// Category Archive for: Feminism

But I Don’t Wanna Be In The Army: Private Benjamin

By Emily Carney

Being a Navy veteran, I have an abiding interest in military-themed films of any sort, so I decided to re-watch 1980’s Private Benjamin. While it’s no G.I. Jane (perhaps the greatest female-in-the-military film, in which we see Demi Moore become the baddest, hardest Navy SEAL ever), it does have its hilarious moments (and its anxiety-provoking, PTSD-inducing moments, for me).
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Words, Guitar, and Passion: The Music of Sleater-Kinney

By Laura L.

I remember where I heard about Sleater-Kinney for the first time.

It was in the unlikeliest of places: Seventeen magazine. This was in 1997, when they were promoting what’s now my favorite Sleater-Kinney album, Dig Me Out. I wanted to know more about them, but for some reason, I was afraid. I was so self-conscious at the time about listening to a band I’m sure none of my friends would have heard of.

Photo from The Sleater-Kinney Archives

Fast forward three years later. I was in college, and it was the height of Napster’s heyday. Sleater-Kinney had another album out, All Hands On the Bad One, and, after sampling a few tracks on Napster, I decided to finally buy the album. I was hooked from “Ballad of a Ladyman” all the way to the last track, “The Swimmer.” As soon as I could, I bought all the other Sleater-Kinney albums.
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The Monstrous Feminist

Sometimes it’s hard being a horror movie fan, especially of the female persuasion.
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Let’s Have Fun With Shonen Knife: A Video Interview

By Matt Keeley

I have been listening to Shonen Knife for literally half my life. I’m 30 now, so do the math! That being said, I’ve only been able to see them live twice: once on the Gokigen Tour in 2005, and recently for the new album Free Time. There’ve been line-up changes since the first time, but the sound is the same and just as good as it always was.

I was so thrilled to interview Shonen Knife before their show at the Tractor Tavern in Seattle—the first stop on the new US tour. I got to talk to all of them and ask Naoko Yamano about her songwriting, finding records in Japan when she was growing up, Japanese vs. English, writing about animals and food, and more, including the band’s recent experience playing in China. She even tells a scary story, seeing as it is the Halloween issue and all!
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I Spit On Your Grave: Revenge Is Not So Sweet

By Michelle Patterson

While working on this piece, a hopeful idea flickered to life: could 23-year-old Michelle and 33-year-old Michelle be pals? Although perhaps possible, perhaps I’m too hopeful that my past self and present self should be friends in some alternate universe. Seeing as I have yet to shake the pop culture-related obsessions which began in my youth and continue to snowball into one massive contradictory mass, it’s not that much of a long shot, physics quandaries aside.

So until time travel becomes reality, here’s the imagined correspondence between two versions of myself about an important piece of film-making, the original I Spit On Your Grave.
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Jesca Hoop, Hunting My Dress

By Less Lee Moore

The title song of singer/songwriter Jesca Hoop’s second album, Hunting My Dress, might sound odd, until you listen to the song and consider the lyrics. Rather than describing a woman’s article of clothing, she seems to mean instead the search for a guise, or perhaps a disguise. With all the various personas that she inhabits on this album, it is quite a fitting term.
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Concrete Blonde, Bloodletting 20th Anniversary Edition

By Noreen Sobczyk

Did you ever notice that Johnette Napolitano rarely, if ever, gets mentioned in those Top Women of Rock lists? Even if Concrete Blonde never had a good song on any album besides Bloodletting (which, rest assured they did), this album alone is enough to put her in the Top 20. Napolitano has the swagger, songwriting talent, and the vocal ability to assure her space as, perhaps not the Queen of Rock, but as a high-ranking member of the royal court.

On Bloodletting, Napolitano shows her vulnerability, desires, and strengths in spades on classic songs like the dysfunctional love song “Joey” (the band’s biggest commercial success); “Tomorrow Wendy” (a cover of the heartbreaking Andy Prieboy song about a friend dying from AIDS); and “Bloodletting (The Vampire Song);” one of the best vampire songs ever written, arguably second only to Bauhaus’ “Bela Lugosi’s Dead.”
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Underground Girls Blog: Q&A With Mandy Mullins Of Garbo’s Daughter

By Less Lee Moore

The lovely and talented Mandy Mullins, who has been an integral part of so many of our Popcasts here on Popshifter, was recently featured on the Underground Girls blog where fellow groovy girl Kelly Fever describes her as “one of the grooviest girls in the pop music scene” and I couldn’t agree more.

Read their Q&A with Mandy to find out more as she discusses her influences, her idols, her guitar, plus Stryper, Sassy Magazine, The Beatles, The Osmonds, and Bubblegum!

Five Faves: Female Movie Characters

By Less Lee Moore

Not the Ultimate Top Five perhaps, but the five I return to over and over.
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More Than Shakespeare Slash: Q&A With Author Myrlin Hermes

By Jemiah Jefferson

The Lunatic, the Lover, and the Poet, the new novel by Portland, Oregon author Myrlin A. Hermes, dismantles some of the best-known works of literature in the English language—the plays and sonnets of good ol’ Willie Shakespeare, most particularly Hamlet—and builds from their parts a unique, steamy, bisexual love triangle between three famous characters.
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