// Category Archive for: Current Faves

The Definitive Bill Evans on Riverside and Fantasy

By Paul Casey

“I believe that all people are in possession, of what might be called a universal musical mind. Any true music speaks with this universal mind, to the universal mind in all people. The understanding that results will vary, only insofar as people have or have not been conditioned to the various styles of music, in which the universal mind speaks. Consequently, often some effort and exposure is necessary in order to understand some of the music coming from a different period or a different culture, than that to which the listener has been conditioned.

I do not agree that the layman’s opinion is less of a valid judgment of music than that of the professional musician. In fact, I would often rely more on the judgment of a sensitive layman than that of a professional, since the professional, because of his constant involvement in the mechanics of music, must fight to preserve the naivety that the layman already possesses.”
—Bill Evans

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Welcome To The Iceage

By Less Lee Moore

Photo © Alberte Karrebæk

This is Iceage. Although there’s a better press photo that proves these four Swedish guys are, in fact, still in high school, I picked this blurry one because it looks more akin to what they sound like. And that’s something I’m not yet fully able to describe.

Based on the song, “White Rune,” I’ve got high hopes for Iceage’s debut album New Brigade, which will be released via What’s Your Rupture? on June 21. It’s got that exciting, on-the-verge-of-collapsing, post-punk sound of which I will never grow tired.

Yet unlike a lot of revisionist-sounding post-punk bands, I can’t immediately name another band Iceage seems to be imitating. And “White Rune” features saxophone. You know the kind. Not sax of the Yacht Rock or Kenny G. flavor, but the bad ass kind.

New Brigade is a mere 24 minutes long but based on “White Rune” it looks to be an exhilarating 24 minutes. I will keep you posted.

In the meantime, check out the band’s website. They’re playing lots of UK dates in May so go see them if you can.

The Choir Indivisible: Scala & Kolacny Brothers Live

By Christian Lipski

Roseland Theater, Portland OR
March 9, 2011

Click for larger image.

Scala & Kolacny Brothers, a Belgian girls’ choir directed by Stijn Kolacny and accompanied on piano by brother Steven, has made its name by performing haunting covers of popular songs including Radiohead’s “Creep” from The Social Network‘s soundtrack. At the Wonder Ballroom last night, they gave Portland a taste of their European direction.

Even if you’ve heard their self-titled CD, which was recently reviewed in Popshifter, you can’t know what it’s like to hear these songs coming from 23 young women in an enclosed space. It gives the modern listener a glimpse into what early devotional music must have been like for medieval worshipers. Hearing so many human voices at once is incredibly moving, especially when paired with the right songs.
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Foo Fighters, Wasting Light

By Danny R. Phillips

I’ll say it right now: In my opinion, the last few Foo Fighters records have not been, shall we say, stellar. And I will add that I stopped buying them after There Is Nothing Left To Lose, my personal belief being it exposed two things that threw a monkey wrench (sorry, corny song reference there) into the works.
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Iggy & The Stooges, Raw Power Live

By Less Lee Moore

Raw Power, the last official Stooges record, was originally released in 1973 and has been the subject of conflict ever since (amongst the band and its fans), due to the various remixed and reissued versions. This live album, recorded in September 2010 at the All Tomorrow’s Parties Festival in New York is a great interpretation of Raw Power and completely free of any polemic politics. There are some minor changes: the track list is slightly rearranged and “I Got A Right” is added on at the end, but nothing could ever change the incredible spirit of these songs. Raw Power is the perfect description of not just The Stooges, but Iggy Pop himself.

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Invisible Hand, S/T

By Less Lee Moore

At first the name Invisible Hand conjured images of some kind of Scooby Doo villain. Discovering that the lead singer and songwriter is named “Adam Smith” (yes, his real name) made me laugh; hearing the band’s music did, too. Invisible Hand isn’t a joke band, though they are clever, both musically and lyrically. They’re also incredibly fun and addictive.

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Erland & The Carnival, Nightingale

By Less Lee Moore

“A musical and melancholy sound” is not just a lyric from “Nightingale,” the title track from Erland & The Carnival‘s latest album, but also a perfect description of the band. They weave both musical references and literary allusions into their distinctive melodies, creating an evocative, intoxicating musical tapestry that is lush and extraordinary.
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I Slept With Joey Ramone: A Punk Rock Family Memoir

By Less Lee Moore

The Ramones have infiltrated pop culture to the point where one can hardly imagine a world without them. Yet out of the original lineup, all have passed away except for Tommy. Dee Dee died in 2002; Johnny died in 2004. Joey died from lymphatic cancer in 2001. His brother Mickey Leigh started writing I Slept With Joey Ramone not long afterwards, with the help of longtime friend and punk writer Legs McNeil.
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“Seductive Subversion: Women In Pop Art”

By Chelsea Spear

Exhibit at The Aidekman Center for the Arts
Medford, MA

Free association: When I say the words “Pop Art,” what comes to mind? Screen-prints of Brillo boxes and Campbell’s soup cans, Ben-Day dots on comic-strip women, cartoon collages. And pop artists? Andy Warhol, Roy Lichtenstein, Richard Hamilton, maybe Jasper Johns and Robert Rauschenberg. Like most art movements, Pop Art is considered to be a boys’ club. “Seductive Subversion” seeks to turn this misconception on its head.
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Zoobombs, La Vie En Jupon

By Matt Keeley

Most of the Japanese bands I listen to seem to draw their inspiration from the late ’70s. Shonen Knife are heavily influenced by The Ramones and the Buzzcocks, while POLYSICS draw from DEVO, XTC and M. The Zoobombs on the other hand, while also influenced by the ’70s, draw inspiration from the earlier part of that decade. Their new collection, La Vie En Jupon, is much closer to Black Sabbath than punk. And, as far as Sabbath goes, they are less “Paranoid” and more “Electric Funeral.”
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