke with Jhyve for about an hour and our conversation covered many things that I feel are important, especially right now. While we discussed Jhyve’s history and how his music has developed, we also got to talk about how R&B has changed over the years and why it is that so many unfairly reduce its ability to address human problems. Read Part One of the interview.
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By Paul Casey
About a month ago, I had a conversation with a talented musician from Toronto. Jamaal Desmond Bowry goes by the name Jhyve and makes modern R&B. He also has a touch for Rap. His latest album, Supermegafutureshit, resulted from a collaboration with producer Soul. The album is an atmospheric thing and another sign of how the genre is regaining its standing with listeners and musicians. Get low, change the tone, push through a whole bunch of compatible influences.
I spoke with Jhyve for about an hour and our conversation covered many things that I feel are important, especially right now. While we discussed Jhyve’s history and how his music has developed, we also got to talk about how R&B has changed over the years and why it is that so many unfairly reduce its ability to address human problems.
Just because you have grown up to believe that one genre is THE STANDARD, it does not mean this is everyone’s experience. Just because Rolling Stone tells you that the only worthwhile R&B is that one Marvin Gaye record they heard at a party that one time, don’t assume this is all the genre has to offer. Not all sex songs are vacant. Some have a lot to say about the human problem. Sex is not all R&B has to be, either. Things are changing, and hopefully soon R&B can encompass all manner of concepts and ideas. What will remain is its fearlessness and passion.
I have tried to present the conversation as close as possible to how it happened. I have edited and cleaned it up to make for a more pleasant reading experience but the meaning and the order of chat are the same. Part Two will be posted on Wednesday, December 4.
Note: this interview was originally published in May 2010.
Recently we’ve been treated to new music from the venerable White Flag, an excellent EP called Keepers Of The Purple Twilight. Released on Target Earth in March of this year, all five songs are fantastic, featuring the White Flag hallmarks of clever, witty lyrics, which are often belied by hooky, but rocking tuneage.
One intriguing factor is that lyrically, the tunes are pretty introspective, perhaps pondering where a band like White Flag, who has been consistently making music but continually underrated over the years, fits into this weird world of American Idols and Justin Biebers.
If you haven’t been paying attention to White Flag, we’re here to help fill in those gaps for you. What follows is a conversation with singer, guitarist, songwriter, and main Flag-waver Pat Fear about the history of the band, including just a few of the “28 years of stories” he’s accumulated about punk rock, playing Greenland, The Shaggs, Os Mutantes, Gasatanka Records, and being the most connected band in the universe.
By Paul Casey
Photo © Tiger Cooke
Tiger (real name Tadhg) Cooke is an Irish musician. He has recorded two studio albums, his most recent being the excellent Fingertips of the Silversmiths from 2010. Cooke has received his fair share of critical notice. The Irish Times called him “eminently likeable, utterly enviable” on the basis of his debut. Hot Press, a long running and popular Irish publication, was equally impressed, handing out some fairly glowing words. More importantly, your pal Muggins here likes it! Cooke has a handle on making music that is lowdown but witty. He is comfortable in the rockier end of the singer-songwriter camp but also willing to account for influences and interests outside of the obvious.
Fingertips of the Silversmiths is the album that pushed me to speak with him and has many of the qualities that I look for with modern singer-songwriters. It has a really nice sound, for one. It is present and hooked in. Cooke’s music avoids that muddled and confused revivalist shot, the one that generally comes with the embarrassing “Hey man we’re taking music back to its roots!” It’s lyrically interesting which always helps. Perhaps most of all, Cooke’s voice has that flavor. Just enough sauce.
Interviewed by Less Lee Moore
The Soska sisters in a scene from American Mary
When Jen and Sylvia Soska’s feature debut, Dead Hooker in a Trunk, was released it caused quite a stir, among horror fans and those less enamored with the genre. Their latest film, American Mary, has a less controversial title, but still treads into controversial territory: rape, revenge, and body modification. It’s an emotionally affecting, nuanced, and powerful film that is way better than the most of the big-budget, CGI-laden, Hollywood productions that fill the multiplexes (read my review from last year’s Toronto After Dark Film Festival)
Cineplex Theaters have scheduled American Mary for a special week-long run across Canada as part of their Sinister Cinema series, which is an amazing achievement for an indie horror film. I recently spoke with the Soska sisters and asked them about modern horror and the role of women in the genre, the method behind their madness, and what their future holds.
Interviewed by Less Lee Moore
When you’re a Venture Bros. fan, you see things through Venture-colored glasses and everything looks so much better. There is nothing not to love about this show: incredible characters, an overabundance of wit, numerous pop culture references, clever visuals, and a narrative arc that puts most live action TV shows to shame. In anticipation of the show’s Season 5 premiere on June 2, I chatted with Doc Hammer and Jackson Publick, the show’s creators, writers, voice actors, and just about everything else. We started discussing how they work and what drives them and eventually got into the important stuff: Kajagoogoo concerts, whether or not Trent Reznor is a poseur, and Gary Numan. When I got on the phone, Doc and Jackson were already there, chatting with each other.
Jackson: Yesterday there was fake harpsichord hold music.
Doc: I think it was fake guitar.
Jackson: I think it was trying to be fake harspsichord.
Doc: Really?!
Resolution
Resolution was the most unexpectedly intriguing movie of 2012 for me (review). The trailer was fascinating, but I had no idea what I was in for. I could say much the same about writer/director Justin Benson and co-director/cinematographer Aaron Moorhead. Their abilities at keeping an audience transfixed extended beyond the movie and into the intro and Q&A for Resolution at its Toronto After Dark screening.
Luckily, I was able to catch up with the pair a few days ago, in anticipation of Resolution‘s upcoming release on VOD and in theaters. Here’s what they had to say.
Justin: In general, when you make a movie and you make your own key art and you’re really happy with it, you then show it to the distributor who probably has their own ideas, which are very well placed: this is to sell it on VOD. And then you wait for months to get kicked in the balls, thinking it’s gonna be terrible. But we were so happy . . . nothing against horror movie posters, but it doesn’t look like a horror movie poster. There’s something very odd about the poster but it doesn’t look like a horror movie poster.
By Lisa Anderson
With vampires still abundant in popular culture, it’s hard to do anything new with the concept. Nashville Writer A. Jay Lee has managed to do so, however, with his Holy Damned series. The first book, Grace Through Blood, finds young Jamie Grace newly arrived in Charleston, South Carolina, where she finds new love and becomes embroiled in a very unusual community of vampires. The vampires are not the only supernatural beings in the story, either: Jamie herself can see people’s auras, and she and her new boyfriend Grant encounter shapeshifters and battle a vengeful demon as their pasts intersect in Charleston.
Lee has written an innovative, compelling book with a strong sense of place. He sat down recently to chat with me about the premise of the series, its future, and his inspirations.
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By Less Lee Moore
Wayward Fire is the latest album from The Chain Gang of 1974, which is the brainchild of singer/songwriter/musician Kamtin Mohager. It’s an eclectic, intriguing, and downright addictive mix of influences and styles with some of the catchiest songs you’re likely to hear this year. (Read our review here.) I caught up with Kamtin when he was en route from the West to the East coast for the band’s upcoming tour dates with The Naked and Famous.
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