// Category Archive for: Feminism

Congratulations To PJ Harvey, Two-Time Mercury Music Prize Winner

By Less Lee Moore

You may have already heard that PJ Harvey has won the UK’s 2011 Mercury Music Prize for her most recent album, Let England Shake, but what you may not know is that she is the first person to win the award twice. Additionally, she was the first female to win the award ten years ago for her outstanding 2001 album Stories From The City, Stories From The Sea.

Watch her performance of “The Words That Maketh Murder” at the Mercury Prize ceremony on September 6.

We reviewed Let England Shake on the Popshifter blog back in February, with J Howell saying that it “will likely stand the test of time as one of the finest, perhaps even one of the most important, records of the early twenty-first century.”

On September 12, 2011, PJ Harvey will release an exclusive iTunes Session which can be pre-ordered on the iTunesStore. The EP features seven recently recorded live tracks along with an interview. It also includes four songs from Let England Shake as well as three of her most widely acclaimed songs from past albums.

iTunes Session track listing:
1. Let England Shake
2. The Words That Maketh Murder
3. The Last Living Rose
4. Written On The Forehead
5. Angelene
6. C’Mon Billy
7. Down By The Water
8 – Interview –

Says Harvey of her win, “I feel surprised and astonished that I’ve won twice and I do feel proud, it’s amazing, I can’t quite take it in but at the same time I feel that making music and words is very important to me and I’ve always tried to make it the best it could possibly be and I hope to continue doing that. I hope to be back here again in another 10 years’ time with another record because it’s very important to me to keep making word that is of relevance, not just to myself but to other people.”

We hope so, too.

You can stream two songs from Let England Shake on Soundcloud: “Written On The Forehead” and “The Words That Maketh Murder.” You can also purchase the album from iTunes and Amazon.

In Defense Of Television

“There are only two things I love in this world: everybody, and television.”
—Kenneth the Page on 30 Rock

“Now I am become death, the destroyer of worlds.”
—The Bhagavad Gita, as quoted by J. Robert Oppenheimer

TV is bad for you, right?

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My Little Pony: Friendship Is Magic Is Magic

By Matt Keeley

The Hub’s My Little Pony is one of the the best shows on television. I came to it rather late, despite having friends who were already fans, mainly because, well . . . who would ever think that statement could ever be true? But it is. And it’s all thanks to Lauren Faust.
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The Feminist Mystique: Joan Holloway, Peggy Olson, And Protofeminism In Mad Men

By Chelsea Spear

Hey Mad Men fans, let’s play a word association game. When I say to you “Peggy Olson,” what comes to mind? Of course you’d think of the plucky, ambitious copywriter of Sterling Cooper, a Cinderella out of nowhere who’s made a name for herself both through her skill with words and her dogged pursuit of every opportunity that comes her way. Thoughts of Peggy’s unfortunate wardrobe might also cross your mind, as you think about her fondness for mustard yellow and those ridiculous fluffy bangs she rocked in the early episodes.

Okay, so let’s try this again, this time with “Joan Holloway.” Two words might pop into your head: Hotchie and/or motchie! Yes, Joan is the series’ breakout character, beloved by voluptuous women and drag queens everywhere for her jewel-toned wiggle dresses, her red hair, and her way with a bon mot. True, she’s saved the bacon at SC and assisted in building the new ad firm Sterling Cooper Draper Pryce, but who are we kidding? She’s as well known for her sex appeal as she is for her efficiency and professionalism.
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Sick And Sin: The Allure Of Lace

By Less Lee Moore

“Incidentally, which one of you bitches is my mother?” has become an iconic piece of television history, especially to anyone who grew up in the 1980s. This infamous line of dialogue—spat, rather than spoken, by Phoebe Cates—from the 1984 TV miniseries Lace, is hardly the most ridiculous thing that takes place during one of the most notorious television miniseries.

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Skating The Edge With Aeon Flux

By Kai Shuart

At first blush, television seems a grossly distorted lens through which to examine philosophical questions. Every television show that comes through our tablets, computers, and (decreasingly) television sets is so overblown, and, well, downright Hollywood, how can it be the catalyst for examining the deeper questions of life? It’s entertainment; it’s only supposed to hang around between the time the opening credits start and the closing credits end.
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Shonen Knife, Osaka Ramones: Tribute To The Ramones

By Matt Keeley

Sometimes the redundant can be awesome. Shonen Knife‘s own music is quite Ramonesy, so some out there might not see the point of them doing a full album of Ramones covers. Those people who I may have just made up are stupid. Shonen Knife are awesome, as are the Ramones. How can you go wrong with an album of Shonen Knife—a band that was dubbed the “Osaka Ramones” by a Ramone himself—doing Ramones covers? You can’t. QED.
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It’s Not Nice To Fool Mother Nature: Tarantula, Piranha, Inseminoid

By Less Lee Moore

This article originally appeared in The So Bad It’s Good Movies Fanzine, Issue #2.

Godzilla (1954) is perhaps the first horror movie to depict the dire consequences of tinkering around with nature, and it inspired decades of thematic impersonators. Although it warned of the dangers inherent in the H-bomb, as environmental and sociopolitical concerns transformed, so did the types of movies which addressed these issues.

American films from the 1950s, such as Them! (giant killer ants), Beginning of the End (giant killer grasshoppers), and The Creature From The Black Lagoon (killer fish/man/beast) all point out how “tampering in God’s domain” (to paraphrase MST3K) can really screw things up.

But what about the womenfolk? How do they fit into this? From Tarantula to Piranha to Inseminoid, let’s look at what happens when we try to fool Mother Nature.

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A Sci-Fi Fairy Tale: Hanna

By Lisa Anderson

One of the best movies of the year has already arrived, without much fanfare. If you’ve gone to see a movie rated PG-13 or higher in the past few months, then you’ve seen the trailer for Hanna, where the thrumming score by the Chemical Brothers provides the background for a teenage girl’s acts of derring-do. What you can’t tell from the trailer is that Hanna is one of the most innovative science fiction movies to come along in a while.
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Doctor Who‘s Elisabeth Sladen: An Appreciation

By Cait Brennan

As Doctor Who fans prepared to celebrate the launch of its most anticipated series yet, the show lost one of its most enduring stars. Elisabeth Sladen, who portrayed Sarah Jane Smith, died April 19, leaving behind generations of fans and a legacy as one of the most popular characters in science fiction history.
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