By Matt Keeley
Brooklyn Academy Of Music, Brooklyn NY
February 15, 2010
Every music geek has a list of bands that they’re certain they’ll never see live, but would just about kill to get the chance. For me, that includes Kraftwerk (seen once), DEVO (seen three times), and The Residents (seen twice). And Yoko Ono (now seen). And not one person killed or even maimed.
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By Noreen Sobczyk
Jon Spencer is a man of many faces. He is a crazed preacher proselytizing the electric gospel. He is a musical ringmaster with Tourette’s Syndrome repeatedly proclaiming, “the blues is number one.” He is the majestic mumbling Boomhauer of rock and roll. He and the Blues Explosion are here for one reason: to save rock and roll. And they do it repeatedly, as though it simply flows from their veins; as if they were born to do it. If you’ve ever seen them live, you know two things for certain: they take no prisoners and they are not fucking around.
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By Maureen
When I saw the trailer for Shutter Island, I was instantly intrigued. My first celebrity crush, Leonardo DiCaprio, delving into my current career field, mental health? Seemed too good to be true.
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By Noreen Sobczyk
Every music lover has undoubtedly been asked the same question at some point: “So what kind of music do you like?” It’s one of those tricky questions that sometimes results in a snarky answer, such as “the kind with melody and rhythm.”
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By John Lane
There’s something a-brewing in Scotland, and aye, I believe it has the whiff of genius. (Macbeth, Scotland, witches reference—anyone? Bueller?)
The Man From Another Place (a.k.a. Dan Hirst) has proven himself to perhaps be the next incarnation of Burt Bacharach, providing five cinematic tunes on his debut EP that defy the listener to not daydream or soul-search. The title itself, The Loneliest Cowboy, hints at its instrumental-only air, suggesting a mute cowboy who wistfully ambles along with his ol’ horse and lets the music in his head do the talking while visualizing sweeping country vistas.
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By Danny R. Phillips
In my younger years, Power Pop was a genre that I avoided it like the Black Plague or Herpes. As a long time advocate of the virtues of punk rock I could not allow myself to support music with such an identity crisis. Was it hard rock? Bubblegum? What? With a few exceptions, mainly Cheap Trick, The Cars, and the riff from “Jessie’s Girl,” it was not something I championed or even tolerated.
Then came the 1990s and with it came bands like Weezer and the exceptional songsmith Matthew Sweet, musicians who embraced the principles of power pop and drank fully of its long and storied past. Perhaps years had softened my barriers or I was now old enough to see that punk has its limits. Power Pop was no longer the enemy.
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By Less Lee Moore
In I Found All The Parts: Healing The Soul Through Rock ‘n’ Roll, we learn a lot about author Laura Faeth as we follow her on an important journey.
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By Christian Lipski

Muse: Under Review is a retrospective of the British rock band’s career since its start in Teignmouth, UK (and thank you for showing me how that is pronounced).
It’s an unauthorized biography, meaning the members of Muse did not contribute or endorse the material. Immediately, I’m assuming this means no music, no photos, and no new information, which was the main problem with earlier documentaries like Muse: Manic Depression.
Happily, I was well mistaken here. The DVD is filled to the brim with clips from videos and live performances, behind-the-scenes photos, and interviews with music journalists and key participants in the band’s rise. It’s two hours of in-depth study which should make the band’s fans glow with satisfaction.
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By Less Lee Moore
With Ben Stevenson & The Wondertones/Hot Panda/Sweet Thing
Lee’s Palace, Toronto ON
March 13, 2010
For a band to reach an exalted position on my list of all time faves they must possess two qualities: wonderful musicianship and witty lyrics. Because they have consistently excelled in both categories, Electric Six have ascended quickly up my own personal charts over the last three years. Put another, less pedantic, way: they crack me up and they fucking rock.
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By Hanna

When The Wolfman‘s release date was announced, feminist blog Jezebel asked why there aren’t many female werewolves, concluding that because werewolves are disgusting and hairy, people don’t want to equate that with women. They also pointed out that vampires are a lot more popular than werewolves at the moment, and described that position with regards to sex.
Although the answer to the question about women and werewolves lies exactly in those issues, Jezebel drew the wrong conclusions.
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