Yay! Another pregnancy devil movie! In the past couple of years these kinds of films are blowing up but they all do the exact same thing. I was a little apprehensive about checking out Delivery: The Beast Within because I’m kind of bored with the routine.
Hot & Saucy Pizza Girls has taught me two things: Bob Chinn is a great porno director and Desireé Cousteau exists and she is gorgeous.
Vinegar Syndrome knocks it out of the park with their vintage hardcore pornography line because they are releasing some truly interesting films. Yes, it is porn (like I always say), but the stories behind them are tremendously captivating.
Aldo Lado has made some intense films in his day, including Short Night Of Glass Dolls, Who Saw Her Die?, The Humanoid, and Night Train Murders. Lado’s films look incredible: he has a great eye for using just the right amount of light in his shots, always giving a heavy, giallo, neo-noir look to his films.
Hillbilly Horror Show Vol. 1 was created and curated by award-winning writer and producer Blu de Golyer (House Of Good And Evil) and veteran actor and producer Bo Keister (Remember The Titans). This one-hour collection of horror shorts is strung together by not so funny hillbilly humor from characters Bo (grubby bumpkin leader reliant on bathroom humor), Cephus (mumbling counterfeit of King of the Hill‘s Boomhauer), and sister/cousin Lulu (provider of the daily recommended amount of T&A). It just doesn’t compare with the fun factor of horror hosts like Elvira and Svengoolie. The attempt to change the usual horror format presentation is clever, but the lowbrow humor falls flat, flatter than the roadkill Lulu cooks up for dinner. Perhaps if they amped up the redneck skeezy sleaze factor a bit more it might be a successful execution of concept.
The first short, “Franky & the Ant,” is a throwaway copy of a Tarantino-sque scene and has an ethically questionable duo participating in a mundane conversation as they complete their violence. The rest of the shorts are definitely worth a watch, though. “Doppelganger” gave me a chuckle and had gorgeous stop action photography of a skeleton on an arduous journey, but could have edited a minute from the piece, even though it’s only a short. “Amused” is an interesting concept with fresh camera angles, great foley work, and a bit of gore. I can’t say I was shocked by the ending (though many will be), but it was nice to see a strong female making at least one smart choice in a horror piece.
The best was saved for last in “The Nest” which has a uniquely twisted storyline, is well shot and acted, and is at least as good, if not better, than anything shown on Tales From the Crypt or Tales From the Darkside.
Volumes 2 and 3 will be released in 2015 and will feature gag reels and added footage in addition to the featured horror shorts.
Hillbilly Horror Show Vol. 1 was released by MVD Entertainment Group on October 21.
I’m a found footage lover, but holy shit, this style is becoming so redundant.
Have you ever watched a film and then the next day you don’t remember a thing about it? Yeah, that happened to me with Grave Halloween.
Years ago I came across a VHS bootleg of Nekromantik. All these years later, I thought I had seen Nekromantik in its entirety. I was wrong.
Man, I hope I’m not getting burnt out on found footage films. I can’t seem to find any that are halfway decent these days. Every week I’m faced with one and I just sit there wondering why the hell it feels like I’m watching the same thing over and over again. It seems out of 20 films I see I might find one that’s decent but those aren’t good odds. I’m actually not kidding when I say 20; I’ve watched about 20 found footage films this past month and only found one that I actually liked. The Paranormal Diaries: Clophill is not one of those films.
Whenever I hear a film is based on a graphic novel I get a little excited. I love graphic novels and I have enjoyed the majority that have been turned into movies. When The Scribbler came to me I was pumped to watch it because it seemed like a weird and ambitious story.
Before I get into the film I will say this: Filmmakers, stop trying to copy Sin City, Watchmen, and 300.
I could go on and on again about how important Vinegar Syndrome is to cinema but I’ll refrain . . . for now. Instead, I’m going to attempt to explain the awesome and completely nutty Raw Force. I first saw this film about a year and a half ago and didn’t know what to say. It has everything that I want in old cheesy B-movies: comedy, action, boobs, karate, rocket launchers, zombies, weird parties, horrendous acting, people breaking ice with their faces. (Seriously, a dude breaks a block of ice with his face, but it isn’t for show; it is actually to get ice for a drink he is making for someone. I shit you not on this.)