Let’s get this out of the way first: whenever someone asks about my favorite David Cronenberg film, my knee-jerk response is, The Brood. Having seen almost all of Cronenberg’s pre-A History Of Violence movies, it still stands out. Perhaps it doesn’t have as much of the gruesome depravity of Videodrome or Dead Ringers (both excellent films in their own right), but there’s just something about it that continues to fascinate me.
By Tyler Hodg
Video games aren’t typically associated with Hallowe’en the way movies and music are, but that doesn’t mean that they don’t have the ability to make you shake in your boots. And that’s why I’ve compiled a short list of games that could also be a part of the scary season.
Before you start screaming in the comment section, I purposefully left out series such as Resident Evil, Dead Space, and Silent Hill. Those are givens, guys.
Fans of networks, be forewarned that The Horror Network has nothing to do with networks or networking. The title is kind of mysterious. There’s no framing device for the five shorts that comprise this anthology, and no overarching theme to be used as connective tissue. It’s a scattershot approach, but if the intent is to throw a bunch of stories at the wall and see which ones stick, then well done.
Our Friday Night Movie Club met a while back and the theme was cannibalism. My wife and I were on the verge of starting a massive diet, so we thought an evening of gnawing human flesh would be funny. We kicked things off with a re-watch of the original Texas Chainsaw Massacre. It’s a great movie, one I tend to pull out every couple of months for a rewatch.
I was a big fan of Der Nachtmahr, which screened at this year’s TIFF. German director AKIZ has said that the film is “New German Fantastic Cinema” with roots in the Expressionist films of the 1920s. Here are a few more freaky German films from the country’s rich cinematic tradition.
“Pssst, do you have any Reese’s Pieces?”
Have you seen Der Nachtmahr yet? Probably not if you haven’t been to the three film festivals where it has screened (Locarno, TIFF, Warsaw).
What’s Der Nachtmahr about, you ask? “After a wild night out, a Berlin party girl finds herself haunted by a twisted, repellent little creature that no one else can see.”
Is he an alien? Is he good or evil? Is he a parasite? You’ll have to see the film to find out (and you can read my review), but in the meantime I thought I’d pay my respects to some well-known (or perhaps underrated) cinematic parasites.
If you’re familiar with Mexican horror films and are expecting something Gothic, spooky, and languorous from Adrián García Bogliano, you’re in for a surprise. Here Comes The Devil is going to scorch your eyeballs and bathe them in blood.
When most people think about possession movies, they think about The Exorcist. While that is certainly a worthy film (and my personal favorite horror film ever), it’s not the only one out there to deal with the topic. The Devil’s Candy and February are two recent films that put a fresh spin on the subgenre. Here are seven more movies about possession, just in time for Halloween.
The Official Popshifter Podcast, Episode #03, “Hallowand”
It’s the Halloween episode of the Official Popshifter Podcast, and we’re talking about all things Halloween with our special guest, Paul Casey. It’s a cornucopia of creepiness this month on Popshifter!
Featuring Managing Editor Less Lee Moore, Featured Contributor Jeffery X Martin, and Special Guest Paul Casey! Enjoy and thanks for listening.
TRIGGER WARNING: The following review contains descriptions of sexual abuse, foul language, and general post-film grumpiness.