By Less Lee Moore
When I learned of the Mildred Pierce miniseries—directed by Todd Haynes and airing on HBO—I was thrilled. I’ve been a longtime fan of the novel and film, as well as of Haynes. Then I started to second-guess my excitement.
Would another male-directed version of this story merely intensify the story’s “male gaze”? Furthermore, should I revere Mildred Pierce as a feminist text when the original novel was written by one man (James M. Cain) and first captured on screen by another (Michael Curtiz)?
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By Lisa Anderson
Elizabeth Gilbert seems to be a rather divisive literary figure. Her 2006 memoir, Eat, Pray, Love told the story of the year she lived abroad after her first marriage ended. It spent almost two hundred weeks on the New York Times bestseller list, and was praised by Oprah Winfrey. At the same time, it received a lot of criticism in the blogosphere. The gist of the criticism is that many people have problems starker than Gilbert’s, that very few people have the resources to travel for a year as she did, a and that to use other countries as the backdrop for her personal salvation was imperialist at best, racist at worst.
I don’t think that any writer is above criticism, and I’m not trying to silence anyone. I certainly agree that racial and cultural sensitivity are important. However, a lot of what I’ve heard said about Gilbert misses the point of her work, and some critiques are quite sexist. I’d like to point out a few of the things that I’ve heard and explain why I don’t believe they apply.
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By Less Lee Moore
My interest in this documentary on some of the bands in the mid-80s L.A. punk scene was piqued by the inclusion of Redd Kross, which, as anyone who knows me will attest, is my all time favorite band. Not because they are necessarily the best band in the world, or the most famous, or the most infamous, but because they forever changed my life for the better, a topic too lengthy to get into here, but which is, unsurprisingly, completely relevant to a discussion of A History Lesson Part 1.
This is not your standard glossy, let’s-explain-why-punk-rock-is-so-important documentary. It’s comprised of old footage shot by Dave Travis, a fan and friend of the bands featured—The Meat Puppets, The Minutemen, Twisted Roots, Redd Kross—interspersed with current interviews from members of those bands. The immediacy and importance of all the bands is captured in the grainy footage, and rather than coming across as embarrassing, it’s completely invigorating.
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By Chelsea Spear
In the late 2000s, knitwear designer Beth Hahn took the knitting world by storm with her series, The Adventures of Miss Flitt. Blending steampunk-friendly Victorian style, elegant knitwear designs, and an addictive narrative, the series follows the adventures of Emma Flitt as she traverses 19th century Brooklyn to find her sister. Her travels take her to seedy vaudeville theaters, pickpockets’ dens, and—in the most recent edition—to a most spooky séance. Ever the master storyteller, Hahn weaves her story through a series of simple-yet-gorgeous and thoroughly wearable cardigans, berets, overskirts, and other accessories.
On a chilly weekend in early January, I took virtual tea with Beth Hahn to find out more about her knitting endeavors.
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By Less Lee Moore
Any marginalized subculture bristles at being misinterpreted on film. Then again, the punk subculture is by now so fragmented and unrecognizable, one hesitates to even attempt to define it, much less depict it on the screen.
Yet best friends Zack Carlson and Bryan Connolly spent five years documenting each and every appearance of punks on film. They were inspired to undertake this monumental task after re-watching Penelope Spheeris’s quasi documentary Suburbia and then shortly thereafter, seeing Joysticks, a video arcade comedy from 1983, for the first time.
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By Janet Brusselbach
It feels really good to be listening to free music that’s not only intended to be free, but that’s also really good.
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By Jim R. Clark
There has been quite a bit of interest in Balkan music lately due to the popularity of such bands as Gogol Bordello and Balkan Beat Box. If you’re one of those music nuts who’s heard everything, then hopefully this article can introduce you to something new. Here is a taste of some of the great musical offerings popular in the Balkans today. Maybe you will get hooked and want to start your own Manele band!
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By Matt Keeley
I have been listening to Shonen Knife for literally half my life. I’m 30 now, so do the math! That being said, I’ve only been able to see them live twice: once on the Gokigen Tour in 2005, and recently for the new album Free Time. There’ve been line-up changes since the first time, but the sound is the same and just as good as it always was.
I was so thrilled to interview Shonen Knife before their show at the Tractor Tavern in Seattle—the first stop on the new US tour. I got to talk to all of them and ask Naoko Yamano about her songwriting, finding records in Japan when she was growing up, Japanese vs. English, writing about animals and food, and more, including the band’s recent experience playing in China. She even tells a scary story, seeing as it is the Halloween issue and all!
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By Jim R. Clark
Korean Horror Films, or K-Horror, are horror films made in South Korea. Not North Korea!
K-Horror films have enjoyed a surge in popularity starting around 1998, and subsequently winning worldwide acclaim in international film festivals and among horror film fans.
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By Emily Carney
Obviously, I am more than familiar with what scares me the most in my real life; in my attempts to look for “scary” videos for this issue of Popshifter, I stumbled across a lot of scenes from horror films, bad attempts at karaoke, videos of methamphetamine addicts doing their “thing,” clips of “actor”/mess Paz de la Huerta, and of course Michael Jackson’s “Thriller” video (which I never watched until I was in my twenties. . . no kidding).
However, I can’t say that any of these actually frightened me; at most, they were mildly amusing. So, I became blocked on what to do for this article. . . that is, until last night, when I discovered a masterpiece of an absolutely terrifying kids’ show.
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