Remember PC games in the ‘90s that were very story based with a ton of cinematics and limited gameplay? For the most part, the cut scenes were actual actors and not animation and they were poorly acted. I was always a big FPS fan and I disliked the type of games that included just a lot of walking around, pushing buttons, and someone who popped up in your HUD and told you what you were doing wrong or right. I’m guessing this is why I disliked Day Of The Mummy.
As a cinephile I’m often asked the question, “what is the scariest film you have ever seen”? I have a list of scary films but not too many actually scare me. I’ve been watching horror films since I was 4, so I’m a little desensitized at this point in my life. I get creeped out of course, but it takes a little bit more for me to look over my shoulder at the end of the film.
Movies push the limits constantly. Sometimes I go into a film knowing that it is going to hit me hard, but every once in a while a film comes out of nowhere to punch me right in the face. A few years ago the controversial A Serbian Film screened at South By Southwest and word spread quickly on social media that it was “the most fucked up movie ever made.” I agree A Serbian Film pushes the envelope a number of times and I mostly agree that it’s fucked up. However, there isn’t any realism in for it me and I believe it’s realism that’s scarier and sticks with you more. Films like A Serbian Film, Martyrs, and The Human Centipede are brutal but I have to give up a big portion of my suspension of disbelief because there is no realism to these films at all.
I’ve had a great year as an art fan. It was really difficult to come up with a short list of my favorite releases, especially given that my own personal collection grew by almost 50 prints this year, but I’ve divided a list into two categories of some of my personal favorites of this year, in no particular order.
Episode 40 is up now! Brad, Sean, and Brian tackle VHS classic To All A Goodnight, a Santa Slasher from 1980.
There are three new episodes of The ScreamCast up for your listening pleasure.
Episode 37 – Prom Night (1980): Podcast includes Canuxploitation.com founder Paul Corupe in a discussion of this new reissue from Synapse.
Episode 38 – Monkey Shines (1988) & The Dark Half (1993): Brad and Sean discuss whether or not these films hold up on their new Scream Factory reissues.
Episode 39 – Raw Force (1982) & Christmas Evil (1980): Brad, Sean, and Brian discuss these two reissues from Vinegar Syndrome.
It seems that throwback horror is becoming the next big thing, but it’s a delight when the film doesn’t recognize it’s a throwback. Unless it is done with finesse and skill, movies like these can fall flat quickly. On the other hand, we have films that are made in the same vein as those weird classics. They take us back to being little and staying up watching movies on VHS in our living room after our parents have gone to bed. That’s how I felt while watching Swamphead, a new title from Wild Eye Releasing.
Mardi Rustam directed Evil Town, a film that I’ve loved since I was little. Until a couple of weeks ago, I didn’t know this director did anything else. Then Gorgon Video decided to lay down the law with their new release Evils Of The Night.
I knew something in my life wasn’t right. I knew I was missing some weird, key component to happiness. I now know that Evils Of The Night is the one thing that completes me.
What is the worst film you have ever seen? I’ve seen many terrible films in my day but I usually don’t badmouth them because I don’t like to give things negative publicity. Why should *I* determine if someone watches or doesn’t watch a film? Final Entries: The Video Diary Of Madi O was one of the worst films that I’ve seen but that all changed after I found out a few interesting things.
I should have a weekly found footage column; that would make this a whole lot easier. Our found footage film for this week is Play Hooky